Arch Art

From a series of photographs, to see the others scroll down to 'sell all from this seller'. Rosemary Ellis (1910-1988) Windows II Original proof photograph for Windows in the Outloo...

Tony Broderick (British, late 20th Century) Corpus Christi College Cambridge Print 35x25cm A Lincoln-based artist, known for his portrayal of Lincoln and also of the Cambridge Colle...

Anthony Baus is an alumnus and instructor of the Grand Central Atelier in Long Island City, New York. His unique artistic vision, which mines the world of the Old Masters and antiqui...

'View from an Italian Villa' 19th century Watercolour 31.5 x 44cm

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

To see our other original vintage public information posters, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the poster you want. Hubert Hennes (b.1907) New College...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. Nancy Weir Huntly (1890-1963) Trinity College Bridge Cambridge Oil on canvas; framed in an antique-white-finished frame with gilt slip. Signed ‘Huntly’ 50x61cm Born in India, in Nusserabad, Huntly studied art at the Royal Academy Schools in Dusseldorf. She lived in Welwyn Garden City, in Hertfordshire, with her daughter, Faith Sheppard...

Bianca Volpato sunning herself at Capri in a lilac coloured bikini. Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Slim Aarons (...

Black and White, Landmark, Paris, France, landscape, urban. Europe, night, evening, city lights, paris, tree, night, landmark, architecture, arch, europe, european, black & white, b&...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

Landscape, water, black and white, pastoral, bridge, nature, river, England, United Kingdom, UK, countryside, stream, calm, forest, mountainous, remote, bridge, nature, photography, ...

Le Pont Neuf, Paris

HENRY BARLOW CARTER (1795-1867) Construction of New London Bridge in June 1827. John Rennie, Esq., Engineer Signed and dated 1827 Sepia watercol...

This small drawing (pencil on paper, 23 x 19 cm) made on paper cut out in the shape of a lunette depicts a view from the apsidal part of the Benedictine abbey church "Saint Ouen Rou...

Jerusalem street scene

Oil painting of the wonderful Pedro Ribera door, symbol of what was the Savings Bank and Monte de Piedad of Madrid and which is currently located at one of the entrances of a hotel i...

Framed sized is 16 x 20 inches. Framed in a white oak frame. In any landscape there are places and objects of quiet monumentality so ingrained into the scene that they are nearly invisible or regarded only as ordinary or outdated artifacts of the past. Some are small in scale, and some suggest a kind of architectural grandeur mixed with a pathos stemming from their obsolete utility and the evidence they bear of the passage of time. Some, like the abandoned oil rigs in and around the Gulf of Mexico, are poignant reminders of environmental optimism and tragedy. Primarily encountered on trips around our region, stretching up as far as the delta of northwestern Mississippi and southeastern Arkansas and as far south as the mouth of the Mississippi, these places and objects evoked the curiosity and affection, which prompted this show. The paintings, the result of a labor-intensive technique requiring many layers of color, are intimately sized though they often deal with subjects of great scale. Trained as an architect and a practicing architect until 2016, Barron now works primarily as a painter. For many years he has taught at the Tulane University School of Architecture and is a Fellow in the American Institute of Architects. In 2012, he was awarded the Gold Medal of the Louisiana Architects Association and in 1995 was awarded the prestigious Gabriel Prize from the Western European Architecture Foundation. Errol Barron...

Death in Venice, Bridge of Sighs a Black and White Limited Edition Screenprint from an edition of 70. It is called "Death in Venice" a Screenprint by one of Wales's most famous sons ...

Marla Korr Biography American, b. 1950 Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lenna...

Trip to the Externsteine ??in Bad Meinberg. A beautiful place that I will definitely return to again to paint. Painted plein air. The Externsteine ??- a striking rock formation tow...

