Land Art

Title: Village in Brown and Green Medium: Oil on canvas Size: 27.5 x 27.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. ...

Susan Grisell In the Woods, circa 1970 Signed lower right Oil on board 8 x 10 inches Following the guidance of her long-time teacher and mentor, the respected New England impressionist painter, Bernard Lennon, Susan Grisell developed a style marked adherence to nature. Her paintings are recognizable for their effortless rendering, with line and color that express the impressions of what she observes, and dense brushwork that conveys her response following the sensitive observation of atmosphere. In May 2023, one of Susan's paintings "Blue Crock...

The mansion of Remy de Haenen on a peninsula in the bay of St. Jean at Eden Rock on the Caribbean island of St Barts (Saint-Barthelemy), March 1973. The house is now a hotel Slim Aa...

"Although I live in London the Big Apple is one of my favourite cities in the world and often the subject of my art. I love the city’s mix of historic buildings and modern skyscraper...

The mansion of Remy de Haenen on a peninsula in the bay of St. Jean at Eden Rock on the Caribbean island of St Barts (Saint-Barthelemy), March 1973. The house is now a hotel Slim Aa...

The mansion of Remy de Haenen on a peninsula in the bay of St. Jean at Eden Rock on the Caribbean island of St Barts (Saint-Barthelemy), March 1973. The house is now a hotel Slim Aa...

Water lilies. 2019. Oil on canvas, 40x80 cm Valery Bayda (1958) Valery Bayda was born in 1958 in Russia. From 1983 to 1989 he studied at the All-Union S...

Betsy Podlach (American, born 1964) "Hudson River" 2021 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. Betsy Podlach’s "Hudson River" is an expressive...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

Bloom - 2016, Edition of 7 plus 2 Artist Proofs Archival Print, Based on an original Polaroid. Signed on the back and with certificate. Artist inventory PL2016-126. not mounted. ...

Battle Mountain, Nevada (2005), oil on canvas, 30x40 inches (framed size: 39 x 50 inches) Earl Jones (1937- ) is one of Utah’s best known landscape artists. As an undergraduate at the University of Utah, where he earned a BFA in 1959 and an MFA in 1962, Jones was preoccupied with the figure, studying under the tutelage of portrait painter Alvin Gittins. He then ventured from Utah to New York and the Art Students League where he took figure painting classes with Joseph Hirsch. Later Jones became heir to the landscape legacy of LeConte Stewart...

'Islands', 2018, Print based on an original Polaroid on Hahnemühle photo rag paper, not mounted . 20x20cm, Edition of 10 plus 2 Artist Proofs. Signature label and certificate. Not ...

"Yosemite Awakens" In the moment of taking this image, the stillness in the water was echoed by the calm of the scene surrounding it while the air smelled like spring, warmth, and ...

"Textures of Silence" The early morning light and the pristine water created a perfect reflection of the landscape in this black and white image inspired by the master of photograp...

Coastal Landscape by Anthony Avery (British 1946-2023) * see notes below original watercolor on artists paper, unframed paper dimensions: 11 x 15 inches double sided condition: very ...

Details 21 x 26 inches (54 x 66 cm) edition of 7 Medium: Archival Pigment Print Mounted and framed Available sizes and editions: 21 x 26 inches, edition of 7 32 x 40 inches, editi...

This early-1960s photograph, taken by society photographer Slim Aarons, features A luxury boat trip on the Jhelum River near Srinagar, in Jammu and Kashmir, India, 1961. The boat is ...

Title: "Mid Century French Original Pastel Painting of a Hillside Cityscape with Lush Vegetation" Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size:...

Title: "Mid Century French Original Pastel Painting of a Plowed Field and Orchard" Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 19.75 (height)...

'Sunfall', 2016, Edition of 10 plus 2 Artist Proof, 20x48cm, Digital Print based on an original Polaroid on Hahnemühle photo rag paper, not mounted . Signature label and certificate...

Details 21 x 26 inches (54 x 66 cm) edition of 7 Medium: Archival Pigment Print Mounted and framed Available sizes and editions: 21 x 26 inches, edition of 7 32 x 40 inches, editi...

Cape Otway, South Australia, 1998 - 20x30cm, Edition of 10, digital C-Print based on a 35mm negative. Signed on back with Certificate. Not mounted.

Somewhere in Australia, 1995 - 46x20cm, Edition of 10, digital C-Print based on a 35mm negative. Signed on back with Certificate. Not mounted.

This artwork depicts a green landscape, with a mountain range in the background and a garden of flowers in the foreground. But the topic of the painting is actually three gigantic sprouted potatoes overwhelming the canvas. This artwork is not framed. Henriette Gorbitz...

Aeling has long been drawn to the liminal spaces where forest interiors give way to open meadows. Painted with his characteristic balance of observation and restraint, this woodland ...

In this piece, I poured my passion into capturing the serene vastness of the sea meeting rugged land, blending impressionism with realism to evoke both emotion and truth. The shimmer...

'Untitled' (Fairytales) - 2006, 48x59cm, Edition 2/5, analog C-Print, hand-Printed by the artist on Fuji Crystal Archive Paper, matte finish, based on a Polaroid, Certificate and ...

