Paper Still-life Sculptures

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...

"Blue Dumpster" is an original paper, wire, enamel, dry pigments artwork by Drew Leshko measuring approx. 4.5"h x 6.5"w x 3"d. Drew Leshko is a Philadelphia, Pennsylvania-based arti...

This sculpture titled "Ice Box" is an original artwork by Drew Leshko made of variety of paper, acrylic, wire, pastel. This piece measures approximately 4”h x 3”w x 2.5”d. Drew Lesh...

"Wanderer's Pizza" is an original paper, enamel, pastel, inkjet prints, chain, wire, and tubing artwork by Drew Leshko measuring approx. 11.5"h x 7.25"w x 0.75"d. Drew Leshko is a P...

This sculpture titled "Hotel (Blue/Red)" is an original artwork by Drew Leshko made of paper, acrylic, basswood, and pastel. This piece measures approximately 12”h x 12”w x 5.5”d. D...

This piece titled "General Medicine" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, and pastel by Drew Leshko. This piece measures 10"h x .75"...

"Take Out (Csirke-Fogo)" is an original lithograph on Gampi paper, and glazed porcelain artwork by Yoonmi Nam measuring 5”h x 13”w x 16”d (variable). Yoonmi...

"Blue Dumpster" is an original paper, wire, enamel, dry pigments artwork by Drew Leshko measuring approx. 4.5"h x 6.5"w x 3"d. Drew Leshko is a Philadelphia, Pennsylvania-based arti...

Please allow a two month turnaround time for this piece to be made. This particular cast paper is sculpture is taken from lava fields located on Hawaii as well as ice from Palmer S...

This green miniature, painted, paper sculpture titled "Green Dumpster" is an original artwork by Drew Leshko made from paper, wire, enamel, and dry pigments. Through paint and sculp...

This blue and white sculpture titled "Hotel Tudor" is an original artwork by Drew Leshko made of paper, acrylic, basswood, and pastel. This pi...

Michele Brody, Nature Preserve: Installation, Wetlands plants floating on water, 2011 The essence of Michele Brody’s work thrives on the interaction with new communities and place-m...

This piece titled "Therapy Salon" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, and pastel by Drew Leshko. This piece measures 8"h x .75"w x ...

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...

This sculpture titled "Ice Box" is an original artwork by Drew Leshko made of variety of paper, acrylic, wire, pastel. This piece measures approximately 4”h x 3”w x 2.5”d. Drew Lesh...

This sculpture titled "Hotel (Blue/Red)" is an original artwork by Drew Leshko made of paper, acrylic, basswood, and pastel. This piece measures approximately 12”h x 12”w x 5.5”d. D...

"Wanderer's Pizza" is an original paper, enamel, pastel, inkjet prints, chain, wire, and tubing artwork by Drew Leshko measuring approx. 11.5"h x 7.25"w x 0.75"d. Drew Leshko is a P...

This piece titled "Little Delicious Caribbean and American Restaurant" is original artwork made from paper, inkjet print, enamel, basswood, tube, and pastel by Drew Leshko. This piec...

This piece titled "Lucky Restaurant" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, and pastel by Drew Leshko. This piece measures 10"h x 0.75...

This white and red sculpture titled "Take Out (Thank You Thank You Thank You)" is an original artwork by Yoonmi Nam made of lithograph on Gampi paper, and ca...

A ROSE IS A ROSE IS A ROSE 37.0 x 36.0 x 1.25, 3.0 lbs Archival paper Founder's stamp Artist's Commentary: "Unique handcrafted on-edge paper sculpture on composite board cutout, d...

ENGLISH ROSE 38.0 x 35.0 x 1.25, 3.0 lbs Archival paper Founder's stamp Artist's Commentary: "Unique handcrafted on-edge paper sculpture on composite board cutout, designed to be ...

Michele Brody, Nature in Absentia: Cattails Plucked Out, Handmade Cast Paper The essence of Michele Brody’s work thrives on the interaction with n...

