Antique Armor

The portrait we present to you shows the effigy of a vigorous high-ranking male figure in armor, in the most typical Renaissance pose, half-length and taken in profile, with his face...

Note the intricate stippling and texturing of the stump supporting Augustus, the inordinate amount of engraving and texturing to the fabric of his armor and the exquisite realism of ...

He is depicted according to traditional iconography, astride his steed dressed in shining armour, a crested helmet, while his iridescent red cloak appears puffed by the wind, enhanci...

The sitter is shown wearing polished ceremonial armour of the type fashionable in the final decades of the seventeenth century.

This striking antique stoneware vessel is a powerful example of hand-built ceramic craftsmanship, featuring a tall cylindrical form enriched with deeply textured, armor-like relief d...

The rich, warm patina enhances the sculptural depth, highlighting the meticulous detailing of the armor, hair, and facial features. This piece stands as both a decorative object and ...

On offer is “Knight of the Field” aka “A Man in Armour,” a painting by Edgar Allan Ward (1862–1947).

In heraldry, a crest featuring an armored arm holding a sword often symbolizes military strength, honor, and protection.

Meanwhile, the mainland population, having set out from the village of L'Armor with the clergy of Ploemeur, arrived by rowing.

Launched in the 1860s, these armored frigates were intended to be the ultimate evolution of the broadside ironclad, featuring five masts to compensate for the weight of their massive...

. - Framed cm. 92 x 127 A valiant knight, proud in his sumptuous armour profiled with gilt ornaments, intent on steering his rearing horse is placed in the centre of our painting.

The Figure: Tancred is depicted in superbly detailed "antique-style" armor, surmounted by a helmet with an imposing plume, emphasizing his status as an epic hero.

The portrayed in this fascinating virile portrait is King Vittorio Amedeo II of Savoy, portrayed in ceremonial armor and red cloak according to the traditional courtly iconography, r...

The hardware’s incised leaf and cloud motifs balance restraint with refinement, while decorative nail heads echo armor joinery in form and purpose. The red-amber tone of the lacquer...

The first print portrays a mounted Japanese general in elaborate ceremonial attire, richly adorned with tasseled horse trappings and formal armor elements, while the second engraving...

Note the intricate stippling and texturing of the stump supporting Augustus, the inordinate amount of engraving and texturing to the fabric of his armor and the exquisite realism of ...

The pendant features a beautifully detailed oval cameo of the goddess Athena (Minerva), depicted in profile wearing her traditional armored helmet. The precision of the carving in he...

It is a dynamic and visually engaging composition that combines full-length depictions of armored soldiers with an array of helmets, shields, patterns, and heraldic motifs.

A late Louis XVI marble and ormolu portico clock, comprising a central drum-shaped clock with a sunburst pendulum, surmounted by the gilded figure of Athena wearing armour with a plu...

He is wearing the most elaborate armour with a decorative robe, headdress and boots.

In addition, the carver reveals particular skill in the detail work on the horses’ saddles and harnesses and on the riders’ boots and armored leggings. Provenance: Private Collectio...

Michael the Archangel, immortalised full-length as a youth of ethereal beauty, strong and delicate at the same time, who is clothed in shining armour, indicating his role as Prince o...

"Young Page Removing or Adjusting a Knight's Armor." Oil on oak panel – 18 × 20 cm (unframed) – 32 × 35.5 cm (framed).

French Empire Bronze and Siena Marble "Knight" Clock, circa 1830, the standing figure in armor above a circular gilded dial, the movement with strike on bell, on a graduated Sienna m...

Context Nuremberg was one of the foremost centres of metalworking in late-Renaissance Europe, renowned for its production of complex locks, armour, and precision ironwork. "Armada" s...

The four principal border panels each enclose a distinct Neoclassical scene: a procession of draped female figures before a columned altar; a warrior or hero in classical armour with...

This 1904 original poster, produced during the Russo-Japanese War (1904–1905), presents a detailed cross-section view of a modern armored battleship. Combining technical illustration...

A powerful Japanese equestrian wood carving of a samurai by Yoshida Issen/Isshun, depicted in full armour on a prancing, muscular war horse, signed 一雋刀” ISSEN TO”.

