Medieval Sculptures

Gypsum cast-medieval tile, inspired from Central Europe. Adjusted in a frame, ready to hang or install.

Gypsum cast - medieval tile, from Central Europe. Adjusted in a frame, ready to hang or install.

Kupjack Miniatures Medieval French Charter-House Library, Normandy France, circa 1425, 2012 mixed media 16.50h x 27.75w x 15d in 41.91h x 70.48w x 38.10d cm KJK002 Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms...

Coppia di capitelli medievali decorati a motivi fogliacei, Lombardia, XII secolo. La forma slanciata da cui si dipartono le foglie lanceolate, sormontata da una spessa mensola, è ti...

Corpus Christi around 1150/70 Southern France or Catalonia carved oak wood

 height 109 cm, width 96 cm Remains of polychromy

ROMAN MADONNA “Sedes Sapientiae” Auvergne Around 1175/80 Pine wood Polychrome remains Height 40 cm This depiction of the Madonna is a masterfully carved, extremely early figure made...

Gypsum cast-medieval tile, inspired from Central Europe. Could be also adjusted in a frame, ready to hang or install ( price will be different).

Taking its name from the seven-tablet Babylonian creation myth, Enūma Elish unfolds across sculpture, video, engraving, and performance — summoning ancient mythologies into contempor...

Taking its name from the seven-tablet Babylonian creation myth, Enūma Elish unfolds across sculpture, video, engraving, and performance — summoning ancient mythologies into contempor...

OUTSTANDING MADONNA Bavaria Around 1515/20 Lime wood carved Original, polychrome version Height 60 cm This masterfully carved, full-round Madonna was created around 1515-20 in...

Gothic relief 17th century Carved wood Size: 31 x 31 x 8 cm Parts of the frame probably 19th century, partially damaged at the edges (see photos) Viewing and collection possible by...

Master in the circle of Michael Pacher (Mühlen ca. 1435 - 1498 Salzburg) Salzburg Around 1480 Carved limewood Old polychrome version Height 118 cm This Madonna is an outstanding ex...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

French Romanesque historiated capital. Herod and the Massacre of the Innocents. Romanesque historiated capital in dolomitic limestone, carved in high relief on three figured faces, t...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

This 15th century bishop - sculpted ca AD1460 - has a smile on his lips and a benevolent presence. He is also something of an Adonis - one tends to forget that in the medieval churc...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

South German woodcarver, circa 1890, Gothic style Jesus, John and Mary Life-size group of saints in 2 parts, carved from lime wood Jesus: 164 x 61 x 97 cm John, Mary: 164 x 53.5 x 8...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

Sitting Madonna Central Italy/Tuscany or Marche Around 1420 Poplar wood carved Original version Height 31 cm Charming Madonna sculpture from the heyday of the Soft or International...

Angel of the Annunciation Prague workshop from the circle of Master Theoderich (mentioned from 1359 to 1368) Around 1380/90 Carved & polychrome painted limewood Height 88 cm An ang...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

Virgin and Child with Goldfinch Workshops of Metz, Lorraine, circa 1330 Limestone carved in the round with remains of polychromy Height: 61 cm This sculpture is sold with a certific...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

The State Horse India, late 19th century Carved wood decorated with embossed and studded metal plates. Carving depicting the harness (bridle, saddle and caparison), embellished wi...

Corpus Christi. Burgundy 13th century. Crowned Christ from the borderlands between northern Burgundy and southern Champagne, dating from the last third of the 13th century. Carved in polychromed and gilded walnut, this Christ preserves significant traces of its original polychromy and gilding. On the torso, particularly on the ribs, the flesh tones are still clearly visible, as are the gilded areas on the perizonium and on the crown. This Corpus Christi, of striking presence, perfectly illustrates the Rayonnant Gothic style with reminiscences of Classic Gothic, notably in its representation of Christ the King. The anatomy of Christ is characterised by a language that is both graphic and sensitive, typical of workshops working in the orbit of the great northern building sites. The ribcage with its prominent ribs derives from an archaic stylisation intended to underline the emaciation of the crucified body, while the suppleness of the abdomen, slightly distended, bears witness to a new naturalistic observation. The head, tilted towards the right shoulder, breaks with the axial rigidity of earlier periods. Crowned with a royal crown, of which the bases of the fleurons are still preserved, the face retains an expression of peaceful interiority, far removed from the expressionist renderings that would mark the 14th century. The long perizonium is tied relatively high on the hips and unfolds in a complex lateral fall over the left hip, creating a dynamic imbalance. The sculptor has carved the material with great virtuosity, organising the drapery into deep undulations and folds that catch the light. This treatment of volume, heir to the early-13th-century Muldenfaltenstil, achieves a synthesis between the elegance of Parisian ivories and the robustness of Burgundian sculpture. This sculpture may be compared with the Corpus Christi in the Rijksmuseum, dated to around 1260 (see below), and also with the ivory Christ...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

They may be damaged and battered, but real historic objects will always give you a sense of awe. Can you sense it, looking at this ancient carved granite which depicts, as it is call...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

Large Virgin and Child in carved wood, carved back. Sitting on a throne bench, Mary carries Christ seated on her left knee. The Virgin has a face with stylized features with semicircular eyebrow arches, almond-shaped eyes with protruding eyeballs. Marie is wearing a belted dress with a simple neckline and a coat with a flap that goes back to the front. Tiny traces of polychromy. Romanesque influences are still present. With her protruding eyes, she can also be compared to the statuary of Lake Constance. Our Virgin, rare for its size, nevertheless presents strong analogies with the Italian Sedes Sapientiae...

Gothic Virgin and Child - Eastern France. Mid-14th century. Carved in the round from walnut, this work relates to the output of workshops in eastern France in the mid-14th century. S...

Important elm-wood sculpture carved in very high relief and hollowed at the back. Anne is seated in majesty, veil and wimple framing a composed face, holding at her left the blessing...

Grande Vierge à l'Enfant en chêne de la fin du 13ème siècle ou début du 14ème siècle. La plastique des visages et du Christ évoque le 13ème siècle (le visage de la Vierge évoque le visage de la Sedes Sapientiae...

Rare Vierge à l'Enfant en bois polychrome de tradition romane, région du Fenouillèdes, représentant une Virgo Lactans. Avant cette découverte, seules 3 vierges allaitantes médiévales...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

Small marble head representing a bearded man in profile, an apostle or a prophet. This sculpture comes from the Joseph Altounian collection dispersed...

Large catalan Virgin of the Annunciation in polychrome wood. Our Virgin is represented in the phase of the Conturbatio, Mary expresses her amazement a...

Taking its name from the seven-tablet Babylonian creation myth, Enūma Elish unfolds across sculpture, video, engraving, and performance — summoning ancient mythologies into contempor...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

Large romanesque statue of Saint Lucy of Syracuse is dated from the 12th century. The saint is represented veiled and diademed, she wears a long dress, with an important tie. Stone s...

Pilgrim or saint Jacques figure in sculpted and polychromed limestone. He holds a calabash in his left hand. He probably held the pilgrim's staff in his missing right hand. Very beau...

The piece is based on Australian super-model Emma Champdaloup who really has those planar features, soaring cheekbones and intense gaze. I saw in the piece an archetypal female powe...