Dog Art

The Wolf of Main Street III Ghost Town, USA 2015 Standard Edition of 12 Image Size: 37" x 61" Framed Size (with a 5" mat): 52" x 76" Large Edition of 12 Image Size: 56" x 92" Framed Size (with a 5" mat): 71" x 107" A Small Artist Proof may be available upon request. Price includes David Yarrow's custom black ash frame with white linen archival mat and UV protective acrylic. The print is also available unframed and with custom framing options. Please inquire. Archival Pigment Print. All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. David Yarrow's narrative on "The Wolf of Main Street III": "Sometimes the most engaging pictures just happen with no real forward planning, but rather a spontaneous reaction to a fresh canvas that just presents itself. This staged shot in a ghost town in Montana was one such occasion. We had finished filming on a cold January morning and retreated to the only working premises in the deserted town to get warm and have a drink. Our refuge met every preconception of what a timeless wild west American inn should look like – a long wooden bar, wagon wheels on the ceiling, faded black and white photographs of the glory years, the odd moose head and of course a pool table. My cameras were packed away, but I saw an opportunity. There was just enough light in the room to work an image that told a story of tough folk living at the last frontier. I asked the bar owner, Rosie – who had a “seen it all before” look about him, if he had a problem with us bringing a wolf into the deserted bar. Not a normal request perhaps, but he welcomed the idea, only asking what the wolf liked to drink. The central premise of the shot was that I wanted everyone to behave as if a wolf in a bar was the most normal occurrence in this part of the world – they should act with total indifference. The difficulty with the idea was that I had so little light to play with that my depth of focus would be measured in centimeters. The focus had to be the wolf’s eyes...

Stamped with Scott Polar Research Institute blind stamp and numbered on reverse Platinum print Available in two sizes: 14 x 20 inches, edition of 30 22 x 31 inches, edition of 20

Castle on Sunset Los Angeles, USA - 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Available sizes: Stand...

From the artist's latest series, begun in 2018 and ongoing, the "What Once Was" portfolio of images features platinum over pigment prints, hand signed and numbered by artist on re...

From the artist's latest series, begun in 2018 and ongoing, the "What Once Was" portfolio of images features platinum over pigment prints, hand signed and numbered by artist on re...

Butte, Montana 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 60 x 48...

Montana, USA, 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 67 ...

Montana, USA 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 63 i...

Red Shoes and a Bulldog, 1991 Archival pigment print 30” x 40” (76.2x101.6 cm) Edition of 10 signed and numbered $ 9,000.00 40” x 60” (101.6x152.4 cm) Edition of 10 signed and n...

Other Editions: 15 x 15" Edition of 20- Price Upon Request 22 x 22" Edition of 10- Price Upon Request 36 x 36" Edition of 9- Price Upon Request After completing her prodigious serie...

Monocerus, limited edition, pigment ink photograph, signed and numbered Storytelling comes naturally for photographer Keith Carter whose East Texas ro...

South Arrica, 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 48 x 68 inches 67 x 98 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "I know 2 things from photographing hyenas. The first is that they have a few idiosyncrasies - they run funny, smell funny and with their oversized heads and large ears, they look dead funny too. Maybe they are just laughing at themselves - a good sign in any mammal. I don't actually think many of us really know exactly what hyenas look like because, they are the least photographed of all the storied animals in Africa. We are not familiar with them as we don’t revere them - indeed to be called a hyena, has become a term of abuse, which seems rather unfair on a species that adds to the rich fauna of sub-Saharan Africa. Hyenas are clearly useful additions to animated films and musicals as they can be demonised and portrayed as the bad guys. But here is the other thing about hyenas which slightly plays towards their stereotyping of being the villains - they don't respect camera equipment...

Signed and numbered by artist on verso.