A carved, polychrome, and gilded wood sculpture depicting a young male figure dressed in armor reminiscent of Classicism, which also features a jewel (or remnants of it) on his chest.

Noteworthy are the details of their armor, featuring lion heads—a traditional Persian symbol—alongside the characteristic long sabers.

The Action: You can see the young, athletic figure of David standing over the fallen, armored giant, Goliath. David is often shown in this specific pose—grasping the giant’s hair or ...

Framing tips: A neutral off-white or sand-colored mat enhances the warm palette of red, gold, and bronze armor. A dark walnut frame or thin gilt frame suits the classical theme.

The animals are depicted in profile, allowing a clear view of their segmented bony armour, elongated tails, and clawed feet adapted for digging.

Woven in a largely square form starting from the base with an inner wall constructed with twill plaiting and an outer wall of irregular and armor plaiting, the ikebana morphs into a ...

It shows the figure in profile in relief, with his curly wig and Roman emperor's armor, surrounded by laurel leaves, intended to glorify the king.

The details of the helmet, lamellar armor, and reins are rendered with exceptional precision characteristic of high-quality Edo lacquer work.

Indian Rhinoceros – Antique Natural History Chromolithograph, 1894 DESCRIPTION This chromolithograph shows the Indian rhinoceros in a lush, subtropical setting, emphasizing the anim...

At the center stands a stylized knight in armor, rendered in a simplified, almost cartoon-like manner.

Her hair is modelled in soft curling locks that fall beside the face and over the shoulder above articulated lorica (battle armour). Small grape-shaped earrings and multiple necklace...

The scene shows a heavily armored Carabinier mounted on a powerful horse, captured in motion during the height of the Napoleonic Wars.

The hero, clad in gleaming armour and wearing the red cloak of the victor and a crested helmet, is flanked by two small cherubs, one of whom helps him to break the chains binding And...

The shafts are enriched with finely cast and chased military attributes, including a round shield decorated with scrolling ornament and a central boss, crossed gloves, tasselled elem...

Lower center (Plate No. 46): An armored knight or man-at-arms, gesturing outward, clad in mail with a cloak and helmet.

Crafted circa 1800, this highly detailed bust portrays the sitter wearing a laurel wreath and classical drapery over what appears to be armor. Around his neck is the Order of the Gol...

Though French in provenance, the tapestry is unmistakably Brussels in style, distinguished by monumental figures, dramatic architectural depth, and refined silk highlights that anima...

Her face is enclosed in armour. Ceres was also the protector of laws and courts.

The composition centers on a fully armed knight in ceremonial armor, kneeling beside his saddled warhorse, while his banner bearing heraldic devices rises prominently behind him.

The figure is rendered with careful attention to armor, posture, and horsemanship, creating a refined image that combines chivalric symbolism with decorative clarity.

Each samurai had a distinctive pattern for their armor, relating to the family with which they were affiliated.

When Hector attempts to embrace his son, the child recoils, "scared at the sight of his father's armour, and at the horse-hair plume that nodded fiercely from his helmet."

Distinguished from utilitarian armour by their full-face masks and high-level of decoration, these helmets typically include exquisitely modelled hair that was cast in bronze and the...

In particular, here we see the expulsion of the rebellious angels by Saint Michael the warrior: the Archangel is depicted in his armour with outstretched wings, striking the damned w...

The scene is rich in narrative detail: Roman soldiers in armor flank the suffering Christ, whose crowned head and outstretched arms evoke both physical agony and spiritual transcende...

This piece reflects a compelling intersection of Omani Islamic arms tradition and American Gilded-Age collecting culture, making it appealing to collectors of Islamic art, arms and a...

Each figure’s armor, helmet form, and shield design reflect the diverse equipment used during the 11th–13th centuries, from early chainmail suits to heavier surcoats and conical helm...

Each figure’s armor, helmet form, and shield design reflect the diverse equipment used during the 11th–13th centuries, from early chainmail suits to heavier surcoats and conical helm...

He thus displays the symbols of his first labour and his superhuman strength: having killed the invulnerable lion with his bare hands or with the club, he wore its skin as invincible...