Mountain Art

Artist/ School: British School, signed Iris M. Howard (after the painting by Sidney Percy). Title: The Lake District Medium: oil on board, framed Framed: 16 x 20 inches Painting...

Work on cardboard Golden wooden frame 35.5 x 49 x 2 cm

Deb Komitor's (US based) "In Silent Conversation II" is an oil painting that depicts blue tinted rock formations in situ with red tinted rock formations and the distance of the vast ...

Listing includes free shipping for unframed prints and 14-day return policy. Ian Ruhter Tunnel View, Yosemite 30 x 40 inch archival pigment print Edition...

Garden Way (Zuma Beach) - 1999 20x25cm, Edition of 10 plus 2 Artists Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Artist Inventory #211. Not mo...

"The Way Home" immerses us in the majestic beauty of familiar landscapes that evoke a sense of unshakable belonging. The subtle shades of the sun enveloping the smooth lines of the r...

Judd Mercer's (US based) "052 - Plein Air-St Mary's Glacier, CO" is a gouache painting depicting a mountain. Artist bio/statement Judd Mercer is a contemporary landscape painter an...

This black-and-white photograph captures the whimsical beauty of Disneyland’s Storybook Land with the towering Matterhorn in the background. The scene showcases a charming village of...

"California Summer" Mid Century Plein Aire Landscape in Oil on Masonite Serene landscape by Andrew Bennett (British, 20th Century). A herd of cows are gathered under oak trees in th...

This silver gelatin print on Kodak Vitava Athena paper is signed in pencil beneath the image with typeset title centered in the lower margin. This print was made in 1927 for the Parm...

Judd Mercer's (US based) "055 - Plein Air-The Loch, CO" is a gouache painting depicting a large snowy mountain with a forest and lake at the bottom. Artist bio/statement Judd Merce...

Archival digital print, Edition of 25 (#360) Image size 19.3 x 29 inches with 2 inch border $2000 Image size 26 x 39 inches with 2 inch border $3200 Image size 32 x 48 inches with 2 ...

Work on canvas sold without frame Signed work. Eduard Sturzenegger (1854-1932) was a Swiss manufacturer and art collector, rather than a painter. Although he was not primarily known...

This is an exclusive handprinted limited edition cyanotype. This cyanotype shows one of the mountains in beautiful Yosemite National park in California. Details: + Title: Yosemite Blue Mountain + Year: 2021 + Edition Size: 100 + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper * Frame is for illustrative purposes only. Artwork shipped carefully rolled and packaged in a tube. WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun. Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative to get the best image quality. Finally, the print is washed and fixed with water to stop the reaction and prevent fading. What you get is an amazing, royal blue image...

On Ancient Ice Svalbard, Norway, 2007. 24 x 36 in / 61 x 91.4 cm / Edition of 20 - $3,500 31 x 46.5 in / 78.7 x 118.1 cm / Edition of 15 40 × 60 in / 101.6 x 152.4 cm / Edition of 1...

The black-and-white photograph titled *Canyonlands National Park, 1960s* offers a breathtaking view of the rugged, expansive desert landscape in southeastern Utah. The image captures...

Egon SCHIELE (after) The lady with red hair Lithograph Printed monogram signature in the plate On paper 50 x 32 cm (c. 19.7 x 12.6 inches) Excell...

Chalet Costi Skiers outside the Chalet Costi in Zermatt, 1968. Slim Aarons Chromogenic C print Printed Later Slim Aarons Estate Edition Produced utilising the only original tr...

Italian alpine Brenva e Mont Blanc landscape, 2019 Watercolour on paper, stretched on canvas, inch 44.8 x 63 About the artist, Silvia De Bastiani: she best embodies the values of h...

Iconic desert landscape photograph of Canyon de Chelly National Monument by an unknown artist (American, 20th Century), 1984. Signed "CJB" in the lower right corner. Dated "April '84...

A lone polar bear taking a moment to herself in her Arctic home territory Lone polar bear at the water's edge looking out with a glacier and mountain in the backdrop The limited e...

Beth Ganz, 'Craugh Phadrig, Ireland', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Cruach Phadraig in Irish, known as Croagh Patrick...

