Color Art

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

Fleurs de Lavande is a lithograph on paper with an image size of 3.25 x 4.75 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and rib...

Polychrome Gel #11 is an oil painting on canvas with a canvas size of 18 x 24 inches, signed, titled and dated on the overlap verso, 'Ben Weiner Polychrome Gel #11 2019'' and framed in a contemporary white frame. Connecting two opposing styles—abstraction and photorealism—Ben Weiner creates hyper-detailed, lush paintings and videos of extremely magnified consumer products, including hair gel, chemical food additives, and deodorant. In his work, he presents such meticulously rendered, close-up views of his subjects that they read as pure abstractions. A through-line in Weiner’s various bodies of work is contemporary culture’s obsession with bodily enhancement through chemical products—whether by using hair products or taking illegal drugs. "The Gel Series presents a virtual environment that is in flux. Based on hair gel, a material that is physically malleable and visually enticing, it has the ability to change one’s physical appearance. In an abstract manner, the painting reflects our current global environment, subject to constant, dramatic change and rapid development- on the one hand through humanity’s ability to alter the face of the earth according to its ideas; on the other through changing environmental conditions and natural disasters". - Ben Weiner Ben Charles Weiner (b. 1980) is a New York based contemporary artist. His work bridges the seemingly opposite styles of hyperrealism, and process-based abstraction. Mr. Weiner has exhibited his work widely in the US and internationally, at institutions including The Carnegie Art Museum, The Aldrich Contemporary Art Museum, The Boca Raton Museum of Art, and The Tarble Art Center. His work is in public collections including Microsoft, Sammlung/Collection, Progressive Insurance, and The Frederick R. Weisman Collection...

Polychrome Gel #15 is an oil painting on canvas with a canvas size of 24 x 18 inches, signed, titled and dated on the overlap verso, 'Ben Weiner Polychrome Gel #15 2020'' and framed in a contemporary white frame. Connecting two opposing styles—abstraction and photorealism—Ben Weiner creates hyper-detailed, lush paintings and videos of extremely magnified consumer products, including hair gel, chemical food additives, and deodorant. In his work, he presents such meticulously rendered, close-up views of his subjects that they read as pure abstractions. A through-line in Weiner’s various bodies of work is contemporary culture’s obsession with bodily enhancement through chemical products—whether by using hair products or taking illegal drugs. "The Gel Series presents a virtual environment that is in flux. Based on hair gel, a material that is physically malleable and visually enticing, it has the ability to change one’s physical appearance. In an abstract manner, the painting reflects our current global environment, subject to constant, dramatic change and rapid development- on the one hand through humanity’s ability to alter the face of the earth according to its ideas; on the other through changing environmental conditions and natural disasters". - Ben Weiner Ben Charles Weiner (b. 1980) is a New York based contemporary artist. His work bridges the seemingly opposite styles of hyperrealism, and process-based abstraction. Mr. Weiner has exhibited his work widely in the US and internationally, at institutions including The Carnegie Art Museum, The Aldrich Contemporary Art Museum, The Boca Raton Museum of Art, and The Tarble Art Center. His work is in public collections including Microsoft, Sammlung/Collection, Progressive Insurance, and The Frederick R. Weisman Collection...

In 1969, Bethesda Fountain on weekends was a gathering places for the radicals of the time. Abbie Hoffman and Jerry Rubin were regulars speakers the...

An attractive ffemale Hippie in Central Park during an Anti-Vietnam War protest and sandwiched with another image of an American flag. The print is signed...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

Image of a ballerina wearing a tutu sitting in front of a brick wall. Signed Lower Left. Artist Francois Cloutier captures the essence of ballet in paintings of dancers who maintai...

Edition of 10 Signed by Patty Carroll From the series, Anonymous Women Patty Carroll is an American photographer who has taught and practiced photography since the 1970’s. Her photography is characterized as vivid and boldly colored. Where her earlier works include typologies and portraiture, her new work symbolically expresses the domestic roles of women, via the series, Invisible Women. She earned a BFA in Graphic Design from the University of Illinois and in 1972, she graduated with a Master of Science in Photography from the Institute of Design at IIT, Chicago. Since receiving her MS in Photography, Carroll has been teaching photography at universities worldwide. She has been a professor at the School of the Art Institute of Chicago, Columbia College and the Royal College of Art in London, among other schools. Carroll’s photography has been exhibited at the Museum of Contemporary Photography in Chicago, The Art Institute in Chicago, White Box Museum in Beijing, and The Photographers Association in Ningbo, China. Her work has received many merits, publications, and grants. In 2014, she was listed in Photolucida’s “Top 50...

Archival giclée print Edition of 70, Set of 8 Paper size: 57.2 x 56 cms (22 1/2 x 22 ins) Image size: 40 x 40 cms (15 3/4 x 15 3/4 ins) Starting from a belief that all forms, and li...