Montana, USA 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition size: 12 Available sizes: 48 x 72 inches 67 x 104 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "The first time that I set foot in Montana, I knew I was in a very special place. It was not just the majesty of the scenery, it was the characters that lived there. I have long had a visceral attraction to the Wild West and no State embodies the final frontier of America more than Montana. In the hills in the winter, there is a sense of timelessness. The clock seemingly stopped about 100 years ago. We have spent the last few years networking in a village in the mountains. I have been there seven times and we have invested emotionally as well as financially in order to be able to tell stories with the camera. This week – on Robbie Burns night – appropriately enough – we had our reward. There was no point attempting this without a solid base of locals that genuinely wanted to help. I know this bar in the mountains inside out and the locals know me. Everyone wanted a role in the shoot, but we had to be selective. I wanted ex-convicts, wolf wranglers, wannabe Davey Crocketts and crazy old mountain men that are drunk by 11 am. But it needed more – the barmaid had to have the right look – as she would be pivotal to the image – as would the chosen mountain man. It would be a key juxtaposition. I found the girl – Roxanna Redfoot (what a name) – from Dallas and she was brilliant. I knew I could rely on the wolf – I have worked with him before and so long as he didn’t lose interest, I had a chance. But there is no light in the bar – so it is all seat-of-the-pants stuff technically – there was no margin for error in focus. A flash gun would destroy the emotion and sense of place. As I expected, most of the photographs were not sharp or someone messed up (including me). The composition, however, was always bang on, I just needed one stroke of luck – 1/125th of a second that would capture Montana. I think we nailed it! “The Usual Suspects...

Pawns - William Wegman (Colour Photography) Signed and numbered on label affixed to reverse of mount Pigment print 44 x 34 inches From an edition of 7 The dogs, bewigged and bedeck...

Signed and numbered on label affixed to reverse of mount Pigment print 44 x 34 inches From an edition of 7 + 2 APs

Breakout - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1995 24 x 20 inches The dogs, bewigged and bedecked with outfits...

Presentation - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 2004 24 x 20 inches The dogs, bewigged and bedecked with out...

Left to Right - William Wegman (Colour Photography) Signed and inscribed with title Three unique colour Polaroid prints, printed 1989 24 x 20 inches each The dogs, bewigged and bede...

Climber - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1991 24 x 20 inches The dogs, bewigged and bedecked with outfits ...

Side Views - William Wegman (Colour Photography) Signed and inscribed with title Unique black and white Polaroid print, printed 1998 24 x 20 inches The dogs, bewigged and bedecked w...

Posed on Pedestal - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1994 24 x 20 inches The dogs, bewigged and bedecked wit...

Primary Trio - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1991 24 x 20 inches The dogs, bewigged and bedecked with out...

Gelatin silver print (Edition of 12) Signed by the photographer's grandson, Gerd Sander, with print date and edition number in ink, verso August sander archive stamp in ink, verso K...

Chair Piece - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1991 24 x 20 inches The dogs, bewigged and bedecked with outf...

3 Out of Four - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1988 24 x 20 inches The dogs, bewigged and bedecked with ou...

Photogravure (Edition of 46) Editioned in pencil, verso 16 x 11 inches, sheet 4.25 x 3.25 inches, plate This artwork is offered by ClampArt, located in New York City. “Mark was an...

Sweet Home Chicago Chicago, IL - 2017 Available Sizes: Standard Edition of 12 Image Size: 37" x 55" Framed Size (with a 5" mat): 48" x 66" Large Edition of 12 Image Size: 56" x 83...

Montana, USA 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 76 inches 67 x 110 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "In June 1876, the Battle of Little Bighorn - commonly known as Custer’s Last Stand - was played out not far from the location of this remote saloon in Montana. For Americans of all ethnicities with a thirst for history, Big Horn has become something of a pilgrimage and for those with a thirst for alcohol, the saloon is the only place to get a beer within a 70 mile radius. The US 7th Cavalry suffered big losses in the two-day battle - over 300 men - and the bravery of General Custer has become the stuff of legends. But so too the Crow Indians - who celebrate the occasion every year on its 25th June anniversary. The names of the Lakota Sioux Chiefs are now so familiar - Sitting Bull, Crazy Horse...

Archival pigment print Signed and numbered on label, verso 26.7 x 20 inches (Edition of 5) 54.7 x 41 inches (Edition of 6) This photograph is offered by ClampArt, located in New York City. In a subtle turn away from the more direct portraiture of her monkey and bear portraits, Jill Greenberg presents here a selection of photographs of horses...

