Arch Art

Landscape with Temple ruins and figures 19th century Possibly signed lower right Oil on canvas 31 x 40

Gerald Berghammer - Black and white cityscape photography. A courtyard with a wooden door, arched doorways, and potted plants on a cobblestone floor. Archival pigment ink print, edi...

'Durham' Engraving by F Chesham after Paul Sandby (1731-1809). From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Ireland', published by G...

Firmada a lápiz por el artista en la parte inferior y con tiraje 13/250 En buen estado de conservación Sin enmarcar Medidas: 58 cm x 49 cm.

Listing includes framing with UV plexi ($1,000 value), free shipping for the continental US and EU/UK, and a 14 day return policy. Also available for local pick up at our New York City gallery. A Moment of Solitude... (2019) by Karen Knorr Archival pigment print Image Size: 24 x 30 inches Framed Size: 27 x 33 x 2 inches Edition 1 of 5 Signed on artist certificate and adhesive label Karen Knorr Artist Biography - While Knorr’s images take some of their inspiration from the Indian tradition of personifying animals in literature and art, there is another almost subconscious strain to her work. Going back to the time of cave painting we see that these early visual artists not only recorded their lives and surroundings, but used art to express themselves. The depiction of animals in symbolic and powerful ways and the urge to create these images with the best tools at hand is a line stretching from these unnamed cave painters to Karen Knorr. Playfully combining technologies and genres, Knorr mixes digital...

Title: Historic Miniature Watercolor of Chapel of the Three Kings in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2....

'London Bridge' Aquatint by JC Stadler after J Farmington. Published c1795 for Boydell's 'History of the River Thames'. Joseph Constantine Stadler (fl London, 1780-1822) was an eng...

"Church in Palma de Mallorca/Spain" by Heiko Mattausch (Germany based) is an original oil painting that depicts a church with blue sky behind it. I am a painter and graphic artist ...

"Going to Meet the Princess" and "Ilsee's Followers" are two sides of one double-sided original lithograph by Art Nouveau master Alphonse Mucha. These illustrations were pages 53 & 5...

Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...

Artist/ School: French School, signed front and back, dated verso 1984. Title: Monet's Waterlily pond at Giverny, with the Japanese footbridge. Medium: signed oil painting on boa...

Gerald Berghammer - Black and white cityscape photography. A courtyard with a wooden door, arched doorways, and potted plants on ...

Medium: original lithograph. This lithograph was printed in 1955 for the "Improvisations" portfolio, and published by the Artists Equity Association of New York in an edition of 2000...

Etching hand colored realized by Franco Marzilli.  Hand signed and numbered. Edition of 82/99 Good condition except for some foxing. This delicate etching by Italian artist Franco...

ABOUT THIS ARTIST: Minjin Kang and Mijoo Kim are a creative duo, who have been inspiring and influencing each other since their Master's thesis back in academia. Collectively, they p...

Listing includes framing with UV Plexi, Free shipping, and a 14 day return policy. Also available for local pick up in New York City. The Search for Sattva, Ahhichatragarh Fort (2014) by Karen Knorr 24 x 30 inches (27 x 33 inches framed) Archival pigment print Edition 2 of 5 Signed on artist certificate and acquired directly from the artist. Karen Knorr Artist Biography While Knorr’s images take some of their inspiration from the Indian tradition of personifying animals in literature and art, there is another almost subconscious strain to her work. Going back to the time of cave painting we see that these early visual artists not only recorded their lives and surroundings, but used art to express themselves. The depiction of animals in symbolic and powerful ways and the urge to create these images with the best tools at hand is a line stretching from these unnamed cave painters to Karen Knorr. Playfully combining technologies and genres, Knorr mixes digital...

This mid-20th-century Scandinavian landscape (1958), attributed to the Swedish artist B. Skarp (Birger Skarp, 1930–1972), is a magnificent example of Swedish modernism. The canvas de...

"L'Arc de Triomphe, Wrapped Project for Paris I" is one of the last projects realized by Christo before his passing. This limited edition piece is a testament to Christo's enduring v...

Title: Provence Watercolor of Stone Bridge and Village Houses in Sospel by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper Size: 11.75 x ...

Listing includes framing with UV plexi ($1,000 value), free shipping for the continental US and a 14 day return policy. Also available for local pick up at our New York City galler...

Anna Archinger The Far Away Princess (Equine Art, Horse, Marwari, India, Rare Breed) Archival Pigment Print on Canson® Infinity Platine Fibre Rag Year: 2025 Image Size: 11.7 x 8.3 x ...

Title: Clifton Suspension Bridge and Bristol Cathedral Historic Miniature Watercolor by Jack Grunwell, 20th century British artist Medium: W...

