Table Art

Painting: Oil on Cardboard Original: One-of-a-kind Artwork Size: 36 W x 77 H x 0.2 D cm Frame: Not Framed Ready to Hang: No Packaging: Ships in a Box :: Painting :: Impressionis...

Armin Landeck made this drypoint in 1936 in an edition of 100. Signed in pencil just under the image in the lower right and inscribed "Ed 100" in the lower left. This pri...

Albert Swinden (1901 - 1961) Still Life of Fruit, 1937 Oil on canvas 18 x 30 inches Provenance: Graham Gallery, New York Albert Swinden (1901–1961) was an English-born American abstract painter. He was one of the founders of the American Abstract Artists, and he created significant murals as part of the Federal Art Project. Albert Swinden was born in Birmingham, England in 1901. When he was seven, he moved with his family to Canada, and in 1919 he immigrated to the United States. He lived in Chicago, where he studied for about a year and a half at the Art Institute. He then relocated to New York City, where his art education continued briefly at the National Academy of Design. He soon changed schools again, to the Art Students League, which he attended from 1930 to 1934. He studied with Hans Hofmann and gained an appreciation for Synthetic Cubism and Neoplasticism. According to painter and printmaker George McNeil, Swinden "could have influenced Hofmann ... He was working with very, very simple planes, not in this sort of Cubistic manner. Swinden was working synthetically at this time." While still a student, Swinden began teaching at the Art Students League, in 1932. Swinden married Rebecca Palter (1912–1998), from New York. Their daughter, Alice Swinden Carter, also became an artist. Carter, who attended the School of the Museum of Fine Arts, Boston, received an award from the Institute of Contemporary Art, Boston for her large sculptures. Swinden was hired for the Federal Art Project (FAP) of the Works Progress Administration (WPA), and he is best known for the murals which he painted as part of that project. In 1935, New York City Mayor Fiorello La Guardia attended the opening of the inaugural exhibit at the Federal Art Project Gallery, accompanied by Audrey McMahon, New York regional director for the Works Progress Administration/Federal Art Project. Among the works on display was Abstraction, a sketch by Swinden; it was the design for a mural planned for the College of the City of New York. A newspaper account described it as consisting of "brightly colored T-squares, triangles and rulers in horizontal, vertical and diagonal positions". La Guardia asked what it was, and upon being told it was a mural design, he said he didn't know what it depicted. Someone joked that it could be a map of Manhattan. The displeased mayor stated that "if that's art, I belong to Tammany Hall." (Tammany Hall, which the Republican mayor referenced, was the New York Democratic Party political society.) Fearing that the mayor's negative attitude could jeopardize the future of abstract art within the Federal Art Project, McMahon dispatched an assistant to summon an artist who could speak to the mayor in defense of abstraction. The assistant returned with Arshile Gorky. Swinden played an important role in the founding of the American Abstract Artists. In 1935, he met with three friends, Rosalind Bengelsdorf, her future husband Byron Browne, and Ibram Lassaw, with the goal of exhibiting together. The group grew and started meeting in Swinden's studio, which adjoined those of Balcomb and Gertrude Greene...

A Surgeon for Susan

Slim Aarons Roman Restaurant 1970 Chromogenic Lambda Print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Waiters and diners at a...

The Meeting is an etching realized by Eugène Burnard (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized through short ...

My studio painting :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Signatur...

"I am influenced and gain insights through the exploration of artists and authors who consider the land and our place within it. This information along with my own investigations, re...