"True North - Identity" is a worms-eye view of a brilliant blue sky with a maze of distinctive clouds. The surreal quality of the imagery makes the viewer question reality. Are the clouds actual clouds or made by some other means? Are those fluffy clouds behind the bare branches or mountains? The ellipsed edges confirm the scene as an inner vision rather than a window on the world. The painting itself is painted on a handmade wooden panel with beautifully finished edges so no frame is needed. Mark Bowers True North - Identity oil on panel 9h x 12w in 22.86h x 30.48w cm MJB014 TRUE NORTH PAINTINGS Unconscious systemic biases may guide our actions or direct us---similar to the human construct of “True North”, which holds to coordinate systems. The Earth’s “Magnetic North” moves over time according to polar shifts; flux and correction is enabled by polarity. In these paintings (Privilege, Orientation, Belief, Identity, Equity), I use compositional elements referencing nautical com- passes to suggest that society must navigate not within systems, but naturally through positive relationships and change. I hope that my art represents our present day - but also imparts a dreamful glimpse of hope and faith within. Explanation: A magnetic compass does not point toward the true North Pole of the Earth. Rather, it more closely points toward the North Magnetic Pole of the Earth. The North Magnetic Pole is currently located in northern Canada. It wanders in an elliptical path each day, and moves, on the average, more than forty meters northward each day. Evidence indicates that the North Magnetic Pole has wandered over much of the Earth's surface in the 4.5 billion years since the Earth formed. Mark Bowers- Artist Statement With the depiction of landscape playing such a central role in the history of North American art, it seemed to offer many of the critical possibilities I was looking for, and it felt more and more like something I have always known. Something I could easily apply, stage, and manipulate as a diary. My work consists of small-scale highly detailed landscape paintings. They are inspired by the comfort, trepidation, and beauty found in the mundane Chicago Suburbs. I combine nature, decorative house wares...

JL Steg made exquisite prints of Rome in the early 1960s while he was studying there. They are magnificent examples of his exuberant printmaking. This etching highlights the iconic ...

Pierre ALLARD SAMO ET, 2022 Oil on canvas Size: 92 x 73 cm Signed lower left Painting in perfect condition. Frameless. Sold with invoice and certificate of authenticity. Norman p...

ANTONIETTA BRANDEIS Czechoslovakian, 1848 - 1926 FLORENCE´S BRIDGE signed "ABrandeis" lower right oil on canvas 10-3/5 x 14-4/5 inches (27 x 37.5 cm.) unframed PROVENANCE Private Collection, Barcelona Antonietta Brandeis (also known as Antonie Brandeisová) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces. She was born on January 13, 1848, in Miskovice (near Kutná Hora) in Bohemia, Austria-Hungary.[2] The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javůrek of Prague.[3] After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice. In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy. Brandeis’s professors at the Venetian Academy of Fine Arts include Michelangelo Grigoletti and Napoleone Nani for life drawing, Domenico Bresolin for landscape, Pompeo Marino Molmenti for painting and Federico Moja for perspective. Already during her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students of the Academy “Elenco alunni premiati Accademia Venezia in Atti della Reale Accademia di Belle Arti in Venezia degli anni 1866-1872”.[4] It includes numerous mentions of prizes and high honours won by Brandeis in Art History, Perspective, Life Drawing, Landscape and Anatomical Drawing, Drawing of Sculpture, and “Class of Folds”. It is in Venice at the Academy that Brandeis perfected her skills as a meticulous landscape and cityscape painter, with intricate and luminous details in the tradition of the eighteenth-century “vedutisti”. In 1870, while still a student at the Academy, she participated in her first exhibition; that of the Società Veneta Promotrice di Belle Arti with the oil painting Cascina della Madonna di Monte Varese. She is documented as having exhibited eight paintings during the years 1872 to 1876 with the Società Veneta Promotrice di Belle Arti, both landscapes and genre scenes. In the exhibit of 1875 her landscape Palazzo, Marin Falier is sold to M. Hall of London for 320 lire, a first indication of the success Brandeis will achieve with foreign collectors of her work (particularly the English and German visitors to Italy on the Grand Tour circuit). During these same years, she showed two paintings in the Florentine exhibit Promotrice Fiorentina. The first painting, entitled “Gondola” is a subject which she repeats in new variations throughout her career with great success. The second, perhaps a genre painting, is entitled “Buon dì !” The two paintings remained unsold and were presented at the same exhibition the following year, together with two more genre scene paintings. In 1876 and 1877 she exhibited three landscapes of Venice at the Promotrice Veneta, which sold to foreign collectors. In November 1877 Brandeis showed the large painting Palazzo Cavalli a Venezia at the exhibition of the Hungarian Fine Arts Society in Budapest. In both Florence and Budapest, Brandeis showed her work under the name “Antonio Brandeis”. The biographer De Gubernatis offers the following explanation for the change of name: “her first pictures received praise and criticism; she took the criticism, but when she was praised as a woman she was annoyed, and therefore exhibited under the name Antonio Brandeis.” During the years 1878 to 1893 Brandeis painted and exhibited numerous works, primarily scenes of Venice, and although she resided chiefly in that city she also traveled and painted in Verona, Bologna, Florence, and Rome. As well as in Venice and Florence, she exhibited in Turin, Milan, and Rome. In 1880 she was present at the International Exposition of Melbourne with three paintings: Palazzo Cavalli, A Balcony in Venice and The Buranella- native of Burano Island near Venice. Brandeis was a prolific painter, and often replicated her most popular subjects with only slight variations. She was represented in Venice at the photographer Naya’s studios in Piazza San Marco and in Campo San Maurizio and in Florence she collaborated with the picture dealer Giovanni Masini. During this period of intense activity painting landscapes en plein air and genre scenes, Brandeis also is documented in De Gubernatis as a painter of religious altarpieces. Several of these altarpieces can be found on the Island of Korcula in Croatia. Two are visible in the parish church of Smokvici and of in the church of St. Vitus in Blato. In the sacristy of the Cathedral of Korcula is a Madonna with Christ Child painted by Brandeis. For the same church she also painted a copy of the central panel of Giovanni Bellini’s triptych from the Venetian Church of Santa Maria dei Frari Gloriosa (1488). In 1899, for the main altar of the chapel of St. Luke in the Korcula town cemetery, Brandeis painted a St. Luke, which shows the sparkling colors and free impasto typical of her plein air oil paintings. On October 27th 1897 at the age of 49, Brandeis married the Venetian Antonio Zamboni, a knight and officer of the Italian Crown and knight of the Order of SS. Maurizio and Lazzaro. The couple continued to reside in Venice and Brandeis continued to show at Italian exhibitions in Venice, Florence, and Rome although more sporadically and with fewer works than before. Although she participated in the International Exposition of Watercolourists in Rome in 1906 with a “Study” and in the Società Promotrice delle Belle Arti in Florence in 1907 and 1908 with two oil paintings, De Gubernatis quotes Brandeis as saying in 1906, that even though she resides in Venice “I am a foreigner, and for some time I have not taken part in Italian Exhibitions, sending all my paintings to London.[3] Antonio Zamboni died 11...