A fine c.1960 watercolour by James Ingham Riley depicting Coire Lagan corrie in the Cuillin mountain range on the Isle Of Skye in Scotland. Signed lower left. One of a pair of Isle of Skye paintings...

'Tofana di Rozes' 2022 It is a colour film photograph of Cortina d'Ampezzo, Dolomite mountain area in Italy, made using a 4x5 Large format camera Linhof. Ugne Pouwell does all the p...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Work on canvas This work of art is a masterful depiction of an Alpine mountain landscape. The composition is dominated by imposing mountains...

Illegible signature Work on canvas Black wooden frame 53.5 x 64.5 x 4 cm

Strata V is a limited-edition diptych photograph by contemporary artist Luca Marziale. This photograph is sold unframed as a print only. It is available in 2 sizes: *76.2 cm × 152....

Gorgeous landscape oil painting of snow-capped Grand Teton mountains winter scene by B. Silva (American, 20th century). Signed "B. Silva" and dat...

Cordillera I Cauquenes, 2022 by Miguel Winograd From the Series "Cordillera" Pigment Prints Image Size: 32.4 in H x 43 in W Edition of 5 + 2AP Color Edition Unframed ____________...

Edward BURTYNSKY (*1955, Canada) Coast Mountains #2, The Black Tusk, British Columbia, Canada, 2023 Pigment inkjet print on Kodak Professional Photo Paper 148.6 x 198.1 cm (58 1/2 x ...

ABOUT THIS ARTIST: Tom Fabia is a french artist living in the south of France. His parents are both artists and he chose to follow their lead. Tom's focus as a photographer is mainly...

Signed with printed title on front of print. From 'Parmelian Prints of the High Sierra', limited edition of 100 copies.

Dolomites No.3 Trentino-South Tyrol, Italy 2024 It is a black and white film photograph of Dolomite mountains, made using a 4x5 Large format camera Linhof. Ugne Pouwell does all th...

Jean La Forgue (French 1901-1975) signed watercolour on paper, mounted in a card frame card frame: 12 x 14.5 inches painting: 8 x 10 inches provenance: the artists estate, France con...

Brian Cobble’s landscapes tend to particularly focus on the interplay of man and his surroundings, whether natural or built. A signature attention to the liminal aspects of a scene, ...

"Ballinluig" by F. E. Jamieson (British 1895-1950) signed lower corner inscribed verso oil painting on canvas, framed canvas: 16 x 24 inches frame: 18.5 x 26.5 inches Fine quality...

Signed with printed title on the front of the print. Very early parmelian print by Ansel Adams.

'Into the Beyond' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Painted pools of light dance across the richly layered mountainscape of t...

Artist/ School: F. E. Jamieson British, signed Title: Sunset in the Scottish Highlands Medium: Oil on canvas, framed Size: framed: 20 x 28 inches canvas : 16 x 24 inches Provenan...

The Highland River signed by F. E. Jamieson (British 1895-1950) oil painting on canvas, framed framed: 25.5 x 35 inches canvas : 20 x 30 inches provenance: private collection, UK con...

