Arch Art

Palazzo Madama II, Torino, 2007 Chromogenic print 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x 88.5 inches edition of 5 The photographer is based in F...

Historical Photo of Prison  - Carcere dell'Ucciardone Palermo  is a vintage black and white photograph realized in the 1970s. Good conditions.

Architecture and Art Photo - S. Giovanni e Paolo Church is a black and white vintage photo, realized in the 1920s. It belongs to masterpiece of art and architecture album meticulousl...

Roman View is an artwork realized by Giuseppe Malandrino. Print in etching technique and hand watercolored. Hand-signed by the artist in pencil on the lower right corner. Numbered...

Architecture and Art Photo - S. Maria de Frari Church is a black and white vintage photo, realized in the 1920s. It belongs to masterpiece of art and architecture album meticulously ...

Franz Weirotter (1730-1771), Suite of 12 Views of Italy, etchings, 1759 [most signed in the plate by Weirotter]. Reference: Nagel 5. 10 printed in pairs on one sheet; one on a small...

Based in his homeland of Australia, David has painted extensively throughout his travels in the United States and the UK, where he is regularly represented by select commercial galle...

A piece of a whimsical alphabet that consists of 29 letters. Original work. Fineliner on paper. Inspired by a famous Villa Borghese park in Rome

Unique

Ex Libris - Marii Ponzo  is an Artwork realized in Mid 20th Century.                                                               Woodcut print on ivory paper. The work is glued o...

Venice , Limited edition archival pigment print , 2002 - Edition 2/5. This image was captured on film. The negative was scanned creating a digital file which is then printed o...

On a quiet Alpine morning, where old stones remember more than they reveal, a young girl walks beneath the crumbling arch of a forgotten gateway. The air is cool, the light pale and ...

Monotype Ms. Murray is notable for capturing the crystalline quality of northern light. She has an extensive exhibition history and she is represented in both private and public co...

This is a black and white photograph by Anderson & Low. Bisse #2 2000/2001 Signed in pencil, verso Gelatin silver print (Edition of 25) 20 x 16 inches (50.8 x 40.6 cm), sheet

"Good Morning San Marco - Venise #36", photography by Didier Fournet. Didier Fournet is a contemporary "painter" thanks to photography: he chose pixels instead of brushes and reveal...

Randy Peyton (1958 - present) San Antonio Artist Image Size: 40 x 30 Frame Size: 41 x 31 Medium: Oil on Canvas Dated 2005 "Morning Light on San Fernando ...

This small drawing (pencil on paper, 23 x 19 cm) made on paper cut out in the shape of a lunette depicts a view from the apsidal part of the Benedictine abbey church "Saint Ouen Rou...

Palazzo dei Cesari is a vintage print in salt silver realized by Ludovico Tuminello in the early 20th Century. Titled on the lower. Good conditions except for some foxing.

Santa Maria Alla Catena in Palermo is a lithograph realized in 1862. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or Histo...

Doors Windows Walls of Persepolis is a  lithograph realized in 1864. Good conditions. The artwork belongs to the Suite Uses and customs of all the peop...

Geremia Tomb is a  lithograph realized in 1864. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of the government,...

Pagoda di Scialembrom is a lithograph realized in 1864. Good conditions with some foxing. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or H...

Kaylassa Entrance is a  lithograph realized in 1864. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of the govern...

Akbar's Tomb is a  lithograph realized in 1864. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of the government,...

Zurich is a lithograph realized in 1864. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of the government, of the...

Court of the Temple of Heliopolis in a State of Ruin is a lithograph realized in 1864. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the ...

Wall of Beijing is a lithograph realized in 1864. Good conditions. the artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of the governmen...

The City Palace in Brussels is a lithograph realized in 1864. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of t...

Market Square in Bruges in Belgium is a  lithograph realized in 1864. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples ...

Convent of Saint Anthony on the island of Faial belonging to Portugal is a  lithograph realized in 1864. Good conditions. The artwork belongs to the Suite Uses and customs of all t...

Church of Monreale is a lithograph realized in 1862. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of the govern...

Catacombs of Palermo is a  lithograph realized in 1862. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of the gov...

Cloister of Monreale a lithograph realized in 1862. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of the governm...

Cathedral in Palermo is a lithograph realized in 1862. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of the gove...

Market Square in Catania is a lithograph realized in 1862. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of the ...

Royal Chapel in Palermo is a lithograph realized in 1862. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of the g...

Ear of Dionysius is a lithograph realized in 1862. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of the governme...

William Chapel a lithograph realized in 1864. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of the government, o...

Toledo is a lithograph realized in 1864. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of the government, of the...

Underground Chapel in Messina Cathedral is a lithograph realized in 1862. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or ...

Palazzo dei Cesari is a vintage print in salt silver realized by Ludovico Tuminello in the early 20th Century. Titled on the lower. Good conditions except for some foxing.

Peter Paul "Architecture Parlante" From Portfolio "Portrait #14 - Peter Paul" with Karin Szekessy Year: 1973 Medium: Color Lithograph on Arches Edition: 80 Size: 25.59 x 19.88 in. Pu...

Limited Edition Print, Signed by Artist (signature is illegible). The piece measures 16.5 x 24 inches and is unframed. The date of creation is unknown, but is believed to be within t...

Adriaen Van Ostade (1610-1685) etching The Anglers, circa 1647, Godefry 26, Bartsch 26. Very good condition, with small (1/2 inch) margins, on cream laid paper, archival mounting. 4 ...

This beautiful manor is in the Dorset countryside and has been used for the backdrop for several movies including the remake of Hitchcock's 'Rebecca' from the book by Daphne du Mauri...

