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Art Subject: Arch
Cathedral of Saint Cyr and Saint Julitta, Nevers
Located in Middletown, NY
Etching on antique cream laid paper, 12 7/8 x 5 1/2 inches (328 x 140 mm), full margins. Signed in pencil, lower margin. Laid down to non-archival board, general age tone and some ma...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
Chinatown - Vintage Photograph - Mid-20th Century
Located in Roma, IT
Chinatown is a black and white vintage photo, realized in Mid-20th century.
Good conditions and aged.
It belongs to a historical and nostalgic album including historical moments, p...
Category
Mid-20th Century Contemporary Figurative Photography
Materials
Photographic Paper
Architectural Capriccio Landscape Roma Fabris 18th Century Table Oil on canvas
Located in Riva del Garda, IT
Jacob Fabris (Venice, 1689 - 1761)
Architectural Capriccio with ancient classical ruins
Oil on canvas
cm. 56 x 112
with frame cm. 77 x 130
Expertise of Prof. Emilio Negro (Bologna)
...
Category
18th Century Old Masters Paintings
Materials
Oil
Gloucester, Impressionist Watercolor by Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Gloucester (P5.10), Year: 1948, Medium: Watercolor on Paper, Size: 11 x 15 in. (27.94 x 38.1 cm), Description: Looking out over the s...
Category
1940s Impressionist Landscape Drawings and Watercolors
Materials
Watercolor
Bridge in Central Park & Manhattan View from Brooklyn, Impressionist Watercolor
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Bridge in Central Park and Manhattan View from Brooklyn (70), Year: 1958, Medium: Watercolor, Size: 15 in. x 22 in. (38.1 cm x 55.88 cm)...
Category
1950s Impressionist Landscape Drawings and Watercolors
Materials
Watercolor
View from Docks, Impressionist Watercolor by Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - View from Docks (P2.50), Year: 1947, Medium: Watercolor on Paper, Size: 7 x 9.5 in. (17.78 x 24.13 cm), Description: Eve Nethercott's...
Category
1940s Impressionist Landscape Drawings and Watercolors
Materials
Watercolor
Antique American Modernist Cityscape Ashcan School 59th Street Bridge Painting
Located in Buffalo, NY
Antique American ashcan school New York City oil painting by Robert Hallowell (1886 - 1939). Oil on board, circa 1929. Signed. Displayed in a period giltwood frame. Image, 30"L x 25"H.
Category
1920s Modern Landscape Paintings
Materials
Canvas, Oil
Porta del Paradiso, Venezia
Located in Middletown, NY
Etching on cream laid paper, 1930. 7 1/2 x 3 7/8 inches (190 x 970 mm), full margins. Signed and inscribed "Edition 100" in pencil, lower margin. In very good condition with minor s...
Category
Early 20th Century American Modern Landscape Prints
Materials
Laid Paper, Etching
La Seine à Paris by Armand Guillaumin - Cityscape of Paris
Located in London, GB
La Seine à Paris by Armand Guillaumin (1841-1927)
Oil on canvas
45.3 x 61 cm (17 ⁷/₈ x 24 inches)
Signed lower right, A Guillaumin
Executed circa 1874
Literature: G. Serret & D. Fab...
Category
1870s Impressionist Figurative Paintings
Materials
Canvas, Oil
Carcere ascura
Located in Fairlawn, OH
Carcere ascura
Etching, 1743
Signed in the plate bottom left corner
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
This image foretells Piranesi's famous set, Carceri (Prisons) which is his next creative effort.
Condition: Horizontal crease midway in the sheet associated with the manufacture of the paper.
Visible watermark verso
Small printer crease in the bottom right below the caption plate.