Virtue, Bode–Museum, Berlin 50 x 62.5 inches ed. of 10 $6,000 60 x 75 inches ed. of 5 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görne...

Signed lower center, in pencil, 'Luigi Kasimir' (Austro-Hungarian, 1881-1962), and with title and date, 'Palo Alto, 1931'. at lower right. Paper dimensions: 12.25 x 16 inches. N.B. This is an original etching by Luigi Kasimir and is hand-signed by the artist. The notable etcher and painter, Luigi Kasimir, attended the Vienna Academy of Art where he studied under William Unger, who introduced him to colored etching. Kasimir was influenced by Anders Zorn and Karl von Kalckreuth and he furthered his studies with Sigmund L'Allemand. A pioneer in the technique of hand-colored etching, Kasimir began exhibiting in 1905 and received immediate critical recognition. Starting with a sketch, usually in pastel, Kasimir would transfer the design, by hand, onto as many as six plates, applying the color by hand to each plate. Luigi Kasimir's work is held in private and public collections throughout the world including in the permanent collections of New York's Metropolitan Museum and Smithsonian Museum, among others. Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse...

Roses by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back watercolour painting on artist paper, unframed measures: 14 high by 22 inches wide condition:...

ABOUT THE ARTIST MARTA RYNKIEWICZ is a Polish contemporary artist (born in 1983). She studied painting with Professor Henryk Czenik and graphic arts with Professor Jerzy Krechowic...

PONT NEUF is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arche...

Title: British Impressionist Watercolor of a Sunlit Country Lane Leading to a Bridge By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: ...

The Train Station by Josine Vignon (French 1922-2022) signed oil painting on canvas, unframed canvas: 21 x 28 inches very good condition provenance: from the artists estate, France ...

Title: British Impressionist Watercolor of a Country Church and Cottage By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15.25 ...

Title: French Impressionist Watercolor of Sunlit Bridge over the River Seine By Maurice Mazeilie (French 1924-2021) Medium: Watercolor on paper, unframed Size: 5.75 x 7.5 inches (Hei...

Title: French Impressionist Watercolor of Quiet French Village Street with Archway By Maurice Mazeilie (French 1924-2021) Medium: Watercolor on paper, unframed Size: 7 x 4.75 inches ...

Gilsoul Victor Brussels 1867 – 1943 Belgian Painter A View of Diksmuide Signature: Signed bottom left, placed Dicsmuide and dated 1900 Medium: Oil on canvas Dimensions: Image size 55,50 x 71 cm, frame size 68,50 x 84 cm Biography: Gilsoul Victor Olivier was born in Brussels on September 10, in 1867. He was a Belgian impressionist painter of landscapes, marines, harbour scenes, architectures, interiors, city and canal views, portraits and figures. He was also a watercolourist. Gilsoul studied at the Antwerp Academy of Fine Arts with the famed master teachers and artists François Courtens (1854 – 1895) and Louis Artan (1837 – 1890). In 1882 he won his first prize at the Academy and in 1884 debuted at the Brussels Salon. He studied also at the Brussels Academy of Fine Arts, where he won a prize (1885-1890). Gilsoul was member of the group ‘Voorwaerts’ in 1891. He was awarded a silver medal at the Paris World Fair in 1900. In the same year, King Leopold II commissioned several compositions for his yacht “Alberta” and knighted him to the Order of King of the Belgians. The painter stayed from 1911 in Paris, where he often painted the Versailles region, also worked and lived for some time in Brittany. He had several exhibitions in France. He was a teacher at the Antwerp Higher Institute of Fine Arts (1924-1930) and a member and honorary member of La Gravure Originale Belge (1928). Gilsoul painted at the Belgian coast...

Dalvin Byron’s “Genesis” is a surrealist 48 x 36 x 2 inch oil painting on canvas. A striking arched doorway frames a cosmic eclipse radiating silvery light. Above, a prismatic glass ...

Title: French Impressionist Watercolor of Parisian Bridge Stretching Across the Seine By Maurice Mazeilie (French 1924-2021) Medium: Watercolor on paper, unframed Size: 5.5 x 7.5 inc...

Hiroshi Sugimoto Photogenic Drawings (Hand Signed), 2012 Offset Lithograph Poster. (Hand signed by Hiroshi Sugimoto) Unframed This offset lithograph poster was hand-signed by photogr...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Brocke Bluckert (Swedish, 1887–1956) Deep on the Sea on the Diamond Rocks Sits the Water Spirit Nack, 1937 Pen and watercolour with body colour on paper Signed and dated lower left, ...

Oil on canvas with frame. Total size with frame 87x69 cm Roberto Gherardi is an Italian-Geneva painter born in 1933 in Ascensione in northern Italy,...