Medium: Acrylic on Board

“No Focus, No Object” M1 Creator: Hatice Besun Creation year: 2021 Dimension: 32 x 32" External Dimension( with white border) : 32.8 x 32.8” Condition: New Certified In Edition of...

"Drift 10" Landscape Photography 20" x 30" Edition 8/10 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Signed and numbered by the artist Comes...

Medium: Oil Painting Signature: Signed Lower Right Book Cover 'The Tryst' written by Grace Livingston Hill, 1992

Before one of America's most iconic streets was desecrated into a mall, Fremont street was a wonderland of classic casino signs. Mitchell Funk doubles down...

A beautiful work of art depicting flowers and plants by Ruth Epstein. The artwork celebrates flora and botany, showcases the enduring fascination and art...

Signature: Signed Lower Left The Girls of Canby Hall Series by Emily Chase, published by Scholastic (1984–1989), is a collection of young adult novels, based around the lives of a g...

Lithograph after Georges Braque From the deluxe art review, Derrière le Mirroir 1964 Printed signature Dimensions: 38 x 28 cm DLM No. 148, 1964 Edition: Foundation Maeght at Saint P...

"WooDoo Doll" Fine Art Photography 18x24inch Ed 2/20 by Viktorija Pashuta 2016 Signed and numbered by the artist Comes with COA issued by the artist Ready to hang Latvian born Viktorija Pashuta is internationally published and award winning fashion and art photographer gaining momentum and notoriety in Southern California. With visual cues rooted in dance and music, and fashion passion stemming from her European upbringing, her images are sensual, sultry, yet powerful. Viktorija’s work is known for so called ‘color therapy’ – where she uses saturated and vibrant colors to achieve the effect of fashion surrealism. Her images are very feminine and empowering at the same time to celebrate the essence of a woman. Her work has been published in such magazines as RUNWAY (USA), GQ, Esquire, VISION (China), Prestige International (France), Essence (USA), Estetica (USA), Nylon Guys, Vogue (Italia), Tchad (Canada), Fashizblack (France), Highlights (UK), CULTURE (Australia), shooting celebrity covers for Healthy Living Magazine, Runway, Orlando Style, Justine and more. Her celebrity work includes Paris Hilton, Kathy Griffin...

About the artist: Susan Cohen’s paintings are exhibited with New York City galleries: George Billis, Garvey Simon, First Street,The Painting Center; and the Cynthia Winings Gallery...

Untitled - Galesburg (Cousin Candi's Wedding), 1997 Color coupler print 15 1/2 x 15 1/2 in. Titled in ink on margin Signed in ink on print verso by Chri...

About the Artist: Richard Klein is a Connecticut-based artist, curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Ca...

Landon Nordeman is inspired by the work of Garry Winogrand and William Eggleston. Described by New York Magazine's The Cut as their "backstage photographer extraordinaire," Nordeman...

chromogenic print mounted on aluminum with UV ultra non-glare plexiglass
 editions of 10 available in: 
16 x 16 in. $4000 
20 x 20 in. $5000
 24 x 24 in. $6000
 30 x 30 in. $8000
 42...

In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration in 1924 and Royal Charter granted by Her Majesty the Queen in...

"In the fullness of pictorial space, to make an absolute statement and impose something of your own reality." B.T. Bertrand Tremblay was born in Le...

Edition of 10, this print is also available in size 50 x 50 cm for £625. Archival Fine Art Giclee Print Hugh Turvey is a British artist and photographe...

In the mysterious dance of green shades, where darkness intertwines with light, the "Green Dream" is born. This canvas is like a dream in the depths of a forest kingdom, where each i...

EGG REDUX (Green Patina), 2019, cast forton, bronze patina, glass beading,  14 x 9 x 9  inches. The ornate and sensual contours of Nora Chavooshian’s scu...

Portrait en clair-obscure, dont les aplats clairs sont constitués par un texte qui relate le parcourt et la biographie de l’artiste Jimi Hendrix. Impression directe sur Plexiglass, c...

Since 1974, Louise P. Sloane has been actively engaged in the studio as an abstract painter. Her work focuses upon geometric forms, grids and patterns. These detail oriented pieces ...

Color spray-paint aquatint on airbrushed paper Image Size: 40”x 29”; Paper Size: 40” x 29” Edition of 25

Artist Commentary: Using ICM (In-Camera Motion) and a long-duration shutter speed, I created this collection of impressionistic landscapes through a moving bus window while visiting...

Artist's comment: "This painting symbolizes the "No Surrender" in the face of terrorist attacks If these last ones make thousands of deaths, they do not come to end of our unconscious "and collective and archaic" which believes in the vigilantes, in the super-heroes, these mutants which we protect. Cat Woman, "right in her boots", certainly looks to the left, the past that she integrates but also to the right, a future that she will make better. The predominance of "green" and the fact that there are more "white runs" than "black runs" brings just what we need: hope. Twin Towers...