Image size: 14 1/2 x 9 1/2 inches
Reference: Robison 3 iii/VI
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
1740s Old Masters Interior Prints
Materials
Etching
San Gimignano, Tuscany, Italy, black and white photography, architecture, print
Located in Vienna, Vienna
Black and white fine art cityscape - landscape photography. The towers of san Gimignano, Tuscany, Italy. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered ...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
The city, The Viaduct - Original lithograph, HANDSIGNED, 1959
Located in Paris, IDF
Fernand Léger
The Viaduct, 1959
Original lithograph (Atelier Mourlot)
Signed with the artist's stamp
Limited to 180 copies (Here numbered 160)
On Arches vellum 66 x 50.5 cm (c. 25....
Category
1950s Modern Landscape Prints
Materials
Lithograph
British Original Impressionist Watercolor Flower Sellers in Palma Majorca
Located in Cirencester, Gloucestershire
Flower Sellers in Palma, Majorca
by Anthony Avery (British 1946-2023) * see notes below
original watercolor on artists paper, unframed
paper dimensions: 15 x 11 inches
condition: ver...
Category
Early 2000s Impressionist Landscape Paintings
Materials
Watercolor
Courtyard in Seville, Oil Painting
Located in San Francisco, CA
Artist Comments
Light and shadow play harmoniously in the courtyard of Museo de Bellas Artes in Seville, Spain. Foliage basks in the sun, while the fountain stays cool in the...
Category
21st Century and Contemporary Impressionist Interior Paintings
Materials
Oil
British Original Impressionist Watercolor English Parish Church Winter Snow
Located in Cirencester, Gloucestershire
by Anthony Avery (British 1946-2023) * see notes below
original watercolor on artists paper, unframed
paper dimensions: 11 x 15 inches
condition: very good and ready to be enjoyed.
...
Category
Early 2000s Impressionist Landscape Paintings
Materials
Watercolor
Miami Stripes. Black and White Architectural Landscape Photography
By Luca Artioli
Located in Miami Beach, FL
The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...
Category
2010s Abstract Impressionist Black and White Photography
Materials
Black and White, Archival Pigment
"The Bridge, 1889" Print After Vincent Van Gogh
Located in Clinton Township, MI
Published Franz Hanfstaengl Munchen.
Printed In Germany.
Print Measures 19.75 x 21.25 in.
Print In Good Condition.
Category
20th Century Prints and Multiples
Materials
Offset
Shadows of Venice
Located in Middletown, NY
Etching and aquatint on antique laid paper, wide margins. Signed, dated and inscribed "Edition of 100" in pencil, lower margin. Second state (of 2)....
Category
Mid-20th Century American Modern Landscape Prints
Materials
Laid Paper, Etching, Aquatint
La Puerta (Photorealistic Interior)
Located in Wilton Manors, FL
Enrique Medina (b.1935). La Puerta, 1985. Acrylic on canvas, measuring 32 x 32 inches; 33 x 33 inches framed. Signed lower right. Signed, dated, titled on verso.
Personal Information...
Category
1980s Photorealist Interior Paintings
Materials
Cotton Canvas, Acrylic
Untitled (Cats & Dogs No. 6)
Located in Columbia, MO
JERRY BERNECHE
Untitled (Cats & Dogs No. 6)
Colored pencil, gouache, and pastel on paper
30 x 22 inches
Category
21st Century and Contemporary Contemporary Animal Paintings
Materials
Pastel, Gouache, Color Pencil
Shadows in Mexico
Located in Middletown, NY
Etching on bluish-grey, antique laid paper, 5 x 3 5/8 inches (127 x 93 mm), signed, dated, and inscribed "III" in pencil, lower margin. A proof impression from the third state (of 3)...
Category
Mid-20th Century American Modern Landscape Prints
Materials
Laid Paper, Etching
View of the Interior of the Colosseum by Francesco Piranesi, 1835
Located in New York, NY
Piranesi, Francesco.
Le Antichita Romane.
This plate: View of the interior of the Colosseum.
Hind 134, 1st Paris edition, 1835.
Original etching.
Plate size: 19 1/2 x 28 1/4 i...
