Table Art

Mother's Little Helper III • Paris, 2012 • Edition of 18 prints in 3 sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are availa...

Karla HIRALDO VOLEAU (*1992, French-Dominican) Autoportrait au masque, 2023 Archival pigment print on Hahnemühle Photo-rag paper 70 x 50 cm (27 1/...

Kevin Frank statement: For me, combining the techniques of the ancient Greco-Roman painters with those of the old and new masters help to create unique modern images. As with all enc...

This is a unique work. Dated 'Jan 24 1983' (on the reverse). Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The An...

This is a unique work. Stamped on verso by The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. Annotated with Foundation inventory number. The work comes with a Certificate of Provenance from The Andy Warhol Foundation for the Visual Arts. Provenance: Estate of the Artist to The Andy Warhol Foundation for the Visual Arts to Hedges Projects...

Sz: 14 1/2"H x 22 7/8"W Alexander Warren Montel (1921-2002) Fashion illustrator for House of Lanvin Paris in the 1950s featured in Harper's Bazaar Dining Room Interior

the painting is being offered with a work and authenticity certificate

The artwork of Alejandra España is an invitation to her intimate cosmogony. In it, she displays modules to give meaning to the observer through the co...

Encapsulated DNA tree sample in a test tube, tree branch sample in a laboratory glass equipment bronze, copper, steel.

BILLE Karl. (1815-1898). « Portrait d’un brick danois ». Toile signée et datée 1855. H.48 L.71.

ALASTAIR GORDON Feather, Levitating , 2019 Acrylic on OSB board Diameter: 40 cm Diameter: 15.7 in. (AGo020) Gordon is a London based artist, currently...

Archival giclée print Edition of 70, Set of 8 Paper size: 57.2 x 56 cms (22 1/2 x 22 ins) Image size: 40 x 40 cms (15 3/4 x 15 3/4 ins) Starting from a belief that all forms, and li...

Signed and dated on lower right, numbered on verso, 3/15 , other size available, unframed

I am a choreographer and photographer, born in Germany. I received my art education at the Palucca University of Dance in Dresden. In 2001 I moved to the USA were I transformed my ey...

Provenance: Displayed by the Art Exhibition Bureau Displayed in Southport, 1946 Displayed at Waterman Fine Art, 1989 This painting depicts a blonde lady in a simple pink dress as sh...

David Drebin Chromogenic Print Mounted and Framed Available in two sizes: 30 x 37.5 inches (Edition of 10) 48 x 60 inches (Edition of 7) David Drebin’s photographs occupy a singu...

Inscribed with titled and numbered on publisher's label affixed to reverse Silver gelatin print mounted to board, printed 1973 11 3/4 x 9 1/2 inches From a portfolio of 10 silver gel...

Signed by the photographer on the verso

Signed and inscribed with title on reverse Silver gelatin print Printed on 12 x 16 inch paper

Signed and inscribed 'Last Resort 1983-85' on reverse Archival pigment print Printed on 20 x 24 inch paper

Signed and inscribed 'Last Resort 1983-85' on reverse Archival pigment print printed on 20 x 24 inch paper

Posthumous Edition Gelatin Silver Print Sizes: 16x20” - Edition of 50 + 10 AP 20x24” - Edition of 50 + 10 AP 30x40” - Edition of 50 + 10 AP 48x72” - Edition of 50 + 10 AP Yo...

Jimmy DeSana Untitled (Nude Man Standing on Dining Table) 1972/1991 Offset print (Edition of 50) 11 x 14 inches

Created by Christopher Stott, this 4 foot by 8 foot painting encompasses all the elements the artist is known for in his composition.

