Monkey Art

Volcano National Park, Ruanda 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: Standard: 48 x 64 inches Large: 67 x 91 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Dian Fossey - the Californian zoologist who became the world’s leading authority on the mountain gorilla - left a formidable legacy when she was tragically murdered in 1985. Her resting place, high up in the rain forest, is visited regularly by those that want to pay homage to her life. Fossey’s famous book ‘Gorillas in the Mist’ chronicled her research and conservation work that helped to reduce the downward population trend in mountain gorillas, ultimately saving them from extinction. Her grave is a two and a half hour walk straight uphill from the little mountain village of Bisate on the edge of the National Park and over the years a well-trodden path has taken shape in what is otherwise a dense and fairly impenetrable rainforest. In all my times trekking through the forest in search of gorillas, I have never had the fortune to be able to use this path to access the gorillas - as quite simply it was too far from the location of any particular troop to be of use. But on this occasion during Covid 19 we were working tightly with the rangers - who advised us that the Umubano Group were near the Fossey trail. It certainly helped the trek to use the path, but far better than that, it transpired that a large Silverback from the Umubano Group - Bunyenyeri, 21 years old - was coming down the...

'Nico Jnr' by Tobias Martin is a Solid Bronze Animal Sculpture. Based on the famous Gorilla 'Nico' who was the largest and oldest Silverback Gorilla...

Animal Locomotion: Plate 749 (Baboon Climbing), 1887 - Eadweard Muybridge Inscribed with Muybridge's letterpress credit, series title, plate number and date Stamped with Museum of Ed...

Rwanda, 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 59 inches 67 x 83 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "This portrait taken at around 11,000 feet in Volcanoes National Park, Rwanda was as hard earned as any portrait I have taken. It can be a slog up the mountain in the rainy season and even when you encounter a silverback, so many variables that are beyond anyone’s control have to work in the favour of the artist. Firstly, I prefer cloud cover, as a strong sun scattering shafts of intense light through the canopy of the rainforest is not a good bedfellow for portraiture. Secondly, I always prefer some degree of room to work with and 50% of my trips up that hill have not given me that opportunity - the vegetation is just too dense - on the ground and above. I do need some light to play with to help my depth of focus. Thirdly, the silverback has to play ball - and that is not easy - in my experience the earlier the encounter in the day, the greater the opportunity of meeting an alert and compliant gorilla. This is the son of Kwitonda - a famous silverback who passed away recently and it is this son who is now the Governor...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 55 inches 67 x 78 inche...

Rwanda, 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 52 inches...

Pigment print on aluminium Edition of 30 “Everything that surrounds me affects me. Memories, politics, nature, people, a dry leaf on the ground, music and books.” Corvengi’s works ...

Borneo, 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 54 x 48 inches 76 x 67 inches Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "​Another memorable moment from a charred forest in Southern Borneo. There is no doubt that these images have made quite an impression and are raising awareness of the plight of the orangutan. She looks more human than a number of Scots I know. This mother and child were much easier to work with than the big male. She seemed largely comfortable with our presence. My instinct was to work with my “go to” 58mm lens and set the camera for as much detail as possible. The trick was to be in the water and to make myself look small and unthreatening (harder now than it once was!). But I needed some protection because on the way up river we had noticed several crocodiles and I am terrified of crocs. They could have been anywhere, skulking in the water reeds, but after some manoeuvring, the two motor boats formed a V shape and blocked off the water behind and to the left and right of me. It was only later that our lead guide told me, with a mischievous grin, that there had been a recent crocodile attack...

Borneo, 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 61 inches...

Borneo, 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 53 inches...

Borneo, 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 54 x 48 inches 76 x 67 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. ""​Another memorable moment from a charred forest in Southern Borneo. There is no doubt that these images have made quite an impression and are raising awareness of the plight of the orangutan. She looks more human than a number of Scots I know. This mother and child were much easier to work with than the big male. She seemed largely comfortable with our presence. My instinct was to work with my “go to” 58mm lens and set the camera for as much detail as possible. The trick was to be in the water and to make myself look small and unthreatening (harder now than it once was!). But I needed some protection because on the way up river we had noticed several crocodiles and I am terrified of crocs. They could have been anywhere, skulking in the water reeds, but after some manoeuvring, the two motor boats formed a V shape and blocked off the water behind and to the left and right of me. It was only later that our lead guide told me, with a mischievous grin, that there had been a recent crocodile attack...

A snow monkey in a natural hot spring in Japan.

Archival pigment print (Edition of 10) Signed and numbered on label, verso This photograph is offered by ClampArt, located in New York City. Over a period of approximately five year...

Archival pigment print (Edition of 10) Signed and numbered on label, verso This photograph is offered by ClampArt, located in New York City. Over a period of approximately five year...

Archival pigment print (Edition of 10) Signed and numbered on label, verso This photograph is offered by ClampArt, located in New York City. Over a period of approximately five year...

Archival pigment print (Edition of 10) Signed and numbered on label, verso This photograph is offered by ClampArt, located in New York City. Over a period of approximately five year...

Archival pigment print (Edition of 10) Signed and numbered on label, verso This photograph is offered by ClampArt, located in New York City. Over a period of approximately five year...

Archival pigment print (Edition of 10) Signed and numbered on label, verso This photograph is offered by ClampArt, located in New York City. Over a period of approximately five year...

Archival pigment print (Edition of 10) Signed and numbered on label, verso This photograph is offered by ClampArt, located in New York City. Over a period of approximately five year...

Archival pigment print (Edition of 10) Signed and numbered on label, verso This photograph is offered by ClampArt, located in New York City. Over a period of approximately five year...

Archival pigment print (Edition of 10) Signed and numbered on label, verso This photograph is offered by ClampArt, located in New York City. Over a period of approximately five year...

Simien Mountains, Northern Ethiopia 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Avai...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 51 inches 67 x 71 inche...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 56 inches 67 x 79 inch...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

Original archival digital pigment print or platinum print comes in three different sizes and the two mediums. Please contact us for availability. Digital Archival Prints: 9 x 11 i...

My photographs reflect both genuine interest in my subject as well as a respect for the element of serendipity. I strive for both calculation and discovery in my work, studying my su...

My photographs reflect both genuine interest in my subject as well as a respect for the element of serendipity. I strive for both calculation and discovery in my work, studying my su...

Nick's exquisite photographs arouse deep emotions. They inspire a sense of awe at the beauty of creation and the sacredness of life. It's almost impossible to look through his work without sensing the personalities of the beings whom he has photographed. JANE GOODALL...

My photographs reflect both genuine interest in my subject as well as a respect for the element of serendipity. I strive for both calculation and discovery in my work, studying my su...

hanzlova

Signed, dated and numbered on front of print. Titled on back of print. Available as 11 x 11 inches(Edition of 50); 15 x 15 inches(Edition of 50).

Signed, dated and numbered on front of print. Titled on back of print. Available as 11 x 11 inches(Edition of 50); 15 x 15 inches(Edition of 50).

Signed, dated and numbered on front of print. Titled on back of print. Available as 11 x 11 inches(Edition of 50); 15 x 15 inches(Edition of 50).