Category
Early 19th Century Prints and Multiples
Materials
Paper
Julian Trevelyan, Tower Bridge, etching and aquatint
Located in London, GB
To see our other views of London and our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller".
Julian Trevelyan (1910-19...
Category
1960s Modern Figurative Prints
Materials
Etching, Aquatint
Massimo Listri, Castello Racconigi
Located in New York, NY
CASTELLO RACCONIGI 2007
Chromogenic print
Edition of 5
Signed, dated, and numbered on verso label
Mounted on aluminum
Framing options available
39.5 x 47.5 inches edition of 5 ...
Category
2010s Contemporary Color Photography
Materials
C Print
Signed 1938 American Modernist Landscape Central Park Bridge Framed Oil Painting
Located in Buffalo, NY
Impressive early American modernist landscape oil painting. Framed. Oil on board. Signed. Image size, 11H by 16L.
Category
1930s Modern Landscape Paintings
Materials
Canvas, Oil
Andres: Arches Nationalpark, Utah, 1966
By Erich Andres
Located in Cologne, DE
Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photographers, who used a Leica. His images today are d...
Category
1960s Modern Black and White Photography
Materials
Black and White
Cityscape of Notre Dame, Paris w/ the Seine, 20th Century French Artist
Located in Beachwood, OH
Armand Manago Guerin (French, 1913-1983)
Notre Dame, Paris
Oil on masonite
Signed lower right
23.5 x 28.75 inches
34 x 38.75 inches, framed
The painter known as Armand Manago Guérin...
Category
Mid-20th Century Figurative Paintings
Materials
Oil
'Skyline from Jersey Heights' — 1930s Modernism
Located in Myrtle Beach, SC
Adriaan Lubbers, 'Skyline from Jersey Heights', lithograph, 1930, edition 25. Signed, titled, and numbered '4/XXV' in pencil. Dated 'Paris 1930' in pencil. A fine impression, on crea...
Category
1930s Modern Figurative Prints
Materials
Lithograph
"Lecce/Puglia/Italy" (2021) by Heiko Mattausch, Original Oil Painting
Located in Denver, CO
"Lecce/Puglia/Italy" by Heiko Mattausch (Germany based) is an original oil painting that depicts a terra cotta colored building with an archway.
I am a painter and graphic artist l...
Category
21st Century and Contemporary Figurative Paintings
Materials
Oil, Board
Chateau Valeri, French chateau, garden estate plan, mid 17th century engraving
Located in Melbourne, Victoria
'Chateau Valeri'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, gardens, buildings and citie...
Category
Mid-18th Century Rococo Landscape Prints
Materials
Engraving
Fiesole, an Ancient Tower
Located in Middletown, NY
Etching on antique cream laid paper, 7 7/8 x 5 1/8 inches (201 x 130 mm), full margins. Edition of 150. Printed by Federick Reynolds. Signed and dated in pencil, lower right. Arms wa...
Category
Early 20th Century American Modern Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
Piranesi, Hand Coloured Period Engraving, Vue d'un Superb Palais de Rome
Located in Cotignac, FR
A fine hand coloured 18th Century engraving after the original by Piranesi (Rome 1743), published by Danisy, Paris. Presented in period gold leaf frame, under glass.
Piranesi was born in Venice, in the parish of S. Moisè where he was baptised. His father was a stonemason. His brother Andrea introduced him to Latin literature and ancient Greco-Roman civilization, and later he was apprenticed under his uncle, Matteo Lucchesi, who was a leading architect in Magistrato delle Acque, the state organization responsible for engineering and restoring historical buildings.
From 1740, he had an opportunity to work in Rome as a draughtsman for Marco Foscarini, the Venetian ambassador of the new Pope Benedict XIV. He resided in the Palazzo Venezia and studied under Giuseppe Vasi, who introduced him to the art of etching and engraving of the city and its monuments. Giuseppe Vasi found Piranesi's talent was much greater than that of a mere engraver. According to Legrand, Vasi told Piranesi that "you are too much of a painter, my friend, to be an engraver."
