News Art

John Heartfield’s Qui lit la presse bourgeoise devient aveugle et sourd, plus de bandages abrutissants (Whoever Reads the Bourgeois Press Becomes Blind and Deaf—No More Stupefying Ba...

This is a collage of Le Corbusier’s Realisations and Projects, showcasing his iconic architectural works and innovative designs. Le Corbusier, one of the most influential architects ...

This piece depicts iconic Logos with vintage news paper clippings from the mid century. We find Jacqueline Kennedy Onassis lower left, with other Americana imagery through out. Celeb...

NANCY CHUNN (American, born 1941) Untitled mixed media work Ink and pastel on newspaper De-acidified artistically rendered edition of Washington Post, October 23, 1997, various headlines and illustrations Dimensions Framed, 31 in. x 22 in. Sheet 23 X 14 With some whimsical illustrations and a stencilled Mazel Tov text Nancy Chunn is an American artist (born 1941) based in New York, Known for her commitment to geopolitical issues, Chunn’s work includes a diverse range of paintings. Nancy Chunn was born in Los Angeles, California and received her Bachelor of Fine Arts in 1969, from the California Institute of the Arts, Santa Clarita, California. She began her career in Southern California before moving to New York in the late 1970s, where she currently lives and works. Chunn has exhibited internationally and has been represented by Ronald Feldman Fine Arts in New York since 1985. Chunn currently teaches at the School of Visual Arts in New York, and taught a master painting class at Otis College of Art and Design in Los Angeles in 2007. Chunn’s paintings commonly expose the political arena and portray the power of the media to define and control public opinion. Her work is mostly painting focused on narrative, cultural references and social problems, history, and symbolism both in the global community. She often uses the news, and famously newspapers to draw inspiration and information, adding her own commentary to these sources. The work she produces is colorful, cartoonish, and laced with humorously dark commentary. A self-proclaimed “political junkie,” she achieved critical success with her early map like paintings of tyrannized nations and has continued her commitment to documenting world events and the repeating cycle of history in the paintings she has produced since the early 1980s. She is largely recognized for the yearlong Front Pages project, where she applied images and text to provide commentary on every cover page of The New York Times from January 1 to December 31, 1996. In 1997, Rizzoli produced a hardcover book illustrating each of the project’s works. Chunn was a 2009 Guggenheim Fellow. She was named Honoree of the fall 2007 Jennifer Howard Coleman Distinguished Lectureship and Residency at Otis College of Art and Design. In 2005, Chunn received an Anonymous Was A Woman Award. She has also twice received a Fellowship Award in Painting from the National Endowment for the Arts, namely in 1985 and 1995. Public collections City of Chicago, Chicago, IL Ms. Foundation for Women, New York, NY Chicago Museum of Contemporary Art, Chicago, IL The New York Times, New York, NY The Progressive Corporation, Cleveland, OH The Prudential Insurance Company of America, Newark, NJ Commissions Public School 125, Queens, NY permanent installation painting, commissioned by the City of New York, 1995 Chicago Library Uptown Branch, Chicago, IL, permanent installation painting, commissioned by the City of Chicago, 1993-1995. Select Exhibitions Include 2017 The Times The FLAG Art Foundation Chelsea New York. The exhibition uses The New York Times as its point of departure. Artists included: Carlos Rolón, Ellsworth Kelly, Felix González-Torres, Fred Tomaselli, Nancy Chunn, On Kawara, Richard Prince, Rirkrit Tiravanija, Robert Gober, Suzanne Caporael. 2009 Black and White Works Ronald Feldman Fine Arts Soho NYC Artists included: Andy Warhol, Bruce Pearson, Buckminster Fuller, Chris Burden, Eleanor Antin, Hannah Wilke, Ida Applebroog, Joseph Beuys, Leon Golub, Les Levine, Nancy Chunn, Todd Siler, Vitaly Komar & Alexander Melamid 1995 Strung Into the Apollonian Dream... took place at Feature Inc. in New York, New York from January 20 - February 24, 1995. Artists included Michael Banicki, Nancy Chunn, Tom Friedman, Felix Gonzalez-Torres, Jenny Holzer, Peter Huttinger, Mike Kelley, Louise Lawler, Sherrie Levine, Allan McCollum, David Moreno, Hirsch Perlman, Raymond Pettibon, Adrian Piper, Richard Prince, David Robbins, Rene Santos...