Palazzo Ducale Mantova 2017 C print 39.5 x 47.5 inches - edition of 5  - $13,500 47.5 x 59 inches - edition of 5 - $15,500 71 x 88.5 inches - edition of 5  - $24,500 Massimo Listr...

Louis-Alexandre CABIÉ (Dol-de-Bretagne 1853 - Bordeaux 1939) The Saint Antoine bridge in Clisson Oil on cardboard H. 26 cm; L. 29.5 cm Signed lower left, dated 1907 Provenance: Priv...

This is a digital prototype for an upcoming painting as part of my "Frontier Project". It depicts an "umbilical" launch tower, which is an integral component in rocket launches. The ...

This drawing records the destruction that was endured by London during the Blitz. The building in the foreground is St Nicholas Cole Abbey, situated in the city of London. Whilst a church was recorded on this site from the twelfth century, this church was destroyed in the Great Fire of London so the remnants of the church that we see here is one that was built by Sir Christopher Wren...

Carlo Socrates (Mezzana Bigli 1889 - Rome 1967), Ponte Margherita (1929) Oil painting on panel 30 x 40 cm signed and dated 1929 lower left. Provenance: Private Collection, Rome.

Massimo Listri Palazzo Mocenigo I, Venezia 2022 C print Signed, dated, and numbered on verso label 39.5 x 47.5 inches (100 x 120 cm) edition of 5 - $12,500 47.5 x 59 inches (120 ...

Edition of 30 + 10AP I this series, master printer Agnes Murray concentrates on images of historic and classical architecture

Edition of 10 Dye sublimated on aluminum Please inquire for additional sizes Mark S. Kornbluth ( American, b. 1966) From the DARK series, comprised of large-format photographs of...

Edition of 30 + 10AP Print unusual vertical diptych by master printer Agnes Murray

Venice Rio San Barnaba, rif. 535 Platemark inches 27.24 x 11.42 - mm 692 x 289 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in ...