After his studies with Vasi, he collaborated with pupils of the French Academy in Rome to produce a series of vedute (views) of the city; his first work was Prima parte di Architettura e Prospettive (1743), followed in 1745 by Varie Vedute di Roma Antica e Moderna.
From 1743 to 1747, he was mainly in Venice where, according to some sources, he often visited Giovanni Battista Tiepolo, a leading artist in Venice. It was Tiepolo who expanded the restrictive conventions of reproductive, topographical and antiquarian engravings. He then returned to Rome, where he opened a workshop in Via del Corso. In 1748–1774, he created an important series of vedute of the city which established his fame. In the meantime Piranesi devoted himself to the measurement of many of the ancient buildings: this led to the publication of Le Antichità Romane de' tempo della prima Repubblica e dei primi imperatori ("Roman Antiquities of the Time of the First Republic...
Category
Late 18th Century Baroque Landscape Prints
Materials
Paper, Ink, Watercolor
Avanzi della Biblioteca ... - Etching by Luigi Rossini - 1824
Located in Roma, IT
Avanzi della Biblioteca in Villa Adriana, di opera retticolata is an original etching realized by Luigi Rossini.
From the collection “Le antichità de’ c...
Category
1820s Old Masters Landscape Prints
Materials
Etching
Paris : Seine River and Notre Dame Church - Stone Lithograph
By Henri Rousseau
Located in Paris, IDF
Henri ROUSSEAU (called Le Douanier ROUSSEAU) (after)
Paris : Seine River and Notre Dame Church
Stone lithograph after a painting
Printed signature i...
Category
1970s Post-Impressionist Landscape Prints
Materials
Lithograph
Durham. Paul Sandby C18th English landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Durham'
Engraving by F Chesham after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Ireland', published by G...
Category
18th Century Naturalistic Landscape Prints
Materials
Engraving
"Casa Marquez" Original Woodblock Print, Signed and Numbered 93/100
Located in Soquel, CA
"Casa Marquez" Original Woodblock Print, Signed and Numbered 93/100
Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a closeup on a large stone building, with a landscape reflected in the windows. The building has carved ornamentation in a classical style. There is a bright red sunset in the background behind the building. The title refers to the author Gabriel García Márquez.
Signed "Carol Summers" in the lower right corner.
Numbered and titled "93/100 Casa Marquez" in the upper right corner.
Presented in a silver colored aluminum frame.
Frame size: 19.25"H x 23.25"W
Paper size: 16"H x 20"W
Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented.
In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother.
From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum.
In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...
Category
1980s Contemporary Landscape Prints
Materials
Ink, Handmade Paper, Woodcut
1950's Modernist Painting signed - Milan Cathedral Cityscape
Located in Cirencester, Gloucestershire
Milan Cathedral
by Bernard Labbe (French mid 20th century)
signed original watercolour/ gouache painting on paper , unframed
size: 16.5 x 11.75 inches
condition: very good and ready ...
Category
Mid-20th Century Modern Landscape Paintings
Materials
Ink, Watercolor, Gouache
Carlton Hotel Slim Aarons Estate Stamped Print
By Slim Aarons
Located in London, GB
Carlton Hotel
1963
by Slim Aarons
Slim Aarons Limited Estate Edition
The Carlton Hotel in Cannes, France, 1963.
unframed
c type print
printed 2023
20 × 16 inches - paper size
...
Category
1960s Modern Color Photography
Materials
Archival Pigment
'Paris, The Pont Neuf', Post-Impressionist, Fernand Léger, Musée d'Art Moderne
By Yves Ganne
Located in Santa Cruz, CA
Stamped verso with Certification of Authenticity for Yves Ganne (French, b. 1931). Signed lower right, 'Y. Ganne', inscribed lower left, 'Epreuve d' Artiste...