The art on the wall is not the piece of metal. The art is the way your eyes read the space created by the light reflecting off the surface. These panels have effects that are dramatic and immediately apparent and another level of perception that is only apparent with prolonged study. Letting one’s eyes relax and simply gazing will yield bits of reflected light that curve away and behind other objects, swirls and shimmering lines that lift into the space in front of the surface. Aside from the dimensionality, these pieces can function like a diffraction grating—if one looks closely all hues of the spectrum can be seen on the surface. These are light sculpture, objects that change exactly the way sculpture changes as one walks around it. They are not meant to represent things. They are themselves and invite you to get to know and understand them. On the outside Bruce R. MacDonald’s work seems like frozen video displays lifted from the walls of some 22nd Century environment; while on the inside they have the detailing and complexity of sun sparkles on the ocean, the diversity of the forest floor, maps of some celestial event or pure abstractions of a particular moment of organic consciousness. The artist graduated with a degree from Haverford College in 1981 and decided to create physical objects. “After college I was tired of only having sheets of paper to show for long days of work. With metal, after forty hours, I had something tangible, something that would survive, and something that might be here forever.” The Museum of Science and Industry in London featured his helix CD rack...

Joan Miro photographed for LIFE magazine in his tiny studio in Barcelona by Mark Shaw in 1955 -- Miro's "in progress" work sits around him. Image size is 10" x 12.8" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. A portrait in color of Joan Miro. He sits on a wooden stool in his studio. He is wearing a green long-sleeve shirt with grey pants and grey shoes...

Melina Mercouri 1961 (printed later) Chromogenic print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Actress Melina Mercouri ...

Jen's love of photography began as a child, when her grandfather, a photographer, gave her a camera. However, it wasn't until she graduated from UC Berkeley that photography became a...

Terrace on the Left Bank is an archival digital pigment print on canvas made with serigraph texture plates, signed ‘Kondakova’ in the right corner and numbered 227/295 in the left co...

Hugh Findletar is perhaps best known for his bustlike vases, which he calls "flowerheadz." They are created in glassblowing workshop on Murano, an Italian island near Venice. The "z,...

O MARA'S MUNICIPAL TAVERN - Saturday Evening Post Illustration Supreme technical skill allows the artist to realistically capture an...

Norman Hartnell - Dress Designer is a vintage black and white Photograph realized in 1957. Good conditions. The description and copyright and dated on the rear.

Coral Ocean "The ideal state is not one in which everyone has access to the same amount of wealth, but in proportion to their contribution to the general wealth." -Henry George Ma...

Stephen Magsig's prints are all sold UNFRAMED. Small image size generally 13x9" paper size 18x13" Large image size generally 22x15" paper size 27x19" Represented by George Billis Ga...

Series: Diamond Dust All available sizes & editions for each size of this photograph: 31" X 39" - Edition of 10 Diamond Dust Collection Diamond Dust is a glittering material tha...

Rolling Stones, The End of the Banquet. Beggar's Banquet, England 1968

An Island in the Air is a vintage Photograph realized by Urs Luthi in 1975. From the portfolio "Un'isola nell'aria", Vol. IV, edition of 75 copies. Hand signed, numbered and dated....

Oil on canvas Matteo Nannini is an Italian artist born in 1979 in Bologna who lives and works in Cento, Ferrara, Italy. He studied at the Academy of F...

Slim Aarons Catching The Sun In Cortina 1976 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Giuliana Gerolinetto, Maria Cristi...

Former Queen of Iran Farah Diba is a vintage photograph realized in the 1960s. Good conditions.

Alex ‘hurricane’ Higgins – Windmill Street Soho London 1972 David Steen recalls: “When I was about 13 or 14 I used to go to a snooker hall in the basement of the boxing gym owned b...

This original 20" x 20" oil painting captures a serene interior scene bathed in soft, filtered light. The light streams through a kitchen window, casting a warm glow on the bright gr...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook. Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations. The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden. The earth-toned image contains the unpredictable streaked effect of developed instant film. In another image, entitled “Sitting Room...

What Do You Think Of It So Far by Arthur Steel Eric Morcombe at home, England, 1981 All prints are hand signed limited editions, no further prints are produced once sold. paper ...

