Triangle Art

Gerald Berghammer - Black and white landscape photography. Statue of a person along a tall hedge, with a row of trimmed cone-shaped trees. Archival pigment ink print, edition of 9. ...

Watercolor on paper Pencil titled, editioned and signed with name and printed signature Pencil numbered 25/25 This work is floated in it's original vintage wood frame under UV plexi...

Archival pigment ink print, produced in a limited edition of 9 // Gallery ID: 11431 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

This exquisite lithograph by David Hockney (born 1937), titled Letter A, from the folio Hockney's Alphabet, Drawings by David Hockney, originates from the 1991 edition published by A...

(After) Wassily KANDINSKY Composition Lithograph in colors, 1965 Signed and dated in the plate Frame size : 62 x 50 cm (c. 24,4 x 19.6 inch) Subject size : 48 x 36 cm (c. 19 x 14 in...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Limited edition woodblock print in colors seated in a black metal frame behind glass with a front profile of 1/4 inch and a side profile of 1 1/4 inch. Hand signed and numbered out o...

Medium: original lithograph. Printed in 1967 for the art revue Derriere le Miroir (issue number 168) and published in Paris by Maeght. Size: 15 x 11 inches (380 x 277 mm). There is p...

Encaustic on panel, framed in a simple white float frame, this painting is part of the “Spectrum Paintingsâ€

Italian maestro Lucio Fontana, a trailblazer in spatialism and the mastermind behind "Concetto spaziale," pushed artistic boundaries with his innovative use of plexiglass. One such groundbreaking exhibition unfolded at Galleria il Quadro Biella. Fontana, renowned for his Spatialist theories that advocated for a fusion of art and technology, harnessed the transparent allure of plexiglass to redefine the boundaries of artistic expression. The exhibition at Galleria il Quadro Biella became a testament to Fontana's avant-garde spirit and his relentless pursuit of transcending traditional artistic mediums. With plexiglass as his canvas, Fontana delved into a realm where space and art converged. The material's transparency allowed for a unique interplay of light and form, creating an immersive experience for the viewer. Each piece, a testament to Fontana's mastery, unfolded a narrative that extended beyond the physical confines of the gallery. Silvio Zamorani...

For the exhibition Panorama of the Anthropocene, Oli Sorenson presents an array of works created in a hybrid style that evokes the square layout of Instagram, the pixelated landscape...

Paper Size: 19.5 x 16 inches ( 49.53 x 40.64 cm ) Image Size: 13.75 x 12 inches ( 34.925 x 30.48 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age ...

I am influenced by architecture, patterns, graphic design and anything with a minimalist aesthetic. Having gestated and remixed many abstract styles, my intention is to force a new d...

The 1962 original Soviet poster with the inscription "За коммунистический труд" (For Communist Labor) reflects the ideological and aesthetic trends of the time in the USSR. Created d...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects ...

Thomas Pfannerstill has worked as a full-time studio artist since 1986, following his education at Western Kentucky University (BFA 1975). He currently resides and works in Louisvill...

Skaal House In Stowe 1962 - Slim Aarons Estate Stamped The glass-fronted triangular Skaal House, lit up at night, in the Stowe Mountain ski resort in Stowe, Vermont, 1962. A pair of...

Paper Size: 8.75 x 7.25 inches ( 22.225 x 18.415 cm )_x000B_Image Size: 7.75 x 6.4 inches ( 19.685 x 16.256 cm )_x000B_Framed: Yes_x000B_Condition: A-: Near Mint, very light signs of...

Pleasant Ridge, 1966-7, oil on board, signed, dated and titled verso, 16 x 24 inches, exhibited: Robert Herrmann, Cincinnati Art Galleries, Cincinnati, OH, March 4 to 28, 2000, no. 1...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Framed: No Condition: C: Several Signs of use and handling, some visible marks Add...

Figurative acrylic on paper painting by young professional European artist Waleria Matelska. Artwork is minimalist and composed with synthesized shapes. Painting is vibrant- main col...

Artist: Bill Beckley, American (1946 - ) Title: Three Quarter Moon - Two Evening Stars Year: circa 1980 Medium: Lithograph, signed and numbered in pencil...

Who Caire Jean Sariano, Algerian/American (1943) Date: 1979 Intaglio Etching, signed and numbered in pencil Edition of 300 Size: 16 x 29 in. (40.64 x 73.66 cm)

Artist: Robert Mangold (1937) Title: Untitled (Mangold 1977.02; Parasol RM12), from Multiple Panel Paintings suite Year: 1992 Edition: 300, plus proofs ...