“Salon (13)“ is a collection of 13 small-scale works by artist Heather Nicol. The installation of 13 assemblages is variable. The artist will personally consult with the buyer and can be on site for the installation. The 13 mixed media pieces include delicate lighting elements that shift and change via arduino electronic devices, or utilize picture lights throwing a soft roll of light across the artwork. These works are linked through their wiring, which is enveloped in a white umbilical cord-like fabric casing, creating an organic, unifying code of display. Heather Nicol is a multidisciplinary artist whose practice includes immersive sound installation, small-scale discrete object making, and independent curating. Her large site-specific interventions explore the architectural, sonic, historic and operational conditions across a wide range of locations. These include concourse atriums, rail terminus, lobbies, a theatre, a public school building, a theme park...

“Specimen 2“ is a mixed media piece by artist Heather Nicol, and measures 16x13x1“. Part of a body of work known as Salon, this particular assemblage is ...

Michele Brody, Drawing Roots: Free Fallling, Handmade Paper with Flax Roots, 18"h x 15"w x 1"d, 2017 The essence of Michele Brody’s work thrives on the interaction with new communi...

Cubist abstract mixed-media sculpture titled 'Horse and Rider' was created using various materials including wood, papier-mache, and paint by Bill Low (Scotl...

"Shop" James Bassler, brown paper Trader Joe's shopping bags, cut and twisted, with yellow and red waxed linen thread, 16" x 11" x 5", 2009. "Shop", by ...

It has a variegated texture to it. It is signed and titled. Large format drawing or painting in pastel or crayon. Dennis Leon, was a San Francisco Bay Area sculptor and art instructor Mr. Leon was chairman of the sculpture department at the California College of Arts and Crafts in Oakland from 1972 to 1988. He remained a faculty member until his retirement as professor emeritus in 1993. A vibrant work in pastel with the energy and texture seen in the work of Wolf Kahn. He was born in London, England and emigrated in 1951 to the United States, where he studied at Temple University in Philadelphia. He graduated with art degrees, including a master's degree in fine art. He served in the U.S. Army and the Army Reserve from 1957 to 1963. In 1959, Mr. Leon joined the faculty of the Philadelphia Museum College of Art. He also worked as an art critic for the Philadelphia Inquirer until 1962. After coming to the Bay Area, he held his first local one-man show of sculpture in 1973, at the James Willis...

This miniature, white and blue, paper sculpture titled "FAR OUT" is an original artwork by Drew Leshko made of paper, acrylic, inkjet prints, basswood, wire, PVC plastic, pastel, and...

This blue and white sculpture titled "Hotel Tudor" is an original artwork by Drew Leshko made of paper, acrylic, basswood, and pastel. This pi...

This white and red sculpture titled "Take Out (Thank You Thank You Thank You)" is an original artwork by Yoonmi Nam made of lithograph on Gampi paper, and ca...

To Chicago-based artist Patrick Fitzgerald, his miniature car sculptures are a means of traveling through time. Born from a fascination with the soap box...

Chicago-based artist Patrick Fitzgerald uses his works as a means of resurrecting the idyllic worlds he once found in the industrial surroundings of his youth. Raised in Grand Rapids...

Artist Commentary: Spira Fiore comes from a body of work based on a tying system I created which draws inspiration from sea shells. It is made of three layers of bamboo. One layer u...

metal, polymer, pigment, wood "Label text: Go back to sleep, it's just a dream. Companion piece to Pill Red." This sculpture will be shipped directly from the artist's studio.

metal, polymer, pigment, wood Edition of 20 From NOTE Prime Cuts This sculpture will be shipped directly from the artist's studio.

digital print on aluminum, wood, 3D print, paint, stainless steel Edition of 8 From MB DAY JOB Your Ad here This sculpture will be shipped directly from the artist's studio.

metal, polymer, pigment, wood Edition of 20 From NOTE Study of Paint Drips This sculpture will be shipped directly from the artist's studio.

metal, polymer, pigment, wood "Quote on label from Alexander Calder: ""My fan mail is enormous. Everyone is under six."" The numeric code on the crimped end of the tube spells CALD...

metal, polymer, pigment, wood Edition of 20 From NOTE Prime Cuts This sculpture will be shipped directly from the artist's studio.

metal, polymer, pigment, wood Edition of 20 From NOTE Put the Soup On This sculpture will be shipped directly from the artist's studio.