Nicolino Calyo's career reflects a restless spirit of enterprise and adventure. Descended in the line of the Viscontes di Calyo of Calabria, the artist was the son of a Neapolitan army officer. (For a brief biographical sketch of the artist see Philadelphia Museum of Art, Pennsylvania, Philadelphia: Three Centuries of American Art, exhib. cat. [1976], pp. 299-301 no. 257.) Calyo received formal training in art at the Naples Academy. His career took shape amidst the backdrop of the political turbulence of early nineteenth-century Italy, Spain, and France. He fled Naples after choosing the losing side in struggles of 1820-21, and, by 1829, was part of a community of Italian exiles in Malta. This was the keynote of a peripatetic life that saw the artist travel through Europe, to America, to Europe again, and back to America. Paradoxically, Calyo’s stock-in-trade was close observation of people and places, meticulously rendered in the precise topographical tradition of his fellow countrymen, the eighteenth-century vedute painters Antonio Canale (called Canaletto) and Francesco Guardi. In search of artistic opportunity and in pursuit of a living, Calyo left Malta, and, by 1834, was in Baltimore, Maryland. He advertised his skills in the April 16, 1835 edition of the Baltimore American, offering "remarkable views executed from drawings taken on the spot by himself, . . . in which no pains or any resource of his art has been neglected, to render them accurate in every particular" (as quoted in The Art Gallery and The Gallery of the School of Architecture, University of Maryland, College Park, 350 Years of Art & Architecture in Maryland, exhib. cat. [1984], p. 35). Favoring gouache on paper as his medium, Calyo rendered faithful visual images of familiar locales executed with a degree of skill and polish that was second nature for European academically-trained artists. Indeed, it was the search for this graceful fluency that made American artists eager to travel to Europe and that led American patrons to seek out the works of ambitious newcomers. On June 16, 1835, the Baltimore Republican reported that Calyo was on his way north to Philadelphia and New York to paint views of those cities. Calyo arrived in New York, by way of Philadelphia, just in time for the great fire of December 1835, which destroyed much of the downtown business district. He sketched the fire as it burned, producing a series of gouaches that combined his sophisticated European painting style with the truth and urgency of on-the-spot observation. Two of his images were given broad currency when William James Bennett reproduced them in aquatint. The New-York Historical Society owns two large Calyo gouaches of the fire, and two others, formerly in the Middendorf Collection, are now in the collection of Hirschl & Adler Galleries. From 1838 until 1855, Calyo listed himself variously in the New York City directories as a painter, a portrait painter, and as an art instructor, singly, and in partnership with his sons, John (1818-1893) and later, the younger Hannibal (1835-1883). Calyo also attracted notice for a series of scenes and characters from the streets of New York, called Cries of New York. These works, which were later published as prints, participate in a time-honored European genre tradition. Calyo’s New York home became a gathering place for European exiles, including Napoleon III. Between 1847 and 1852 Calyo exhibited scenes from the Mexican War and traveled from Boston to New Orleans with his forty-foot panorama of the Connecticut River. Later, he spent time in Spain as court painter to Queen Maria Christina, the result of his continuing European connections, but he was back in America by 1874, where he remained until his death. The Passaic River rises in the hills just south of Morristown, New Jersey, marking a serpentine eighty-mile course before it empties into Newark Bay. It flows north-northeast to Paterson, where it falls seventy feet in a spectacular cataract before continuing south through Passaic and Newark. William Gerdts, in Painting and Sculpture in New Jersey (1964, pp. 51-2), describes the falls as: the most important [landscape] subject in New Jersey during the eighteenth and nineteenth centuries. . . . The Passaic Falls remained a popular spot, particularly during the romantic period. Indeed, newspapers, periodicals, and gift books contain many accounts of visits to the Falls, sentimental poems written about them or about a loved one visiting the Falls, or even, occasionally, in memory of one who perished in the waters of the Falls — usually intentionally. . . . Waterfalls . . . were popular among travelers in the period and the Passaic Falls were only surpassed by Niagara Falls and Trenton Falls...

Palazzo Madama II, Torino, 2007 Chromogenic print 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x 88.5 inches edition of 5 The photographer is based in F...

Palazzo dei Cesari is a vintage photograph realized by Ludovico Tuminello in the early 20th Century. Titled on the lower. Good conditions except for some foxing.

Landscape is a pencil Drawing realized by Mino Maccari (1924-1989) in the Mid-20th Century. Hand-signed on the lower. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 19...

Palazzo dei Cesari is a vintage photograph realized by Ludovico Tuminello in the early 20th Century. Titled on the lower. Good conditions except for some foxing.

Edition of 30 + 10AP I this series, master printer Agnes Murray concentrates on images of historic and classical architecture

Palazzo dei Cesari is a vintage photograph realized by Ludovico Tuminello in the early 20th Century. Titled on the lower. Good conditions except for some foxing.

Palazzo dei Cesari is a vintage photograph realized by Ludovico Tuminello in the early 20th Century. Titled on the lower. Good conditions except for some foxing.

Palazzo dei Cesari is a vintage photograph realized by Ludovico Tuminello in the early 20th Century. Titled on the lower. Good conditions.

Berwick Head is an engraving on paper realized by W.Finden in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.

Palazzo dei Cesari is a vintage photograph realized by Ludovico Tuminello in the early 20th Century. Titled on the lower. Good conditions.

Unique

Palazzo dei Cesari is a vintage print in salt silver realized by Ludovico Tuminello in the early 20th Century. Titled on the lower. Good conditions except for some foxing.