Major George Washington Littlefield died in 1920. He commissioned E. Martin Hennings around 1910 to do six large paintings of scenes from his 235,000-acre ( part of the XIT ) ranch to hang in his bank in Austin. I am not sure, but the bank possibly went under sometime in the 197s-1980s. All of the art and antiques were stored, and they had a sale. We have 3 of the six murals that were commissioned by Littlefield. I have about 40 pages of info on Littlefield and the murals. Too much to enter now but I will be scanning that info later this week. The Littlefield mansion is still in Downtown Austin. At one time he was the richest man in the state. He was UT's biggest donor for several years prior to his death. The paintings are 34 x 130 35 x 144 35 x 119 Two are hanging in my friend's ranch house. The other is of a large herd of Hereford Cattle. It is actually pictured on the cover of the Biography of George Washing Littlefield. Littlefield, George Washington (1842–1920). George Washington Littlefield, cattleman, banker, and member of the Board of Regents of the University of Texas, son of Fleming and Mildred Terrell (Satterwhite) White Littlefield, was born in Panola County, Mississippi, on June 21, 1842. The family moved to Texas in 1850 after a confrontation between Fleming Littlefield and his wife's family. In marrying Fleming, her overseer, after the death of her first husband, Mildred in her family's eyes had married beneath her station, an action to which her family objected. George grew to young manhood on the family plantation near Belmont, Gonzales County, helping his mother to manage the place after Fleming's death in 1853. George received a basic education in Gonzales College and Baylor University, 1853–55 and 1857. With the outbreak of the Civil War in 1861 George enlisted in Company I, Eighth Texas Cavalry (Terry's Texas Rangers), which fought in the Army of Tennessee. Before his military career was ended at Mossy Creek, Tennessee, on December 26, 1863, by an exploding cannon shell, George rose to the rank of company commander, the youngest in his regiment, and fought at Shiloh, Perryville, and Chickamauga. At Mossy Creek he was promoted to major, a title by which he was addressed after the mid 1880s. Back in Texas after being discharged in 1864, he took control of a plantation belonging to himself and his brother, and "went to work to make the best, as he thought, of a miserable life, having to carry his crutches everywhere." During the war, on January 14, 1863, George married Alice Payne Tillar, with whom he had two children, both of whom died in infancy. In his business ventures thereafter, George Littlefield, who had a highly developed sense of family, utilized nephews and the husbands of nieces as managers. George's first year's farming after the war ended in disaster caused by three years of worm infestation and flood. Even the road-side store he opened, which prospered because George accepted barter, in particular cattle, could not make up for the losses. In 1871 he gathered a herd of cattle, half of which were his and the rest belonging to his brother, bought more, and drove the herd to Abilene, Kansas, where he sold the animals for enough to discharge all of his debts and leave him with $3,600 "to begin business." Over the next several years entrepreneur Littlefield opened a dry goods store in partnership with J. C. Dilworth in Gonzales, bought and trailed cattle, bought ranches in Caldwell and Hays counties, and developed his plantations. In the trailing business, Littlefield commonly bought his cattle, rather than, as most trailing contractors did, trailing them for a fee. He took the greater risk but reaped the greater reward in their sale. In 1877 Littlefield bought water rights along the Canadian River near Tascosa and established the XIT Ranch which he sold in 1881 for $248,000. Littlefield rejoiced that he had obtained "far more money than he had ever expected to have" and thought of retiring at thirty-nine years of age. But he did not retire, as "he learned. . .that the more money a man makes, the more he has to make, that a man's world opens up a little bit wider with each deal and demands become heavier." In 1882 Littlefield followed the advice of his principal ranch manager, half-nephew J. Phelps White, and purchased water interests sufficient to control some four million acres of land in New Mexico east of the Pecos River between Fort Sumner and Roswell, on which he established the Bosque Grande Ranch. In 1883 he bought the site of the first windmill on the New Mexico plains at the Four Lakes north of Tatum and developed the Four Lakes Ranch with windmills and barbed wire to control access to water and permit upgrading of stock. His cattle after 1882 carried his LFD brand on their right side. In 1887 Littlefield began acquiring land in Mason County, which soon spread over some 120,000 acres in adjacent Kimble and Menard counties, a ranch he put under management of half-nephew John Will White. In the 1890s Littlefield assembled acreage that came to be known as the LFD Farm in Roswell, New Mexico, on which he established an apple grove, grew forage for cattle, recruited his horses prior to the spring round-up, and maintained the pure-bred bulls that he used to upgrade his herds. Littlefield climaxed his ranching operation in 1901 with the purchase for two dollars per acre of 235,858 acres of the Yellow House (southern) Division of the XIT Ranch in Lamb and Hockley counties. To reach the prevailing wind above the escarpment at the ranch headquarters, Littlefield put up a windmill 130 feet tall to the top of the fan, claimed at the time to be the world's tallest windmill. In 1912 he established the Littlefield Lands Company under Arthur Pope...

