1950s Painters

Mirrored palette with painter's paint splotches hanging light from Paris. Accommodates one bulb.

Watercolor on paper realized by Mino Maccarin in the 1950s. It depicts the painter and Master of Pittura Metafisica Giorgio De Chirico.

Beautiful interior scene with in the foreground a Lenci Manufacture ceramic figure, in front of a mirror and a pink basket. Unidentified painter from the 1950s.

Geraldo de Barros (1923-1998) was one of the key players of the Modernist movement in Brazil in the 1950's. Originally a painter close to the European avant-garde and the pioneer of ...

The work dates to the 1950s and features a painterly depiction of the Culzean Castle and seaside.

A true collector's item from the height of post-war design, this piece captures the spirit of the 1950s. Its abstract, painterly composition makes it an ideal acquisition for those s...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

Andres described himself as a 1950’s painter, not fully accepting the designation of ‘Abstract Expressionist’ or ‘Abstract’ he saw his work as an extension of those styles, but roote...

He was associated with Johansfors Glasbruk and later Orrefors, where he became one of the leading innovators of Swedish glass design in the 1950s and 1960s. As a painter, he worked p...

Tom's works were imaginative, well designed paintings. By the early 1950's he was a commercial artist and eventually went into fashion photography.

He got a UNESCO scholarship that allowed him to go to Europe's most important art museums. In the 1950's, he established as a painter, sculptor, movie extra and radio announcer; it w...

The work connects to the Color Field painters of the 1950s and 60s, particularly Helen Frankenthaler.

He joined the Salon des Indépendants in 1950, exhibited at the Salon des Jeunes Peintres from 1951 (later elected to its committee), and went on to show at the Salon des Terres Latin...

He joined the Salon des Indépendants in 1950, exhibited at the Salon des Jeunes Peintres from 1951 (later elected to its committee), and went on to show at the Salon des Terres Latin...

In the 1950s, Dzubas painted with broad, painterly swirls that were associated with "mind storms" and sea surges.

He worked and lived in New York and on the coast of Maine, where he painted since the 1950's.

Jack Griffin worked within the tradition of twentieth-century British impressionistic landscape painting, where atmosphere, texture and urban observation became increasingly importan...

She also studied at the Brooklyn Museum School and the Art Students League. In the early 1950s, Gerardia was primarily a painter and leaned more towards the Cubism and Geometric Ab...

In the 1950s, Dzubas painted with broad, painterly swirls that were associated with "mind storms" and sea surges.

In the 1950s, Dzubas painted with broad, painterly swirls that were associated with "mind storms" and sea surges.

The Series / Technique ("Unique Metalique"): Handwritten at the top, it indicates that it belongs to its exclusive line of collectible pieces with metallic lustre glazes (Unique Méta...

The Knight in Shining Armour French Modernist painter, circa 1950's oil on board unframed board: 10.5 x 9 inches provenance: private collection, France condition: very good and sound...

In the 1950s, Dzubas painted with broad, painterly swirls that were associated with "mind storms" and sea surges.

In the 1950s, Dzubas painted with broad, painterly swirls that were associated with "mind storms" and sea surges.

In the 1950s, Dzubas painted with broad, painterly swirls that were associated with "mind storms" and sea surges.

In the 1950s, Dzubas painted with broad, painterly swirls that were associated with "mind storms" and sea surges.

Fernandes started his artistic career in the 1950s, working as a sign painter and creating murals for public buildings.

By the time Héranval came of age as a painter in the 1950s and early 1960s, this tradition had deepened into what critics and collectors came to identify as the École de Rouen and, m...

This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style.

The angled brushstrokes and high-key colouration suggest influences of the Fauves and late Monet, but there is also a graphic immediacy that hints at the evolving taste of the 1950s,...

From the mid-1950's, she cultivated an increasingly painterly and colorful style, usually working directly from nature, or still life, with particular emphasis on the forms and hues ...

Graham Vivian Sutherland 🏴󠁧󠁢󠁥󠁮󠁧󠁿 (1903-1980) was a British painter. Since the 1950s, Sutherland has been considered one of the leading masters of modern English painting.

This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style.

By the mid-1940s, Mouly's art began to gain notoriety from his peers and collectors and his first solo exhibition was held at the Libraire Bergamesque in 1949. By the mid 1950s Mouly...

Belgian Design; Cabinet; Sideboard; Mid-Century Modern; Modernist Design; Jos De Mey; Painter; Buffet; 1950s; Jos De Mey Sideboard from the 1950s, an exquisite piece of mid-century...