LADY LEICESTER SQUARE is a limited edition lithograph printed using traditional lithography techniques on archival printmaking paper, 100% acid free, by the British woman artist Sand...

NANCY CHUNN (American, born 1941) Untitled mixed media work Ink and pastel on newspaper De-acidified artistically rendered edition of Washington Post, October 5, 1997, various headlines and illustrations Dimensions Framed, 31 in. x 22 in. Sheet 23 X 14 With a whimsical red mercedes Benz convertible, Snowman, President Bill Clinton, racing cars and the Text "the check is in the mail". Nancy Chunn is an American artist (born 1941) based in New York, Known for her commitment to geopolitical issues, Chunn’s work includes a diverse range of paintings. Nancy Chunn was born in Los Angeles, California and received her Bachelor of Fine Arts in 1969, from the California Institute of the Arts, Santa Clarita, California. She began her career in Southern California before moving to New York in the late 1970s, where she currently lives and works. Chunn has exhibited internationally and has been represented by Ronald Feldman Fine Arts in New York since 1985. Chunn currently teaches at the School of Visual Arts in New York, and taught a master painting class at Otis College of Art and Design in Los Angeles in 2007. Chunn’s paintings commonly expose the political arena and portray the power of the media to define and control public opinion. Her work is mostly painting focused on narrative, cultural references and social problems, history, and symbolism both in the global community. She often uses the news, and famously newspapers to draw inspiration and information, adding her own commentary to these sources. The work she produces is colorful, cartoonish, and laced with humorously dark commentary. A self-proclaimed “political junkie,” she achieved critical success with her early map like paintings of tyrannized nations and has continued her commitment to documenting world events and the repeating cycle of history in the paintings she has produced since the early 1980s. She is largely recognized for the yearlong Front Pages project, where she applied images and text to provide commentary on every cover page of The New York Times from January 1 to December 31, 1996. In 1997, Rizzoli produced a hardcover book illustrating each of the project’s works. Chunn was a 2009 Guggenheim Fellow. She was named Honoree of the fall 2007 Jennifer Howard Coleman Distinguished Lectureship and Residency at Otis College of Art and Design. In 2005, Chunn received an Anonymous Was A Woman Award. She has also twice received a Fellowship Award in Painting from the National Endowment for the Arts, namely in 1985 and 1995. Public collections City of Chicago, Chicago, IL Ms. Foundation for Women, New York, NY Chicago Museum of Contemporary Art, Chicago, IL The New York Times, New York, NY The Progressive Corporation, Cleveland, OH The Prudential Insurance Company of America, Newark, NJ Commissions Public School 125, Queens, NY permanent installation painting, commissioned by the City of New York, 1995 Chicago Library Uptown Branch, Chicago, IL, permanent installation painting, commissioned by the City of Chicago, 1993-1995. Select Exhibitions Include 2017 The Times The FLAG Art Foundation Chelsea New York. The exhibition uses The New York Times as its point of departure. Artists included: Carlos Rolón, Ellsworth Kelly, Felix González-Torres, Fred Tomaselli, Nancy Chunn, On Kawara, Richard Prince, Rirkrit Tiravanija, Robert Gober, Suzanne Caporael. 2009 Black and White Works Ronald Feldman Fine Arts Soho NYC Artists included: Andy Warhol, Bruce Pearson, Buckminster Fuller, Chris Burden, Eleanor Antin, Hannah Wilke, Ida Applebroog, Joseph Beuys, Leon Golub, Les Levine, Nancy Chunn, Todd Siler, Vitaly Komar & Alexander Melamid 1995 Strung Into the Apollonian Dream... took place at Feature Inc. in New York, New York from January 20 - February 24, 1995. Artists included Michael Banicki, Nancy Chunn, Tom Friedman, Felix Gonzalez-Torres, Jenny Holzer, Peter Huttinger, Mike Kelley, Louise Lawler, Sherrie Levine, Allan McCollum, David Moreno, Hirsch Perlman, Raymond Pettibon, Adrian Piper, Richard Prince, David Robbins, Rene Santos...