A finely executed watercolour study of the bell quarters at Saint Mary de Haura, Shoreham. Painted by 19th-century painter Henry Stock. Well presented in a beautiful wash-line mount ...

Title: "Cityscape in the Rain" Artist: Maurice Mazeilie (French) Medium: Watercolour on paper, unframed Size: 5.5 x 7.5 inches (Height x Width) Signed: No Stamped Verso: Yes Co...

Work on canvas Golden wooden frame 64 x 82.5 x 7 cm

Combining soft sunlight, shadows, and reflections, French artist G. Genin provides an impressionistic view of the Pont Royal in Paris, 1921. Located between the Quai Anatole France a...

'The Quadrangle of Jesus College' Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'. 135mm by 175mm (...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Minjin Kang and Mijoo Kim are a creative duo, who have been inspirin...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on paper stuck on card size: 25 x 19.5 inches condition: very good and ready to be enjoyed provenance: t...

Hayley Lever Temple Emanuel (Fifth Avenue, New York), 1935 Signed and dated lower left Watercolor on paper Sight 13 3/4 x 21 1/4 inches Provenance Kennedy Galleries, Inc., New York ...

The Archway French School, mid 20th century oil on board, unframed board: 9.5 x 7.5 inches provenance: private collection condition: very good and sound condition

Amalfi Cathedral - Vintage Photo is a black and white photograph of the early 20th century realized by Alinari. Good conditions, aged with foxing.

Night Doorway, Oil on panel, nocturne Park Slope, Brooklyn Dr. Rowland S. Russell PhD. writes about his experience directly witnessing Greg's practice as a “plein air” artist: Whet...

An iconic image. Beams of sunlight streaming through the windows at Grand Central Station, New York City, circa 1930. (Photo by Hal Morey/Getty Images) As ...

This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Previously exhibited: Marina Stern Venice – New Works, Forum Gallery, Ne...

The 1949 original travel poster by Jean Carlu for Pan American World Airways offers a captivating invitation to explore the stunning beauty and sophistication of the French Riviera. Jean Carlu, a renowned French graphic designer and poster artist, was celebrated for his distinctive style characterized by bold geometric forms and dynamic compositions. In this poster, Carlu skillfully captures the allure of the French Riviera as a premier destination for leisure and luxury travel. The poster features a stylized depiction of a glamorous couple disembarking from a Pan American airplane against the backdrop of the Mediterranean coastline. The azure waters, palm trees, and iconic architecture evoke the sun-kissed ambiance and cosmopolitan charm for which the Riviera is renowned. Carlu's use of vibrant colors, sleek lines, and streamlined shapes imbues the poster with a sense of modernity and sophistication, reflecting the glamour and excitement of jet-set travel in the mid-20th century. The bold typography and Pan Am logo...

Large-scale photographer Troy House celebrates people’s primordial attraction to the beach. He travels the world capturing iconic, breathtaking scenes – often from a bird’s-eye view — from the world’s most beautiful known and secret places. The grand, limited-edition photographic prints fuse landscape with figuration while exploring global cultural themes. The mesmerizing images, with their precision detail, also afford us an opportunity to examine a moment fixed in time in “paradise.” This print is one of an edition of 20 total prints. La Mamounia...

An original silver gelatin black and white photograph by Press Agency ROL, Paris, 1929. Summer on the beach near Paris. Features: Original silver gelatin print photography unframed. ...

An original print of a church signed in pencil by artist Mr. H. Dewitt Welsh, Artist of Philadelphia, acting secretary of the Division of Pictorial Publicity Committee on Public Inf...

Francesco Tironi (Venice, circa 1745 - 1797) View of Venice with the Church of S. Geremia and the Ponte delle Guglie oil on canvas 59 x 75 cm. - with frame 72 x 88 cm. Work a...

This is a hand-colored aquatint and engraving entitled "Pool of Bethesda, Jerusalem", published in London by R. Bowyer in 1804. The print was created by Thomas Milton (1743-1827) from drawings by Luigi Mayer. This beautiful, detailed, original engraving is printed on deluxe J. Whatman paper with very wide left and right margins. There is a watermark "1801" indicating the year the paper was made. The sheet measures 11.25" high and 16" wide. There is a small faint spot in the upper margin on the left and a tiny faint spot in the right upper corner and another in the left lower corner. The engraving is otherwise in excellent condition with vibrant colors throughout the image. "The Pool of Bethesda...

Photo of Temple of S.Croce  - Florence is a vintage black and white photograph realized in the Mid-20th Century. Good conditions.

Max Epstein, Canadian (1932 - 2002) - Old Stone Bridge, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: AP, Size: 30 x 44 in. (76.2 x 111.76 cm)