Massimo Listri Palazzo Mocenigo I, Venezia 2022 C print Signed, dated, and numbered on verso label 39.5 x 47.5 inches (100 x 120 cm) edition of 5 - $12,500 47.5 x 59 inches (120 ...

Massimo Listri Palazzo Reale III, Venezia 2022 C print Signed, dated, and numbered on verso label 39.5 x 47.5 inches (100 x 120 cm) edition of 5 - $12,500 47.5 x 59 inches (120 x...

death of a poet

Palazzo del Quirinale Portico del Cortile d'Onore, 2015 Chromogenic lambda print Signed, dated, and numbered on verso label 39.5 x 47.5 inches edition of 5 47.5 x 59 inches editi...

Unique

45 x 55.5 inch pure pigment print (framed size) Signed, titled, dated and editioned on label verso Edition 15 Framed in a charcoal gray frame Luca Campigotto uses big equipment to capture big subjects, from the absolute vibrant density of 5POINTZ...

This small drawing (pencil on paper, 25 x 19.5 cm) depicts a friar (who from the style of his tonsure and tunic would appear to be a Franciscan) on the left, seated in the act of rea...

Arms, John Taylor. PUERTA DEL OBISPO, ZAMORA (THE BISHOP'S DOOR, ZAMORA). Fletcher 266. Etching, 1933. Edition 160, of which this is likely one of the 25 p...

Represented by George Billis Gallery, NYC & LA --Much of Bennett Vadnais’ subject matter comes from his surroundings in Manhattan and Brooklyn. With a strong background in plein ...

Ornate details add interest to this study of arches. Abraham Lincoln portrait 'watches' from the background. Part of my County Courthouse seri...

For Victoria Montoro Zamorano, the art of seeing consists not in actively looking for the striking or unusual, but in being ever open and receptive to see the world with new eyes. This unguarded, spontaneous approach gives her images a quality of abstract realism that turns undulating sand dunes into a woman’s prone body, and equally captures the emotional content of a crumbling façade or an old woman’s face. An avid world traveler. Cuban born Zamorano has a special sensibility for people and places off the beaten path. Having no preconceived notions of what a photograph should be, Zamorano’s instinctual approach has led her to the poignant remains of the Jewish synagogues...

Venaria Reale XIII Torino, 2018 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Flor...

Venezia, Ponte di Rialto, 1987 Platemark mm 489 x 488 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in the critical retrospectiv...

Castello di Sammezzano III, Reggello, 2005 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Florence, and is fascinat...

CASTELLO RACCONIGI 2007 Chromogenic print Edition of 5 Signed, dated, and numbered on verso label Mounted on aluminum Framing options available 39.5 x 47.5 inches edition of 5 ...

Massimo Listri Petrovsky Palace, Moscow, 2015 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. Mounted and framed 39.5 x 47.5 inches 47.5 x 59 i...

Venaria Reale XIII Torino, 2018 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. The photographer is based in Flor...

Venaria Reale III Torino C print Edition of 5 mounted on aluminum (production, framing, and shipping takes approximately 4 weeks) Total edition available in three sizes cm 100X120 ...

This is a unique work. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation number also written on verso. Work comes with...

Galleria dellAccademia, 2009 C print Edition of 5 cm 100X120 120X150 180X225 inch 39.40x47.28 47.28x59.10 70.92x88.65 Massimo Listri is a Florence-based photographer whose work o...

Chiesa di Sant Ignazio a Bogota, 2015 C Print Edition of 5 cm 100X120 120X150 180X225 inches 39.40x47.28 47.28x59.10 70.92x88.65 Massimo Listri is a Florence-based photographer ...

The Arc de Triomphe du Carrousel was commissioned by Napoleon Bonaparte I, and can be found between The Louvre museum and the Tuileries Ga...

Published Franz Hanfstaengl Munchen. Printed In Germany. Print Measures 19.75 x 21.25 in. Print In Good Condition.

B&W c1920s photo depicting an English school boys' crew team TSBC in classic rowing blazer attire The Tiffin School Boat Club (also known as TSBC) is an amateur rowing club, bas...

Jim’s of Lambertville is proud to offer this artwork by: R. John Foster (1908 - 1989) R. John Foster lived all of his life in Newtown, Bucks County, Pennsylvania. He studied at the...

Limited Edition Print, Signed by Artist (signature is illegible). The piece measures 16.5 x 24 inches and is unframed. The date of creation is unknown, but is believed to be within t...