Jan Hillebrand Wijsmuller (1855 Amsterdam - 1925 ibid.), Late Summer River Landscape, oil on canvas, relined, 34 x 56 cm (inside measurement), 43 x 64 cm (frame), signed J[an] H[illebrand] Wijsmuller at lower right. - in good condition, the frame with isolated bumped spots - Realistic Impression - About the artwork The panoramic landscape format shows a river landscape, with the course of the river, which curves to the right, leading the eye into the depths of the picture and tempting it to continue the landscape in the imagination beyond the visible area. At the same time, however, the fact that the landscape is not visible through the bend in the river focuses our gaze on the entirety of the landscape depicted, without prompting us to focus on distant details. Accordingly, the brushstroke is not designed to render details with realistic precision. In the front left area of the river there is even a completely free brushwork, trained by Impressionism, which nevertheless remains committed to representational and convincingly suggests the movement of the water. Regardless of the distance of the observer, the entire picture is painted with the same broad brushstroke, so that the landscape is given as an impression. And yet this impression is not ephemeral, as in the case of French Impressionism, to put it exaggeratedly, but reveals to us the essence of the landscape in all its richness. This is why the Dutch variant of Impressionism is always also a realism, although the pictures appear less progressive, but still contain a dimension of landscape painting that is lost with progress. In the impression, the reality of the landscape is revealed, and this happens as we experience the landscape in the visual impression. Wijsmuller does not depict houses or people in order to allow the experience of the landscape to fully unfold. The experience is determined first and foremost by the river, which does not flow into the picture from our point of view, but towards us. Where the river begins to bend, the water is churned by a rapids. Toward us, the riverbed widens and the water comes to rest, covering the entire width of the foreground like a mirror. The stillness of the water corresponds to the evening mood of the late summer landscape, in which the warm tones of the evening light blend with the yellow and brown tones of the plants. A gentle, almost idyllic reality, carried by the brushstroke, yet animated by a liveliness that is also made visible by the brushstroke. The broad, dynamically placed brushstrokes evoke the movement of the treetops and animate even the immobile reeds, while the trunks on the right bank, executed in virtuoso white strokes that seem like markings, make the sunlight shine. On the other bank, a carpet of light also spreads out, its energetic effect again expressed in the brushstroke. The dynamic of the landscape is further enhanced by the complementary color contrasts between the greens, yellows, and browns on the one hand and the blue of the all-encompassing sky on the other. A contrast that is intensified by the reflection in the water. The evening coming to rest of the landscape is thus at the same time an all-encompassing contrasting and yet in itself harmonious movement. This reality becomes accessible to us as an experience in the impression of the landscape. About the artist Jan Hillebrand Wijsmuller entered the Royal Academy of Arts in Amsterdam in 1876 and studied under the innovative Professor August Allebé, who was famous for the Amsterdam Impressionism, also known as the Allebé School. In 1877, Wijsmuller transferred to the Hague Academy of Art, and thus to the Hague School, and then completed his studies at the Brussels Academy of Art. Returning to the Netherlands, Wijsmuller opened his own studio in Amsterdam. In 1883 he won the prestigious Young Artist Award, donated by Willink van Collen, which made Wijsmuller a well-known and sought-after artist. Wijsmuller was a member of the Societät Arti et Amicitiae Amsterdam and the Pulchri Studio in The Hague. Wijsmuller belongs to the second generation of the Hague School. While Vincent van Gogh described the protagonists of the first generation to his brother Theo as "the great gray people," the second generation, and Wijsmuller in particular, used a much more colorful palette. His oeuvre makes him a major player in Dutch Impressionism...

Part of Richard's Vietnam series 'This is Not America', this unusual photograph has a spiritual quality. This artwork is a limited edition of 25, gloss photographic print. Accompan...

ABOUT THIS ARTIST: Paolo Pettigiani is an Italian photographer and art director. He combines graphic design and photography in one single image, playing with colors, shapes and contr...

Signed on the front of the mount before his death. Special Edition Print.

ABOUT THIS ARTIST: Nikol Bartzoka was born in Kastoria, Greece. She studied Mathematics at the University of Crete and during her studies there, she experimented with her true passio...

Marina, Bombay Beach, waterscape photography from Richard Heeps Salton Sea series. This artwork captures a mood of serene stillness, the silhouette structure leads the eye through th...

Miguel Winograd's work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. His w...

Miguel Winograd's work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. His w...

Miguel Winograd's work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of...

Miguel Winograd's work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. His w...

Miguel Winograd's work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. His w...

Miguel Winograd's work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. His w...

"Landscape provides Gregory Hardy with an inexhaustible source of mystery. His paintings are not representations of actual landscape as much as they are surrogates for the artist’s e...

Someday I'll Be Gone - 2016 20 x 20 cm, edition of 10, digital C-Print based on a Polaroid, hand-numbered and signed on the back by artist. Not mounted. Artist Statement “Since m...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

Dae-Soo Kim works in Paris and Seoul, while approaching this series with sensitivity and delicacy. In Korea the bamboo plants grow up to 30 meters high, while possessing a high symb...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2021 Style: Impressionism, Subject: White Rocks, Size: 21" x 31.5" ...

Untitled (Fairytales) - 2006 98x96cm, Edition 3/5. Analog C-Print, hand-Printed by the artist on Fuji Crystal Archive Paper, matte finish, based on the Polaroid. Certificate an...

In this painting, I poured my love for nature’s tranquility, capturing the gentle embrace of sea, sky, and mountain. Through soft, impressionistic brushstrokes and oil’s rich texture...

Title: A view of the Academy of Fine Arts Medium: Oil on canvas Size: 39.25 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent co...

Ewa Adams is a landscape painter. Her painting is a contemporary take on Pointillism. She builds her images out of circles of pure colour juxtaposted next to one another. It is a slo...

Bubbles (2019) 20x25cm, Edition of 10 Photograph printed in Canson Barita Fiber Rag 340gr, based on a reclaimed Fuji Instant Film Negative (not mounted). Signed on back with Certifi...

Marina A large marina complex, circa 1960. 16×16 inches paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons Printed in 2025 Limited to 150 prints only (...