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and at the age of fourteen he was awarded a grant to enter art school which he accepted. From 1947 to 1950 he studied at Luton School of Art, Bedfordshire, and St. Albans School of Art, Hertfordshire. House's contemporaries included Richard Smith and John Plumb with whom he remained close. During the early fifties, after finishing art school, House began work as assistant to the ecclesiastical sculptor Theodore Kern. He also spent time at an advertising studio where he honed his burgeoning skills in typography and graphic design. In 1952 House was offered the position of designer for Imperial Chemical Industries Plastics Division where he stayed until 1959. This was followed by two years spent as graphic designer for the Kynoch Press in London. In 1961 House set out on his own as a self-employed designer and typographer. Initially this was supplemented by part-time teaching at art schools in and around London but by 1964 House was able to devote himself entirely to his design work which freed up valuable time to concentrate on his own artistic output in the studio. In the late fifties, informed by the new art emerging from America and that of his contemporaries in England, House began to create large-scale abstract works which he was invited to show in 1959 at Dennis Bowen's legendary New Vision Centre in Marble Arch. House was an active participant in the vibrant London art scene of the sixties, regularly attending lectures, exhibitions and discussions. In 1960 he exhibited in 'Situation' the key abstract exhibition of the decade held at the RBA Galleries. Other participating artists included Robyn Denny, Bernard and Harold Cohen, Gillian Ayres, John Hoyland, Richard Smith and William Turnbull among others. These artists, united by a common admiration for American Abstract Expressionism, were frustrated by the lack of exposure given to large-scale abstract works in commercial galleries so they organised their own exhibition. The name was derived from the participants' idea that an abstract painting that occupied the whole field of vision would involve the spectator in an 'event' or 'situation'. This exhibition was followed by 'New London Situation' in 1961 and a nationwide touring Arts Council presentation in recognition of the significance of the two earlier shows. In 1961 House began producing his first prints at the Kelpra Studio, run by Chris and Rose Prater, where he made the earliest fine art screenprint ever to be produced in Britain. Artists such as Paolozzi and Hamilton followed in his footsteps and together they started a printmaking revolution in Britain. They cemented the medium of the screenprint in the world of fine art as opposed to the commercial sphere and secured the reputation of Kelpra in the process. Later, together with Cliff White, House set up the White Ink (Ltd.) print studio in London, where he produced etchings and wood engravings on a series of magnificent antique printing presses...

Architectonic 3 Large scale photograph by Michael Banks - Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ) Limited Editions of 5 , signed + numbe...

Photolithograph on paper, realized in 1963 for the french Art Review Derrière le Miroir. Not signed. Very good condition.

Pintura acrilica en bastidor de madera sobre soporte de lamichapa de madera MDF. Se suministra con los cantos acabados lista para ser colgada. Lleva una capa de barniz para evitar ...

Willard Dixon is widely recognized for his calm, contemplative landscapes and skyscapes, paintings that hold stillness, clarity, and a quiet reverence for nature. In this exhibition,...

This original poster about the city of Gap, a small town surrounded by beautiful mountains and bathed in Mediterranean sunshine, was created by Gaston Gorde in 1932 for the PLM railw...

Lithograph in colours, 1971, on special Arjomari paper, signed, dated and numbered an AP aside from the edition of 78, published by Gemini G.E.L., Los Angeles, sheet: 96.5 x 96.5 cm....

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Pintura acrilica en bastidor de madera sobre soporte de tela. Se suministra con los cantos acabados listo para ser colgado. Lleva una capa de barniz para evitar el polvo y la humed...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

This piece titled "Eye Feel So Seen" is an original painting by Sarah Detweiler and is oil paint on canvas. This piece originally debuted in Detweiler's solo exhibition "Unmasquerad...

32x32in ed.7 Unframed Photograph Leslie Spak was born in Lima, Peru in 1976. Her visual repertoire is characterized by the construction of images ...