ROULLAND T (aka SKRED) Small blaze tags (4mm) white and pink, forming a human skull. Each tag is placed so as to touch the blaze of the same color. Black background Very beautiful w...

H-Allen Benowitz is a self-taught photographer, born and raised in Brooklyn, NY, and a graduate from the Interboro Institute of Business in Manhattan, migrated to Miami, FL in the 1960s, sharing time at his log home...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

H-Allen Benowitz is a self-taught photographer, born and raised in Brooklyn, NY, and a graduate from the Interboro Institute of Business in Manhattan, migrated to Miami, FL in the 19...

Original Oil painting signed by the Artist in the lower left corner.

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York Abstract Expressionism, Wong wields various free and fluent but forceful strokes and creative washing on canvas atop the heritage of her personal Zen calligraphy; in some cases, Cymn has collaged with traditional Chinese papier-mâché. Through the layering of multiple marks, colors and textures, or being used by perspective, she is able to balance her own spontaneity and control to accomplish the desired effect. When Wong applies to blend her canvas with splash-ink, free dyeing and deliberate sealing, her aim is to create a vivid and immersive sense of expanded spectrum that integrates the outsider viewers with the painting landscape. These stylistic elements combine to create an organic entity that is dynamic, engaging, and deeply contemplative. In exploring the blending entity of art and poetry as extrinsic “landscape” and intrinsic “soundscape”, the brushstrokes are hereby given fresh impetus by a single-unity involvement. Every brushstroke reflects an outer and inner state of creativity. Meanwhile, this embodied experience opens up a transformation and imagination of mindset. Wong declares, “By embracing plainness, simplicity and intimacy, my art emerges an insight for cultivating a cross-boundary ecological ethos. In most recent development of my paintings, I have been focusing on several key areas that are driving for a creative exploration. Firstly, I am placing a greater focus on the bean sprout as a central element of her work. The bean sprout is a crystalized symbol. Its unique shape evokes the numbers "0" and "1". The "0" of the bean sprout represents nothingness or emptiness, a void spectrum that is co-birthed with “1”. The "1", on the other hand, represents possibilities and growth. By incorporating the shape of the bean sprout into visual language, I link the binary concepts of "0" and "1" to convey a sense of stillness, calm, and openness in the other area of "0". Meanwhile a motion, another state of change comes birth in the open area of "1", building in a dynamic interplay between these two facets for growth and inherent continuously in every subsequent moment. Secondly, I attempt to create an alternative way of revealing the insightful wisdom of Zen philosophy, in a fusion of fluidity and freedom of abstract expressionism, siding along with the contemplative practice of Zen calligraphy. This integration of meditative peace and passionate energy presents a fresh landscape that is holistically dynamic and contemplative, evocative and reflective. The Zen strokes that feature prominently refer to the hope of splashing an endless creativity at any stage of life. Thirdly, in organizing a larger-scale of art forms, I gradually move to create a sense of unity and wholeness that highlights a stimulating dimension of cultural diversity in my painting canvas. Moreover, I strive to develop a stronger sense of spatiality by leaving white space blank within the compositions, which provides a stimulated sense of circulation and contingency, for an experimental interaction of fulfilling the gaps of different 3-D dimensions in life. Last but not the least I embrace my intuition of self-awareness under my personal practice of integrating multiple refreshing technical elements, that always plunging into the fundamental questions of man’s existence and the nature of living being. I appeal to the worldly communities for a spirit of connection and resonance that may well go beyond the surface of my painting art.” From 2022 to 2023, Cymn has extended a soul karma in her Washington saloon that spearheads to create a masterfully-suited-style of global ethos. The ethos showcases her accomplished selfhood of aesthetic views blending with both Eastern and Western cultures and languages. Wong attempts to vitalize the diversity of built-in imageries and present the visual art communities via a dynamic interaction of natural human passion with the uncontrollable social environment and the universe. In fact, Cynm’s lifelong commitments to bilingual poetry and expanded visual art have been widely applauded in multiple international platforms whereas her English...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York Abstract Expressionism, Wong wields various free and fluent but forceful strokes and creative washing on canvas atop the heritage of her personal Zen calligraphy; in some cases, Cymn has collaged with traditional Chinese papier-mâché. Through the layering of multiple marks, colors and textures, or being used by perspective, she is able to balance her own spontaneity and control to accomplish the desired effect. When Wong applies to blend her canvas with splash-ink, free dyeing and deliberate sealing, her aim is to create a vivid and immersive sense of expanded spectrum that integrates the outsider viewers with the painting landscape. These stylistic elements combine to create an organic entity that is dynamic, engaging, and deeply contemplative. In exploring the blending entity of art and poetry as extrinsic “landscape” and intrinsic “soundscape”, the brushstrokes are hereby given fresh impetus by a single-unity involvement. Every brushstroke reflects an outer and inner state of creativity. Meanwhile, this embodied experience opens up a transformation and imagination of mindset. Wong declares, “By embracing plainness, simplicity and intimacy, my art emerges an insight for cultivating a cross-boundary ecological ethos. In most recent development of my paintings, I have been focusing on several key areas that are driving for a creative exploration. Firstly, I am placing a greater focus on the bean sprout as a central element of her work. The bean sprout is a crystalized symbol. Its unique shape evokes the numbers "0" and "1". The "0" of the bean sprout represents nothingness or emptiness, a void spectrum that is co-birthed with “1”. The "1", on the other hand, represents possibilities and growth. By incorporating the shape of the bean sprout into visual language, I link the binary concepts of "0" and "1" to convey a sense of stillness, calm, and openness in the other area of "0". Meanwhile a motion, another state of change comes birth in the open area of "1", building in a dynamic interplay between these two facets for growth and inherent continuously in every subsequent moment. Secondly, I attempt to create an alternative way of revealing the insightful wisdom of Zen philosophy, in a fusion of fluidity and freedom of abstract expressionism, siding along with the contemplative practice of Zen calligraphy. This integration of meditative peace and passionate energy presents a fresh landscape that is holistically dynamic and contemplative, evocative and reflective. The Zen strokes that feature prominently refer to the hope of splashing an endless creativity at any stage of life. Thirdly, in organizing a larger-scale of art forms, I gradually move to create a sense of unity and wholeness that highlights a stimulating dimension of cultural diversity in my painting canvas. Moreover, I strive to develop a stronger sense of spatiality by leaving white space blank within the compositions, which provides a stimulated sense of circulation and contingency, for an experimental interaction of fulfilling the gaps of different 3-D dimensions in life. Last but not the least I embrace my intuition of self-awareness under my personal practice of integrating multiple refreshing technical elements, that always plunging into the fundamental questions of man’s existence and the nature of living being. I appeal to the worldly communities for a spirit of connection and resonance that may well go beyond the surface of my painting art.” From 2022 to 2023, Cymn has extended a soul karma in her Washington saloon that spearheads to create a masterfully-suited-style of global ethos. The ethos showcases her accomplished selfhood of aesthetic views blending with both Eastern and Western cultures and languages. Wong attempts to vitalize the diversity of built-in imageries and present the visual art communities via a dynamic interaction of natural human passion with the uncontrollable social environment and the universe. In fact, Cynm’s lifelong commitments to bilingual poetry and expanded visual art have been widely applauded in multiple international platforms whereas her English...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 5/6 on verso. In the series ‘Weights & Measures’ (2003) Andrew George turns...