Category
Mid-20th Century Post-Impressionist Landscape Prints
Materials
Paper, Lithograph
French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
250mm by 320mm (sheet)
Category
Early 19th Century Renaissance Landscape Prints
Materials
Lithograph
Looking glass house
Located in Sante Fe, NM
Maggie Taylor creates evocative single-scene narratives in her whimsical and elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objects, an...
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
Limoges (French Church Series #32)
Located in Myrtle Beach, SC
John Taylor Arms, 'Limoges (French Church Series #32)', etching, 1932, edition 142, third (final) state impressions, Fletcher 244. Signed, dated, and annotated 'Ed 100 III' in pencil. A superb, finely detailed impression, in warm black ink, on antique, pale gray laid paper, with full margins (1 1/16 to 1 1/2 inches); adhesive stains in the bottom left and right sheet corners, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed.
A view of Limoges, France and the Saint-Martial Bridge from the far side of the Vienne river. According to Fletcher, author of the catalogue raisonné on the artist's graphic work, this etching is among the artist’s preferred plates.
Published references: "An Appreciation to John Taylor Arms 1887-1953", in PRINT, Vol. VIII #5 P. viii, Feb.-March 1954.
Impressions of this print are in the permanent collections of the Davis Museum at Wellesley College, National Gallery of Art, Saint John’s University, Smithsonian Institution, and Wake Forest University.
ABOUT THE ARTIST
“John Taylor Arms will live on and on and future generations centuries from now will marvel at his work... . As a friend and as a man, he fully matched his superb work.” —John Winkler, printmaker
Born in Washington, D.C. in 1887, John Taylor Arms attended the Lawrenceville School and began the study of law at Princeton University. In 1907, he transferred to the Massachusetts Institute of Technology and took up the study of architecture. Arms evolved his unique drafting style, with its highly realistic, precise detail and exquisitely rendered effects of light, from his experience and practice as an architectural student. He graduated in 1911 and completed a master’s degree the following year. He then worked as a draftsman with the well-known Carrere and Hastings Company in New York.
In 1913 Arms was given a hobbyist’s etching set, and he began to dabble with copperplate and acid. In 1915, after copying a handful of prints by Jongkind and other Etching Revivalists, Arms created his first original etching. His early experiments were picturesque views of European villages, reflecting the influence of Whistler. He inked and printed several of these plates in color in the manner of Charles Mielatz...
Category
1930s American Realist Landscape Prints
Materials
Etching
Werner Drewes, 125th Street at Broadway, NYC
Located in New York, NY
Werner Drewes brought his modernist vision to this subject but created, in my opinion, a great work of the Etching Revival.
The reference is Rose 183. It...
Category
1930s American Modern Landscape Prints
Materials
Drypoint
Architectural Capriccio Landscape Roma Fabris 18th Century Table Oil on canvas
Located in Riva del Garda, IT
Jacob Fabris (Venice, 1689 - 1761)
Architectural Capriccio with ancient classical ruins
Oil on canvas
cm. 56 x 112
with frame cm. 77 x 130
Expertise of Prof. Emilio Negro (Bologna)
...
Category
18th Century Old Masters Paintings
Materials
Oil
Mid 20th Century French Signed Painting Tall Stone Arch Corridors
Located in Cirencester, Gloucestershire
Jean La Forgue (French 1901-1975) signed watercolour on paper, mounted in a card frame
card frame: 29 x 23 inches
painting: 24 x 18 inches
provenance: the artists estate, France
cond...
Category
Mid-20th Century Post-Impressionist Landscape Paintings
Materials
Watercolor
Sailors Delight
Located in Sante Fe, NM
Maggie Taylor's digital creations are emblematic, afterimages that invite, transport and are unforgettable. Taylor's images are built, layer by layer and object by object, through a ...
