Antique Armor

abundance of classical detail—helmets, armour, banners, vases, captured standards and plundered goods

engravers of the 17th century, renders the complex anatomy, armour and movement with exceptional precision

Armored Bullhead, Atlantic Mackerel, and Atlantic Horse Mackerel - Stunning Scandinavian Fish

carved in warm Siena marble. The compositions depict Roman motifs, small panoplies of military armour

. This female centurion soldier is adorned with a fish scale designed armor with impressive and richly

dressed in classical armor with his arm resting atop the clock. The clock pillar is adorned with bows and

medieval knight charging across a barren plain. The work captures both the strength of the armored rider

arm embowed in armour, the gauntlet grasping a pike in bend sinister, between two dragons' wings each

armor. Its elongated format, bold geometry, and confident asymmetry announce a work made with purpose

sensational and extremely detailed Revolutionary style trophy like Giltwood reserve of a suit of armor and

finial. The square base is enriched with high-relief military trophies, fasces, armor, trumpets, banners

motifs. The large cartouches depict samurai warriors in armor, rendered with remarkable precision, while

16th century palace guard standing outside of an open door, wearing a set of armour and holding a

Teutonic Order on the Day of Admission), depicts a knight in ceremonial armor, marking the significant

style of early 19th-century France. Armored warriors and semi-nude fighters clash at close range, horses

, showcasing the evolution of European armor design across different styles and functions. The plate originates

the craftsmanship and functional design of European plate armor. Taken from the 1842 publication *Der

.” This large-scale English work captures a poignant narrative moment: a father, clad in armour, is

. The soldier is richly dressed in patterned robes and segmented armor, with a tall feathered turban and

to Jacobus Houbraken (1698–1780), depicts Farnese in ornate armor, adorned with the chain of the

to Jacobus Houbraken (1698–1780), depicts Farnese in ornate armor, adorned with the chain of the

attention to the rendering of the armour; he, moreover, is represented with the laurel wreath, a symbol of

Patinated bronze sculpture representing Joan of Arc in armor, brandishing her sword Sculpture

armor features intricately modeled details: a finely textured cuirass, classical belted skirt, and a

-armored knights flank the base, each finely sculpted with scaled armor and plumed helmets, standing guard

throughout Europe, and his portrait in armor underscores his military brilliance and strategic influence

commissioned in 1723 by the Surintendance for Charles de Lorraine. Louis is depicted in similar armour and

, depicted classically with her armor and helmet. To each side of the medallion are wonderfully decorative

was thus fittingly portrayed in armour and, given the similar likenesses of the brothers, the picture

blacksmiths, often depicted in armor with his shield and lion, emblems of his bravery and fidelity to Christ

), depicts a kneeling warrior in full armor, hands clasped in solemn prayer. His red and silver surcoat bears

time. Plate No.22, "Cavalier Armé" (Armored Horseman), is perhaps the most visually commanding. A

and mace and various armorial plaques and armour. Movement complete with bell and original silk

throughout. The design features a pair of opposing mounted warriors in stylised armour, each riding a

family crest (an armored arm) is prominently displayed in a reserved panel at the top of the rim

the hair is remarkable), almost baroque. Very nice execution of the armour in the breastplate, with

, albeit subtle - the reflections on the dragon’s scales and the Knight’s armour are masterful. A

armour of Hercules, further emphasize the theme of triumph. Mercury, the divine messenger and god of

elaborately patterned armor. The deep reds, blues, and golds—accentuated through hand-applied coloring—evoke

displays extraordinary attention to detail: the intricate armour, flowing robes, chainmail headdress, and

. Several armored figures on horseback face him — this may represent a military preparation, royal audience

decorative plaque is centered by a suit of Roman centurion's armor and plumed helmet.

Macedonian king in splendid armor, riding his inseparable Bucephalus. At his feet, the wounded Indian king

, collectible engravings. Plate 80 shows a kneeling knight in full armour, his visor raised in an attitude of

full plate armor with a flowing beard, Herter rides a chestnut horse adorned in red and gold heraldic

costume adorned with sweeping feathers stands beside a knight in ornate armor decorated with heraldic

, and the weapons and armour of the classical world. The group includes a mix of monochrome plates and

of chivalric tradition. In this dramatic image, two fully armored knights clash, each mounted on a

and striking plumes, reflecting the grandeur and artistry of medieval and Renaissance armor. It

exemplifies the craftsmanship of tournament armor and equestrian regalia. The knight is clad in articulated

of 925 (92.5% of fine silver). The armourial bearings are those of the Wyndham and Penruddocke

carved 2.30ct black opal cameo*, depicting a profile of a man in armour, bearing resemblance to

classical figures in high relief. The scene shows three standing figures, including a warrior in armor

for collectors of Orientalist art, Islamic arms and armor, ethnographic studies, and 19th-century

in armor. High relief engraved and chased exterior.

visors. The discarded pieces of armor and broken weaponry strewn across the ground evoke the intensity of

armour before weaponry including swords, axes, spears and a quiver of arrows. Enhanced with paint, the