Printed on archival fine art paper and signed, dated and numbered by the artist. Edition #2 of 5. About the artist: "I always felt that plants have a secret life. First, you don't ...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

Portrait is a result of transformations in Judith Berry’s painting practice from singular landscapes into abstracted forms, still lives, and now, into human and animal life. These lu...

This abstract color photograph of a book at the top of a pine tree amidst the devastation of the historic tsunami that hit Thailand in 2005 is from the series "Things Fall Apart...

From the beginning of my practice, I have maintained a feminist perspective and a questioning of modernism. Conceptual queries and artistic explorations have taken several aesthetic ...

Pintura de Jeff Engberg con las siguientes dimensiones: 60 x 100 cm Técnica: Óleo sobre tela

Sasha Bezzubov, “Water 45” 40"x55", edition of 5, available unframed, hand signed by the artist on the reverse. Please inquire about framing options. large scale photograph, taken w...

edition of 5, hand signed by the artist on the reverse. silver gelatin print, taken with a large format camera in Arctic Alaska. This minimalist waterscape gives poignant imagery to...

edition of 5, hand signed by the artist on the reverse. silver gelatin print, taken with a large format camera in Arctic Alaska. This minimalist landscape gives poignant imagery to ...

Feel like biting into an apple, life, the forbidden fruit? I chose to play with green glazes for this invitation. This sculpture is an imaginary nose.

C Print Photograph, signed on reverse available as 30"x45" edition of 5, framed and mounted in high quality shadow box frame with natural wood finish. This is from Stephe...

45"x30" C-Print photograph edition of 5, signed on reverse This photograph is featured in a current exhibition of photographs by the artist, "Stephen Mallon" depicting the SS Uni...

20"x30" C-Print photograph edition of 5, signed on reverse This photograph is featured in a current exhibition of photographs by the artist, "Stephen Mallon" depicting the SS Uni...

C Print Photograph, signed 30"x45", edition of 5 available unframed please inquire about additional print sizes This photograph is from Stephen Mallon's series: "The R...