'Awakening' Archival photographic triptych. Limited Edition of 25. Unframed. _________________ Morning light illuminates the layered landscape of Yosemite National Park, Half Dome gently awakens. Sophia's poetic photographs are an exploration of the balance in all things: in the sensual interplay of light and shadow; in wild raw energy and serene stillness; in chaos and harmony; in the enduring and the effervescent. They are a contemplation of the ephemeral nature of all things. Each of three separate parts measuring 15 x 10 inches (Total of 3 parts 15 x 30 inches) Limited edition of 25 Hand signed, titled and numbered to the lower right corner on an approximately 1 inch white border. Archival Print on Hahnemühle Photo Rag® paper, one of the most beautiful and high quality archival art papers available. The luxurious matt finish provides a reflection free image that is rich in detail, depth and tone. Each print comes with a Certificate of Authenticity featuring a signature and edition number. Each printing is bespoke to order and can be printed on a single paper 15 x 30 inches. Please contact me for further information, or send a message with your order. Other sizes available * Please note that images of the artwork in situ and framed are an indication of how the piece can look, and in the context of other artworks. The artwork is being sold unframed. Framing options are available, please contact. ________________________________ About The Artist Sophia Milligan is a contemporary multidisciplinary artist, exploring discourses on permanence & evanescence; the eternal, cyclical absolutes of birth & death; motherhood & childhood; and ancient immutable connections. With resonating ripples of intuition and instinct Sophia illuminates the presence of the ordinary, creating moments of sublime present. 'Born among the wild cliffs and tempestuous seas of west Cornwall, I grew with the intimate details in the twisting lanes and the intense changing light throughout the turbulent seasons. I formed a primordial connection with a deep instinctual sense of being part of the natural narrative, and wherever in the world I may be, this connectivity underpins my practice. Like the wind sculpted hawthorns and sensual coves of weather worn granite, I have been shaped by the powerful energy entwined in this ancient raw environment.’ ‘We are the stories of the journeys that came before. I weave into my work the tales of transitory circumstance; of struggle and survival; of forms and textures holding records of evolutionary millennia. I paint, I draw: with marks, mixtures, photography, words; the raw earth; the restless oceans; the whispered breeze. I work with time, and the immeasurable spaces of experience within, giving subtleties of existence a pause for contemplation. There is beauty in such poignant breaths. All moments are significant, every pebble of now forms the vast mountain of yesterday, and the great realm of tomorrow's possibilities'. Sophia has a 1st class honours Bachelor of Arts Degree in Visual Arts and World History, and a Masters Degree in Contemporary Visual Arts. Her work is held in international private collections, and exhibitions of her interactive, immersive installation, photography and mixed media works include 'Tabula Rasa', London; 'Superlative', Plymouth; 'Transition', Newlyn; The Eden Project, Cornwall; The European Parliament, Brussels; Kew Gardens, London; and 'The Cameraless Film Festival', Chicago...

Beth Ganz, 'Mount Taranaki, New Zealand', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Mount Taranaki (Māori: Taranaki Maunga) is a dormant stratovolcano in the Taranaki region on the west coast of New Zealand's North Island. At 2,518 meters (8,261 ft), it is the second-highest mountain on the North Island after Mount Ruapehu. It has a secondary cone, Fanthams Peak (Māori: Panitahi), 1,966 meters (6,450 ft), on its south side. Taranaki is geologically young, having commenced activity approximately 135,000 years ago. The most recent volcanic activity was the production of a lava dome in the crater and its collapse down the side of the mountain in the 1850s or 1860s. The last major eruption occurred around 1655. Recent research has shown that over the last 9,000 years, minor eruptions have occurred roughly every 90 years on average, with major eruptions every 500 years. The name Taranaki is from the Māori language. The mountain was named after Rua Taranaki, the first ancestor of the iwi (tribe) called Taranaki, one of several iwi in the region. The Māori word tara means mountain peak, and naki may come from ngaki, meaning ‘clear of vegetation.’ It was also named Pukehaupapa (’ice mountain’) and Pukeonaki (’hill of Naki’) by iwi who lived in the region in "ancient times". Captain Cook named it Mount Egmont on 11 January 1770 after John...

Beth Ganz, 'Lomagnupur, South Iceland', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi...

Joshua Tree National Park (29 Palms, CA) - 1999 50x49cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label....

Using landscape photography to reflect on broader notions of culture, the passage of time, and the construction of perception, photographers Mark Klett and Byron Wolfe spent five years exploring the Grand Canyon for their most recent project, Reconstructing the View. The team's landscape photographs are based on the practice of rephotography, in which they identify sites of historic photographs and make new photographs of those precise locations. Klett and Wolfe referenced a wealth of images of the canyon, ranging from historical photographs and drawings by William Bell and William Henry Holmes...

Strata XIII is a limited-edition photograph by contemporary artist Luca Marziale. This photograph is sold unframed as a print only. It is available in 2 dimensions: *76.2 cm × 76.2...

A delightful 19th-century landscape depicting figures resting on a path in the Scottish Highlands. The artist guides the viewer's eye over the dramatic mountaintops as dusk closes in...

Limited Edition of 15 More sizes on request Sebastian Copeland is considered a photographer "who has created works of outstanding artistic quality and conveys messages of urgent glo...