Paper Size: 41 x 27 inches ( 104.14 x 68.58 cm ) Image Size: 17.75 x 13.25 inches ( 45.085 x 33.655 cm ) Framed: No Condition: C: Several Signs of use and handling, some visible m...

Sunday Coffee, New York, NY 1996 photographed by downtown New York art scene photographer, Fernando Natalici. Archival Inkjet Print, 11 x 14 inches. Hand signed on the verso from an edition of 50. Obtained directly from artist. Excellent condition. New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s photo archive and art design were recently featured in two highly regarded New York shows: “Area” at The Hole Gallery NYC (2014) & “Downtown New York Film” at The Museum of The Moving Image (2015). Recent Publications & Exhibits Jim Jarmusch...

Artist: Robert Rauschenberg Title: Features from Currents, #57 Year: 1970 Medium: Hand-Printed Screenprint on Aqua B 844 Paper, signed and numbered in pencil Edition: 50 Paper Size:...

This rare circa 1908 French satirical poster titled "Les Punaises Maçonniques" (translated as "The Masonic Bedbugs") is a striking example of anti-Masonic propaganda from the early 2...

Original exhibition poster produced for Robert Rauschenberg’s 1970 show “Drawing and Studies for Currents” at Dayton’s Gallery 12. This striking, monochromatic design reflects Rausch...

2 layer silkscreen on C-MAT 150 gram paper Signed and numbered 11/25 (+ 5 A.P) Published by MORE Publishers, Belgium (sold out) This hand signed and numbered print depicts a nude guy...

'Skin the Wire, Coney Island, NY' is a black and white archival inkjet print by Morgan Silk. It is available in this size of 18" x 18" in a limited edition of 10. Silk photographs...

A black-and-white photograph (analog) of a Parisian magazine/newspaper shopkeeper who exhibits a unique brand of French quirkiness and expressiveness in Paris of the 1980s. Shot on film, Shopkeeper, 1989 by Roberta Fineberg is a 14” x 11” gelatin silver print in an edition of 5. Signed, dated, and titled on recto (photo front) by the artist. Provenance: RF Studio *** Artist's Bio: As a visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, the development of ideas and color fields for her mixed media works. Drawn to experimentation, she explores diverse mediums and concepts such as the ephemeral (Butterfly Series), stolen moments (documentary), play, timelessness, the enduring, and the significance of matter. RF’s selected exhibitions: Women of Spirit Zurcher Gallery New York (2025); Sojourner Gallery New York (2022); Phyllis Harriman Gallery New York studio shows (2020, 2022); CADAF online art...

Franco Angeli (Rome 1935 - 1988), Lazio (1981) Enamel and collage of newspaper sheet on canvas 50×70 cm, title and signature on back. Work authenticated at Franco Angeli Archives ...

Beuys' Exhibition "meeting with Beuys" is a poster realized for the Marino Gallery - Galleria Art Center  (in Piazza Mignanelli, Rome) where Joseph Beuys' Exhibition was held in 1985...

This rare 1884 original poster by illustrator L. Becker was created for the celebrated French publishing house J. Hetzel & Cie, renowned for its richly illustrated works of education...

Putsch in Algeria - 1961 is a black and white vintage photo, realized in the 1960s. It belongs to historical album including photo reportages of historical moment and political event...

In the aftermath of World War II, the political landscape in France was marked by ideological clashes and the emergence of various movements. The 1949 poster...

The original poster for "Officiel Paris-Spectacles 7 année" from Sunday, April 6th to Saturday, April 12th, 1913, offers a vibrant snapshot of the entertainment scene in Paris during...

Beautiful b/w lithograph on ivory colored paper. Amusing satiric illustrations by a French draftsman and caricaturist of the middle 19th century. Plate n. 31, from the series "Nouvelle Lanterne...

The Decauville company, created in 1875, is a former French manufacturer of railway and handling equipment, cycles and automobiles. The Decauville company was founded by Paul Decauv...

KAWS (American, b. 1974) Die Welt, 2025 Medium: Archival pigment print on paper Dimensions: 57.3 × 40.2 cm (22 3/5 × 15 4/5 in) Edition of 100: Hand-signed and numbered Condition: Mint

In this series in black & white and with the same model. The artist represents what for him the object woman of the modern world is. The diversity of German photographer Uwe Ommer, ...