Category
21st Century and Contemporary Surrealist Color Photography
Materials
Archival Pigment
"Arcturus, Helsing" Modern Oil Painting WPA American Scene Denver Historical Art
Located in New York, NY
"Arcturus, Helsingfors," 19 x 16 inches, oil on canvas, signed, titled and dated 1935, 33/30C lower right.
Provenance: Acquired from the personal collection of Jim Elkind (Lost City Arts) who acquired it from interior designer Jay Spector. Graham Gallery label on verso.
Born in New Hampton, Iowa, Eve Drewelowe graduated from Hampton High School in 1919 and then studied at the University of Iowa...
Category
1930s American Modern Paintings
Materials
Oil
A Tranquil British Scene In East Molesey Surrey
Located in Cirencester, Gloucestershire
Artist/ School: Norman A.Olley (British, 20th century) and inscribed verso
Title - A relaxing day by the river
Medium: gouache/watercolour/ ink/ pencil on thin board, unframed
Pa...
Category
19th Century Victorian Landscape Paintings
Materials
Ink, Watercolor, Gouache, Pencil
Queen's Gate, at Caernarfon, Wales. Paul Sandby C18th landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Queen's Gate, at Caernarvon'
Engraving by William Watts (1752-1851) and William Angus after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select ...
Category
18th Century Naturalistic Landscape Prints
Materials
Engraving
Dufza - Paris - Quai de la Tournelle - Original Handsigned Etching
Located in Collonge Bellerive, Geneve, CH
Dufza - Paris - Quai de la Tournelle - Original Handsigned Etching
Circa 1940
Handsigned in pencil
Dimensions: 20 x 25 cm
Unumbered as issued
Category
1940s Modern Nude Prints
Materials
Etching
Sun Beams Into Grand Central Station (1930) - Silver Gelatin Fibre Print
Located in London, GB
Sun Beams Into Grand Central Station (1930) - Silver Gelatin Fibre Print
(Photo by Hal Morey/Getty Images)
Beams of sunlight streaming through the windows ...
Category
1930s Modern Landscape Photography
Materials
Black and White, Silver Gelatin
Bridge over the Seine, Folk Art Lithograph by Claude Tabet
Located in Long Island City, NY
Claude Tabet, French (1924 - 1979) - Bridge over the Seine. Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Image Size: 19 x 23 inches, Size: 22 x ...
Category
1970s Folk Art Landscape Prints
Materials
Lithograph
Doges Palace Arcade, Venice, Italy, black and white photography, art cityscape
Located in Vienna, Vienna
Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...
Category
2010s Contemporary Black and White Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Basilica San Marco Study 3, Venice, Italy
Located in London, GB
Captured between 1980-2022, ‘The Floating City’ displays four decades of Michael Kenna’s photographs that relay the artist’s poetic vision of Venice. Through his lens, the romantic s...
Category
2010s Contemporary Black and White Photography
Materials
Silver Gelatin
Equipoise (A State of Equilibrium) - Architectural Imagery, Oil on Panel, Framed
By Carol Pylant
Located in Chicago, IL
Equipoise features a basin-type wall font, modeled after a nineteenth century public fountain Pylant photographed in Girona, Spain. On the wall above it is mounted a relief sculpture...
Category
21st Century and Contemporary Contemporary Landscape Paintings
Materials
Oil, Panel
Pavillon Denon, Louvre, Paris, Limited Editin, Photograph by Gerald Berghammer
Located in Vienna, Vienna
Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
New Staines Bridge, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'New Staines Bridge'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aquat...
Category
Late 18th Century Naturalistic Landscape Prints
Materials
Engraving, Etching, Aquatint
Mid-Century Fauvist Provencal Landscape. Oil on Board.
Located in Cotignac, FR
French Mid 20th Century oil on board Fauvist view of a landscape, probably near Nice in the South of France and the surrounding countryside, by Hyppolite Roger...
Category
Mid-20th Century Landscape Paintings
Materials
Acrylic, Board, Oil
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