The artwork will be sent unframed, with passpartou Linocut „Moor” 2023 Linocut print technique Art print from 5 matrices Limited edition, print unique number 2/8 Paper Fabriano Ros...

John Stathatos "Homage to Heraclitus: Earth III" is a black - and white 50 x 40 inch photograph. It is printed on archival Hahnemuhle Barita paper. The photograph is part of a series...

Beth Ganz, 'Cerro Paine Grande, Chilean Patagonia', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Cerro Paine Grande is the highest summit of the Cordillera Paine Mountain Range located within Chile's Torres del Paine National Park, one of the most breathtaking national parks in the world and a UNESCO Biosphere Reserve since 1978. The Torres del Paine or Towers of Paine are three massive granite pillars...

Beth Ganz, 'Mount Haru, Japan', copperplate photogravure etching, edition 10, 2019. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. Mount Haku Mount Haku, commonly referred to as simply Hakusan is the most prominent natural feature of Ishikawa Prefecture, located on the island of Honshu. Its name means “white mountain,” and it is, in fact, covered with snow for more than half of the year. A dormant stratovolcano, it has been estimated to have first been active 300,000 to 400,000 years ago, with the most recent eruption occurring in 1659. The mountain's tallest peak, Gozenga-mine, gives the mountain its height of 2,702 m (8,865 ft). Along with Ken-ga-mine, which is 2,677 m (8,783 ft), and Ōnanji-mine, which is 2,648 m (8,688 ft), the three peaks are considered "Mount Haku's Three Peaks" (Hakusan San-mine). Mount Bessan and Mount Sannomine are sometimes included and called "Mount Haku's Five Peaks" (Hakusan go-mine). Mount Haku is considered to be one of Japan’s “Three Holy Mountains” (San-rei-zan), the other two being Mount Fuji and Tateyama. It has traditionally been revered by the people of the area as a source of water essential for farming and as a navigational landmark for fishermen and others at sea. Taichō, a mountain Shugendo monk, first climbed Mount Hakusan in 717. For hundreds of years, people have come to Haku for prayers (Hakusan Shinkō). A branch shrine of Shirayama Hime Shrine, which served as the supreme shrine for Kaga Province, is on the mountain. The Shirayama Hime Shrine is the main shrine (sō-Honshu) of approximately 2,000 Hakusan shrines (Hakusan jinja) in Japan. The area surrounding Mount Haku is one of the few in Japan that contains outcroppings from the Jurassic period of the Mesozoic era. Many of Japan's typical examples of dinosaur fossils were found in this area. One of the major rock outcrops is in the Kuwashima area and is known as the "Kuwashima Fossil Wall" (Kuwashima Kasekikabe). The mountain is well known for its many onsen (hot springs), and for its diverse variety of alpine plants are found, including the chocolate lily, which is Ishikawa's prefectural plant. Many alpine plants were first discovered along the older hiking trails leading to Hakusan Shrine, and have Hakusan in their names. These include Primula cuneifolia (Hakusan Kozakura), Anemone narcissiflora (Hakusan Ichige), Dactylorhiza (Hakusan Chidori), Geranium yesoemse (Hakusan Fuuro) and Rhododendron brachycarpum (Hakusan Shakunage). Mount Haku was designated as a national park in 1962 and was renamed Hakusan National Park. Because the central part of the mountain has much precipitous terrain, there are very few roads and, as a result, little human intrusion into the area. Also limiting human intrusion is the designation of the park as a Wildlife Protection Area, covering over 38,061 ha. The park stretches beyond the mountain's borders into Toyama Prefecture. In 1980 an area of 48,000 ha was designated a UNESCO Man and the Biosphere Reserve. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints...

Work on canvas

Robin Hextrum's (US based) "Peaks of Ice" is an original, handmade oil painting that depicts frozen ice peaks. The piece is unframed yet ready to hang. Robin Hextrum is an award-w...

Color lithograph after the 1962 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 275. The lithograph features the dry stamps of the Mag...

Japan, Fugjiama von Gotemba 13 August 1893 is a vintage black and white photograph. It is part of a journey to Asia performed by prince Franz Ferdinand von Osterreich Este (1863-191...