This particular painting is a play on the form of the Canadian flag, the military history of Canada, the journey implied by the use of the tent, and of course, the primary symbolism of the pyramid. In true Pachter form, he manages to challenge and evoke all these ideas with riveting simplicity. One of Canada’s leading contemporary artists, Charles Pachter is a painter, printmaker, sculptor, designer, historian, and lecturer. His work is pursued by significant private and public collections. Born in Toronto, he studied art history at the University of Toronto, French literature at the Sorbonne, and painting and graphics at the Cranbrook Academy of Art in Michigan. His work has been exhibited at the Art Gallery of Ontario, the Royal Ontario Museum, and the McMichael Gallery. He is represented in public and private collections throughout Canada, and internationally. He has held solo exhibitions in France, Germany, Japan, the UK, and India. Pachter worked at Expo 67 in Montreal supervising the installation of 60 contemporary sculptures from around the world. He taught printmaking at the University of Calgary in 1969-70. He spearheaded Toronto’s Queen Street West revival in the 1970s and 80s by restoring 20 old buildings into facilities for arts usage. He is an Officer of the Order of Canada, a Chevalier of France’s Order of Arts and Letters, a member of the Order of Ontario, and holds honorary doctorates from Brock University, OCAD University, and the University of Toronto where he is a Senior Fellow at Massey College. He is a recipient of the Queen’s Golden and Diamond Jubilee medals. His images of the queen, moose, and maple leaf flag are icons of Canadian contemporary art. McClelland & Stewart publications include an illustrated book on his life and work, and The Journals of Susanna Moodie, his celebrated collaboration with poet Margaret Atwood. His murals of Hockey Knights in Canada can be seen in Toronto’s College Subway Station. Mr. Pachter lives and works in downtown Toronto in an award-winning studio designed by Canadian architect Stephen Teeple. His work is on permanent display in his adjoining Moose Factory Gallery. From 2004-2014 in summer he painted in The ICE HOUSE...

The artist's photographs capture the transformation of everyday life into another reality. Images that explore what the future will be like. Industrial, eccentric and progressive, Ca...

Elfi Schuselka (Austrian, b. 1940), "4 x 5 Triangles", Mixed Media on Paper, circa 1984, signed in pencil lower right, 9th International Exhibition of Original Drawings, Museum of Mo...

The 'Miami Skin Series' it’s not a traditional collection of photos about the architecture of Miami and Miami Beach. It’s rather a quick journey between its own skin from the Art Dec...

Artist Comments
The painting explores the relationship between geometric abstraction and cosmic imagery. Using vibrant colors and dynamic shapes, the piece evokes a sense of mo...

Mosaic Drawing by Josine Vignon (French 1922-2022) signed pastel/watercolor on artist paper, unframed painting: 13 x 20 inches good condition provenance: from the artists estate, Fr...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

Joanna Mrozowska Born in 1976 in Warsaw. Studied in the Department of Painting in the Academy of Fine Arts in Warsaw; she graduated with a Master’s degree in painting, with the cycle...

Linda Stein's Below the Eyes prints draw from her Profiles series—drawings, collages and paintings of facial profiles she made in the 1960s and 1970s when she was coming to terms wit...

This serigraph by Richard Pettibone, titled Appropriation, creatively unites iconic works by three of the most influential pop and minimalist artists: Andy Warhol, Frank Stella, and ...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed. Condition: t...

'Billiards', oil on canvas, unframed and 30 x 48 inches. Terry Thompson looks for beauty in the often overlooked, painting in a photorealistic style various "Pop" culture products th...

Paper Size: 38.5 x 26.5 inches ( 97.79 x 67.31 cm ) Image Size: 38.5 x 26.5 inches ( 97.79 x 67.31 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Additional Details: Original Cyrk circus poster created by Jan Sawka...

Hedges Study 1, Versailles, France - no. 11839 Black and White Fine Art landscape photography. Perfectly trimmed row of hedges in the palace of versailles in Paris, France. Archival ...

A series of prints was commissioned by the Metropolitan Museum in New York in a regular edition of 40. This impression is from an edition of 5 artist proofs. This impression is #4/5. Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting. In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...

Joan-Pere Viladecans (Spain, 1948) 'Entrebanc 1', 1974 lithograph on paper 22.1 x 30 in. (56 x 76 cm.) Unframed ID: VIL1324-002-000 Hand-signed by author

Miguel Castro Leñero (Mexico, 1956) 'Caballo de Batalla III', 2020 engraving on paper Intaglio 300 g. 29.8 x 47.3 in. (75.5 x 120 cm.) Edition of 30 ID: CAM-103 Unframed

Heather Hollis Freedom for All Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2023 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached verso...

Screen print in colors on lightweight board folded into a three-dimensional pyramid. Hand signed and numbered on interior edge by Roy Lichtenstein Numbered 41/300 (only approximate...

Letter A is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

Lucio Del Pezzo (1933-2020) Letter A, 1971 Photolithograph, 30 x 24 cm From the series The Alphabet of Bolaffi. Edition 3,433 / 5000, signed in pencil by the artist. Printed on the ...

Letter of the Alphabet A, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Gaspare Vanvitelli in the 18th century. Good conditions except f...

Mose Tolliver AKA Mose T Untitled Ble Watermelon wood, paint, soda tab approx: 7.5 x 15.5" date unknown signed

This uniquely shaped canvas is centered on one of Mark Kostabi’s favorite subjects, pool. In this surrealist oil painting, the artist has depicted a couple embracing as they both lean over a pool table...