Claudia Schiffer in a jeans dress, sitting in a restaurant with a glass of wine. Photographed by Ellen von Unwerth for the 'Guess 30th Anniversary' Campaign in 2012. All prints are ...

The Winner Stays On - 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 20 Available sizes: Standard Image Size: 37" x 54" Framed Size: 71" ...

Signed by the photographer on the verso

Signed by the photographer

Daniel Sprick's (US based) "Bluebird" is an original, handmade oil painting that depicts a still life with a bird skeleton, a blue jar, a blue bowl and a broken eggshell. Currently on display at the Madden Museum through April 28, 2024, but available for shipping in early May. About the artist: "Upon first glance, viewers might think Daniel's works are photographs because of their stunningly realistic elements. However, the longer we look at one of his paintings, the more we become aware that they are anything but a part of our world. We encounter Sprick's paintings not so much as statements, but more as experiences, whereby we engage deeply with his creativity. - Timothy J. Standring, exhibition curator and Gates Foundation Curator at the Denver Art Museum. Daniel Sprick's Fictions: Recent Works includes more than 30 examples of the Colorado artist's portraiture and still life paintings that blur the line between realism and abstraction. His meticulous representation of everyday objects and stirring interpretation of the human form provide viewers a new way to look at the world. Born: May 1, 1953, Little Rock, Arkansas Education: AA-Mesa College, Grand Junction...

Paul G. Oxborough's mastery as a painter has been firmly established over a decades-long career. His ability to render light in a room has been compared to the work of Velázquez; the...

Heejung Cho is a mixed media artist born in Seoul, Korea, who currently lives and works in Brooklyn, NY. She received her BFA in sculpture from Seoul National University and an MFA ...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certifi...

David Yarrow The Girl and The Wolf, 2023 - Joshua Tree, CA Available in the following sizes: Standard: 52 x 73 inches, Edition of 12 Large: 71 x 103 inches, Edition of 12 Archival Pi...

The Wolf and Girl Joshua Park, California - 2023 Standard 52" x 72" Large 71" x 108" "The Joshua Tree Saloon to the north of the stunning National Park hasn’t changed much over t...

Signed by the photographer

Adriana Marmorek was born in Bogotá in 1969. She developed her career around publicity and television, from which she would later borrow certain elements and rethink them through the...

Lipman's work explores aspects of material culture through still lives, site-specific installations, and photographs. Her hand-sculpted glass compositions are portraits of individual...

Wherever You Are Whatever You’re Doing This Ones For You (after Miller) - study XXIX, 2017 - Miles Aldridge (Colour Photography) Unique Polaroid print Signed in ink on reverse 3 1/2 ...

"Alphabet Soup" (2019) acrylic on fabric with black wood frame, figurative interior, portrait, woman seated at table eating soup and Bloody Mary cocktail, sharing spoonful of soup wi...

Signed in ink on recto; titled and dated in pencil on verso Gelatin Silver Print Paper 16" x 12", Matted 20" x 16"

Signed by the photographer

(DT22-01) Dominique Tarlé Lunch on terrace, Villa Nellcôte, 1971 Signed, titled, dated and numbered in ink on recto Gelatin silver print Image 14x20",...