Beuys' Exhibition "meeting with Beuys" is a poster realized for the Marino Gallery - Galleria Art Center  (in Piazza Mignanelli, Rome) where Joseph Beuys' Exhibition was held in 1985...

Beuys' Exhibition "meeting with Beuys" is a poster realized for the Marino Gallery - Galleria Art Center  (in Piazza Mignanelli, Rome) where Joseph Beuys' Exhibition was held in 1985...

Beuys' Exhibition "meeting with Beuys" is a poster realized for the Marino Gallery - Galleria Art Center  (in Piazza Mignanelli, Rome) where Joseph Beuys' Exhibition was held in 1985...

Beuys' Exhibition "meeting with Beuys" is a poster realized for the Marino Gallery - Galleria Art Center  (in Piazza Mignanelli, Rome) where Joseph Beuys' Exhibition was held in 1985...

Beuys' Exhibition "meeting with Beuys" is a poster realized for the Marino Gallery - Galleria Art Center  (in Piazza Mignanelli, Rome) where Joseph Beuys' Exhibition was held in 1985...

Beuys' Exhibition "meeting with Beuys" is a poster realized for the Marino Gallery - Galleria Art Center  (in Piazza Mignanelli, Rome) where Joseph Beuys' Exhibition was held in 1985...

11 x 14" vintage silver gelatin photograph of French-born American artist Arman at the Venice Biennale, 1968. Signed by Jack Mitchell on the print verso. Comes directly from the Jac...

Rock On At The Seaside by Alain Le Garsmeur A shop selling rock and seaside novelties along the Golden Mile, Blackpool, England, 1981. Paper size 20 x 24 inches / 50 x 60 cm Printe...

This circa 1908 political poster, illustrated by E. Millo, titled "L’Écumoire et la Casserole", is a powerful example of French political satire in the early 20th century. Published ...

Historical Photo- Algeria is a black and white vintage photo. Good conditions, with some decoloration spots and aged margins. It belongs to a historical album including historical ...

Uses and Customs - Rustic Calendar is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the ...

Koch began taking photographs in Paris during the 1940s and later traveled to Barcelona where Barcelona Bird Seller was taken.. She would spend hours strolling the streets of Barcelona taking photos but she especially enjoyed the street life of Las Ramblas...

'Rock On At The Seaside' by Alain Le Garsmeur Limited Edition Archival Pigment Print A shop selling rock and seaside novelties along the Golden Mile, Blackpool, England, 1981. P...

Margherita Boniver is a vintage black and white photograph realized in the 1980s. Good conditions.

To stay is a beautiful drawing realized by the Italian artist KEZIAT in 2022. Pen on newspaper. Hand-signed by the artist . Perfect conditions....

Publication of the Judgment of the Court of Rome is an original print realized in 1849. Good condition except for some spots on the upper margin of the paper. No signature.

Foreign Language Press - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series...

Le Grelot - Le Manifeste Orléaniste - is an original Modern Artwork realized in 1887. Original Lithograph on paper. Passepartout is included. Dimensions: 70 x 50 cm. Fair conditi...

NY Times Financial Section, 1977 2020 Signed and numbered, verso Archival pigment print 10.6 x 16 inches (Edition of 15) $1,500 20 x 30 inches (Edition of...

Unframed

"Untitled", 1991 (for Parkett 27) Lithograph on newsprint with handtorn edges, printed on both sides and folded three times, hand-colored with coffee by the artist, 22 1/8 x 13 7/8” (56,7 x 35,4 cm), printed by Maurice Sanchez & Joe Petruzzelli, Derrière L’Etoile Studio, New York, Ed. 75/XXV unique pieces, signed and numbered Robert Gober...

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

From the series 'Chioschi a Venezia'. Signed, dated and numbered on the verso. Literature: Charles Johnstone, Chioschi a Venezia, 2016, plate 4.

Lithograph on paper. Hand signed and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Condition. All reasonable offers will be ...

Untitled 1997 Signed, dated, and numbered in pencil Double-sided lithograph (Edition of 40) 11 x 14 inches, sheet Contact gallery for price. This work is offered by CLAMP in New...