metal, polymer, pigment, wood Edition 20 "Donald Sultan copied Any Warhol's Flowers, which were no doubt copied from someone else. But Sultan's real claim to fame is the massive ove...

digital print on aluminum, wood, 3D print, paint, stainless steel Edition of 8 This sculpture will be shipped directly from the artist's studio.

digital print on aluminum, wood, 3D print, paint, stainless steel Edition of 8 This sculpture will be shipped directly from the artist's studio.

metal, polymer, pigment, wood Edition 20 From ROLLER (small) Marilyn On A Roll This sculpture will be shipped directly from the artist's studio.

Edition 20 archival digital print mounted on aluminum with 3D printed push pin This sculpture will be shipped directly from the artist's studio.

metal, polymer, pigment, wood Edition 20 This sculpture will be shipped directly from the artist's studio.

digital print on aluminum, wood, 3D print, paint, stainless steel Edition of 8 From MB DAY JOB Hirst Taxidermy This sculpture will be shipped directly from the artist's studio.

metal, polymer, pigment, wood "Label quote from M.C. Escher: ""Are you really sure that a floor can't also be a ceiling?"" Numeric code on crimped end of tube spells ESCHER."

metal, polymer, pigment, wood Edition of 8 Label quote from Fred C. Dobbs, as played by Humphrey Bogart in The Treasure of Sierra Madre: "I think I'll go to sleep and dream about pi...

metal, polymer, pigment, wood Edition of 8 "Label text: Becoming an artist is a polite way of saying you've chosen alcoholism as a career. From NOTE Emphasis This sculpture will b...

metal, polymer, pigment, wood Edition of 20 "Label text: Becoming an artist is a polite way of saying you've chosen alcoholism as a career. From NOTE Emphasis This sculpture will ...

metal, polymer, pigment, wood Edition of 20 From NOTE Critical Elements This sculpture will be shipped directly from the artist's studio.

metal, polymer, pigment, wood "This set includes the following conceptual brushes: dry, hare, hair, air, shaving, and feather." This sculpture will be shipped directly from the art...

metal, polymer, pigment, wood Edition of 8 "Label text: Becoming an artist is a polite way of saying you've chosen alcoholism as a career. From MB PIN UP Call Lucy (kiss) This scu...

metal, polymer, pigment, wood Edition of 8 "Label text: Becoming an artist is a polite way of saying you've chosen alcoholism as a career. From MB DAY JOB Call John This sculpture...

metal, polymer, pigment, wood Edition of 8 "Label text: Becoming an artist is a polite way of saying you've chosen alcoholism as a career. From MB DAY JOB Call Jackson This sculpt...

metal, polymer, pigment, wood Edition of 8 From MB HOT Burn Baby Burn This sculpture will be shipped directly from the artist's studio.

metal, polymer, pigment, wood "Label quote from Annie Leibovitz: ""I'm more interested in being good than being famous."" The drip is a film negative of Diane Arbus' iconic photo T...

metal, polymer, pigment, wood Edition of 8 "Label text: Becoming an artist is a polite way of saying you've chosen alcoholism as a career. From MB DAY JOB Bag It And Tag It This s...

metal, polymer, pigment, wood "Label text: Becoming an artist is a polite way of saying you've chosen alcoholism as a career. This sculpture will be shipped directly from the artis...

aluminum, stainless steel, PVC, wood, plaster, digital print Edition of 8 "Label text: Becoming an artist is a polite way of saying you've chosen alcoholism as a career. From MB DA...

metal, polymer, pigment, wood "Label text: Becoming an artist is a polite way of saying you've chosen alcoholism as a career. The numeric code stamped into the tube spells AGAVE." ...

To Chicago-based artist Patrick Fitzgerald, his miniature car sculptures are a means of traveling through time. Born from a fascination with the soap box...

This piece titled "Little Delicious Caribbean and American Restaurant" is original artwork made from paper, inkjet print, enamel, basswood, tube, and pastel by Drew Leshko. This piec...

This cobalt blue framed sculpture titled "Explosion #11" is an original artwork by Joey Bates made of cut paper, glue, acrylic paint. This piece measures 20...