40x40in ed.18 Archival Pigment Print UNFRAMED Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florence, Italy in 1966. He lives and works in between Los Angeles, Florence and Rio. Argentini blends the erotic and artistic in his photographs. Taking the ancient Greek concept of Eros as a starting point, Argentini explores the nature of desire. His series span glamorous old Hollywood – inspired color photographs to black-and-white boudoir shots. Argentum by Guido Argentini evokes the luminous polished planes of the work of Brancusi and the verve of Degas’ ballet sketches...

Signed by the photographer on label of authenticity Edition 3/30

Hustlers Arizona, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 37 x 61 inches 56 x 93 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. The 1961 movie The Hustler won two Oscars and, along with The Color of Money, is probably the most famous Hollywood pool film. Based on the novel with the same name by Walter Tevis (1959), it tells the story full of ups and downs of the talented “Fast” Eddie Felson (Paul Newman) and his encounters with the legendary Minnesota Fats (Jackie Gleason). In the movie, players were always heavy gamblers, smokers and drinkers which contributed to the “bad boy” image of pool. There is nothing that can be sugar coated about pool; it is not an activity for the earnest or the clean living. It is a game for drinkers and hustlers. I felt no need to earmark a Fast Eddie or Minnesota Fats in this pool game...

Catedral del Tango Buenos Aires, Argentina, 2013 126 x 250 cm Edition size: 12 Light jet, exposure on high glossy paper and aluminum dibond Framed with tulipwood, distance fra...

Other sizes an framing on request. PREISS FINE ARTS is one of the world’s leading galleries for fine art photography representing the most famous contemporary artists. Massimo Listri is an Italian photographer and best known for his large-scale images of majestic, empty interior spaces. In his famous series and photographs of libraries...

"The Brotherhood of Thieves" Nantucket, USA 2022 Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper This work was sourced directly from the artist. Not far inland from the storied harbour of Nantucket lies a wonderfully named bar - The Brotherhood of Thieves. Our desk research had led us to believe it could be a perfect location as the walls and ceiling looked timeless and there appeared to be good window light. When I arrived in town, I went straight to the bar which was being refurbished ahead of the start of the summer season. It was better than I had dared to hope and I told the team that so long as we got permission from the owner to shoot there, our quest for strong indoor locations on the island was over. We had our spot. The owners could not have been more accommodating and we had four days to put together a strong line up. The storyline was always going to have a maritime leaning and my instincts were to go back to the island’s leading position in the whaling industry in the 19th century. Nantucket was, of course, the starting point for the doomed whaler - Essex - and integral to Herman Melville’s classic novel - Moby Dick. I imagined that The Brotherhood of Thieves would have a drinking den for returning whalers, salty sea dogs and gamblers and this assembly may have attracted the more opportunistic girls on the island. A picture of the bar’s clientele evolved daily in my mind as I wandered around this old town thinking of ideas. I knew we could have no bland characters, everyone had to earn their right to be a thief, a gambler or indeed a lady of the night...

"The Brotherhood of Thieves" Nantucket, USA 2022 Digital Pigment Print on Archival 315gsm Hahnemuhle Photo Rag Baryta Paper This work was sourced directly from the artist. Not far inland from the storied harbour of Nantucket lies a wonderfully named bar - The Brotherhood of Thieves. Our desk research had led us to believe it could be a perfect location as the walls and ceiling looked timeless and there appeared to be good window light. When I arrived in town, I went straight to the bar which was being refurbished ahead of the start of the summer season. It was better than I had dared to hope and I told the team that so long as we got permission from the owner to shoot there, our quest for strong indoor locations on the island was over. We had our spot. The owners could not have been more accommodating and we had four days to put together a strong line up. The storyline was always going to have a maritime leaning and my instincts were to go back to the island’s leading position in the whaling industry in the 19th century. Nantucket was, of course, the starting point for the doomed whaler - Essex - and integral to Herman Melville’s classic novel - Moby Dick. I imagined that The Brotherhood of Thieves would have a drinking den for returning whalers, salty sea dogs and gamblers and this assembly may have attracted the more opportunistic girls on the island. A picture of the bar’s clientele evolved daily in my mind as I wandered around this old town thinking of ideas. I knew we could have no bland characters, everyone had to earn their right to be a thief, a gambler or indeed a lady of the night...