Archival pigment print Signed and numbered on label, verso 24 x 24 inches (Edition of 10) 42 x 42 inches (Edition of 10) This photograph is offered by ClampArt, located in New York City. In a subtle turn away from the more direct portraiture of her monkey and bear portraits, Jill Greenberg presents here a selection of photographs of horses...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition size: 12 Available sizes: 48 x...

Serengeti, Tanzania 2016 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48...

His Serene Highness Heinrich von und zu Furstenberg with new wife Maximiliana von und zu Furstenberg in the grounds of their mansion, Schloss Furstenberg. Staley-Wise Gallery offers...

Publisher's Print Image Size: approx 24 x 30 inches Framed Size: approx 31 x 37 inches Known for his Civil War genre paintings, Mort Kunstler studied art at Brooklyn College, U.C.L.A., and Pratt Institute in Brooklyn. He became a successful illustrator in New York and received assignments including numerous book and magazine publishers. He was affiliated with the National Geographic Magazine, and through their assignments of historical subject matter, learned the value of accuracy by working with historians. He also did illustrations for The Saturday Evening Post, Newsweek, and Argosy. In the early 1970s, his work began attracting the attention of collectors. His first paintings were primarily Western subject matter, and from 1977 he has had nine one-man shows at the Hammer Gallery in New York City. In 1982, he had a commission from CBS to do a painting for the television mini series "Blue and Gray," and this activity directed his attention to the Civil War. A painting, The High Water Mark, was very correct in its details and was unveiled on July 2, 1988 at the Gettysburg National Military Park in celebration of the anniversary of the battle. He has also completed an official U.S. postal stamp commemorating the Buffalo Soldiers...

Animal Locomotion: Plate 730 (Tiger Walking), 1887 - Eadweard Muybridge Inscribed with Muybridge's letterpress credit, series title, plate number and date, stamped with Museum of Edi...

Fresson print. This photograph is an Edition of 15. All editions are signed by the photographer.

This print is currently featured in our exhibition, Warm Regards, and will be available to ship after the show closes June 24th, 2017. Pentti Sammallahti is a benchmark figure in co...

Signed by the artist. This piece is available at least four different sizes so contact us as availability is subject to change. ARTIST'S STATEMENT: I use photography to express selec...

Leo Castelli, NYC, 1979

This photograph is an edition of 50. See below for other editions available. All editions are signed by the photographer. Larger sizes may be available upon request.

Edition of 10. Please contact the gallery for pricing information and other inquiries.

I present unspoken stories which illustrate fleeting moments in time and which are intended to evoke a mood in the viewer. These mythical illustrations might address the fragility of...

I present unspoken stories which illustrate fleeting moments in time and which are intended to evoke a mood in the viewer. These mythical illustrations might address the fragility of...

This photograph is signed by the photographer. Please see additional editions listed below. Larger sizes may be available upon request.

All editions signed by the photographer.

Signed and edtioned on mount recto. Titled, dated and editioned with artist's stamp on mount verso. Available as a 16 x 20, 24 x 30 and 30 x 40 inch photograph. Kenneth Parker is rep...

oil on linen on panel

oil on linen on panel

oil on linen on panel

Conversation with a Coyote, limited edition, archival pigment ink print, signed Storytelling comes naturally for photographer Keith Carter whose East Texas roots have greatly influ...

Bogdog, limited edition, archival pigment ink print, signed and numbered Storytelling comes naturally for photographer Keith Carter whose East Texas roots have greatly influenced hi...

Very few photographers have ever really considered the photography of wildlife, as distinctly opposed to the genre of Wildlife Photography, as an art form. The emphasis has generally...

Hanzlova

Hanzlova

Hanzlova

Hanzlova

Hanzlova

Terry O’Neill’s candid photojournalistic portraits of creative and political luminaries have included Brigitte Bardot, The Beatles, Audrey Hepburn, Nelson Mandela, and Frank Sinatra,...

Esko Mannikko