The Dealmaker Rupert Murdoch Mr. Murdoch’s office Bouverie Street, London, 1981 (photo Arthur Steel) Arthur recalls: “I was invited to Mr. Murdoch’s office for a meeting and throug...

Oil on canvas, ''I offer art collectors series about the world we live in simultaneously with reality, they can live in these colorful, interesting, modern and dynamic world filled ...

Original title: "I Castelli Romani". Poster of the 1983 Exhibition by Neal Slavin at Galleria Rondanini Rome. Excellent conditions.

White resin bust

Audrey Hepburn Breakfasts, audrey_05 -- Photographed for LIFE's December 1953 issue. Audrey Hepburn is seen having lunch alone in her studio d...

A stunning mixed media work featuring a historic Safety Box from Pier 70 in San Francisco. The box that was mounted to a wall near the artist's studio, is n...

Miles ALDRIDGE (*1964, Great Britain) Dinner Party #3, 2009 Chromogenic print Image 102 x 152.5 (40 1/8 x 60 in.) Sheet 114 x 164.5 cm (44 7/8 x 64 3/4 in.) Edition of 6, plus 2 AP;...

Colors are smeared on the canvas using a knife to create a deeply textured rough raw unfinished look. Artwork portrays the love for a good Read. It captures the timeless simplicity...

Acrylic on unmounted canvas. Open window looking with curtains. A still life in the foreground and a landsacape out the window. It is summer time in the afternoon, and a light breez...

Eric Morecambe By Arthur Steel Paper size: 34 x 26" / 86 x 66 cm Silver Gelatin Print 1980 (printed later) unframed hand signed limited edition of 50 note other print sizes and...

Welcome to my gallery of original flower arrangements made with professional oil paints. My paintings are created manually, in several sessions, in classical execution. I also make s...

Vintage Portrait of Anna Magnani is a vintage b/w photographic print on single-coated paper, realized in 1960s Good conditions. Anna Magnani was born in Rome, Italy (not in Egypt,...

Vintage Portrait of Anna Magnani is a vintage b/w photographic print on single-coated paper, realized in The Mid-20th Century. Good conditions. Anna Magnani was born in Rome, Italy...

Chateau Saint-Martin, 1986 Chromogenic Lambda Print Estate edition of 150 An outdoor luncheon by the swimming pool of the Chateau Saint-Martin, a luxury hotel in Vence on the Cote d...

An American Amateur Radio Operator- American Vintage Photograph is an original black and white photograph realized in the U.S in the Mid-20th Century in ...

The Kitchen is a fascinating photograph on Pearl photographic paper realized by the artist Cindi Emond in 2021. Edition of 10 prints. Hand-signed on the back and numbered. Perfect c...

Portrait of Miranda Martino - Vintage Photo is a vintage black and white photograph realized in the mid-20th Century. Fair conditions with oxidation.

Portrait of Miranda Martino - Vintage Photo is a vintage black and white photograph realized in the 20th Century. Fair conditions with oxidation.

Art Museums in America- American Vintage Photograph is an original black and white photograph realized in the U.S in the Mid-20th Century in a series on American life in the 20th Cen...

White House on Wheels - American Vintage Photograph is an original black and white photograph realized in the U.S in the Mid-20th Century in a series on American life in the 20th Cen...

Modern newspaper Plant - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series of American life in the 20th Ce...

Modern newspaper Plant - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series of American life in the 20th Ce...

Home Demonstration - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series of American life in the 20th Centur...

The Four Corner.s Press - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series of American life in the 20th C...

Miss Frankie Keith - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series of American life in the 20th Centur...

U.S. College - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series of American life in the 20th Century. Wi...

Students Experiments - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series of American life in the 20th Cent...

Porto Ricans to Full Local Self-Government- Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a s...

Telephone System - American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series of American life in the 20th Century....

Middle-class Family- American Vintage Photograph is an original black and white photograph realized in the U.S in the mid-20th Century in a series of American life in the 20th Centur...