Richard Orlinski Standing Bear Table 49.5 x 50.25 x 15.5 inches Resin Table with Bear Sculptures Edition of 8 Signed and numbered by artist Currently on d...

Bandera Texas, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 46 x 71 inches 67 x 102 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "I wanted this carefully composed Honky Tonk vignette to have real sense of place; that place being Texas. There are a few hints in the photograph: the Lone Star pool table lighting; the ten working cowboys; the neon guitar on the left and even the air conditioning unit (less common in more northerly cowboy states). Throw in a tall, bad ass women in the foreground and we know we are in Texas. It is the lighting that makes the photograph and that is down to the big barn doors at Arkey’s that are open during the day. It was this ambient light on the far-left corner that allowed me to work with minimal artificial light and that made all the difference. There is also a little bit of a ‘Red Dead Redemption” vibe as I am shooting with a wide-angle lens close to the lead, as often seems to be the perspective in the successful video game series. This allows the depth of Arkey Blue’s Silver Dollar saloon to be exploited rather than compressed. I avoid distance compression if at all possible, as a sense of space is often as critical as a sense of place. Bandera, in the Hill Country of Texas, is quintessential cowboy territory and a country music stronghold. Behind my shooting position there is a stage that has been graced by Willie Nelson and Hank Williams...

HONKY-TONK WOMAN Texas, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 74 inches 67 x 107 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Bandera, Texas is the self-appointed home of the cowboy and a visitor is left in no doubt that this is the beating heart of Marlboro country and Marlboro men. This small town in the Hill Country also boasts a bar - Arkey Blue’s Silver Dollar - that is as good a honky-tonk bar to film in that I know of. It is also a firm fixture in the country music scene which is core to the culture of this part of the great state. Willie Nelson has sung here, as has Hank Williams...

8 Ball Texas, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 64 inches 67 x 92 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "I choose to be long of parody, as to exaggerate helps to communicate. My default position is to be bold in any narrative. In this photograph I wanted to fully em- brace the vibe of a honky-tonk bar in Texas, peopled by hard working, hard living cowboys whom David Allen Coe made pivotal to his song writing. These men love a beer, a smoke and a honky-tonk girl, who brings out the masculinity that defines them. John Steinbeck - the American literary giant - wrote “I have said that Texas is a state of mind, but I think it is more than that. It is a mystique closely approximating a religion.” I get it, and cowboy culture is core to that religion. To try to immerse oneself in Texan culture and not spend time with true cowboys is akin to holidaying in Italy and eating at Burger King...

Green Room (2022), oil painting on canvas, earth tones, interiors, greenhouse, windows, human figure, potted plants, wooden floor "Green Room" by Delilah Ray Miske...

Harmony (family kitchen) -naive art, made in green, red, blue, yellow collor. Elena Narkevich deliberately chooses naive art, like the famous artists Henri Rousseau and Niko Pirosmani...

DAVID DREBIN Movie star, 2021 (Diamond Dust version) 39 x 49 inches Edition of 7 also available in: 26 x 39 inches Edition of 10 Chromogenic Print with Diamond Dust Mounted and ...

Acosta 2021 Acrylic Painting 51.2x35 $7,500 Every picture is a collage that Beatriz pieces together to rebuild an everyday scene of her life in the past. What has survived in memory...