Antique Armor

classical revival style. The warrior’s attire, including helmet, armor, belt, and sandals, is richly

traditional armor and arms. At the center, a proud warrior stands front-facing, clad in chainmail with sword

in full armor, with helmets. The painting is surrounded by traditional fabric brocade borders and a

. Each man is portrayed in formal half-length view within an oval frame, dressed in armor and lace

wearing armour and running at the ring, courir la bague. He hoped that by learning these martial skills he

armor, his posture composed yet resolute. The dragon’s head rises toward the spear, its form integrated

before nightfall. The gilded bronze mounts embrace the porcelain like carefully fitted armor. Twin

armour and spear. She fought on behalf of just causes and is therefore seen as a civilising influence, in

, bows, armor elements, ceremonial helmets, and portable artillery or mechanical devices. The imagery

late 17th and early 18th century. This is a pair depicting two Roman soldiers, clad in classic armour

intaglio depicting a Roman warrior in profile, finely detailed with helmet and armour. The ancient stone is

a left-facing bust of Henri IV (1553–1610), King of France, in armour, with a decorated gorget and

weapons, including axes and lances, are combined with shields, helmets, and armor, while a crested helmet

Porta and Julius Cesar. These extremely fine and detailed busts display a richly carved marble armor

over rank. The sitter is presented without overt symbols of power. There is no armour, no

medieval knights in armor on hexagonal marble bases. France c. 1870s Dimensions: H73 x W29 x D24 cm

items, samurai walking in armor, people crossing bridges, standing at temples and riding horses. In

, in his armour and crown featuring gilded decorations, on an oval gilt-line plinth base, almost 16

building or school. Handpainted, the subject is intricately captured, the figure dressed in armour and a

armor and Buddhist statuary, turned their immense skills toward "Export Art" for the West. These

. Saul, dressed in classical armor, collapses to the ground in fear and despair, while the witch recoils

Armour, holding his baton, a skirmish beyond Oil on canvas In a carved wood frame The Artist Sir

Warrior Sculpture! Spectacular details portray the warrior's metal armor, weapon, shield and more! The

walking in armor, people crossing bridges, standing at temples and riding horses. In various areas, there

facial features, the armour, and the gross point lace, which has been painstakingly delineated, is very

battle. His attire is a detailed reconstruction of early medieval armor, rendered in vibrant color and

, depicting a profile of a man in armor, bearing figural ornamentation to the upper portion of his helm, in

splendour. Clad in ceremonial armour and wrapped in the scarlet of command, he gazes outward with the calm

ceremonial armour of Roman generals and emperors, placed upon a support as a trophy of military victory. This

high-ranking male figure in armor, in the most typical Renaissance pose, half-length and taken in

, oval ringed belts, palmette armor and beaded necklaces. Each maiden wears a delicate tiara while

Shakudo is the use of mixed metal alloys and was originally used in Japanese armor and swords

. Each knight is shown wearing elaborate heraldic armor and flowing surcoats patterned with fleur-de-lis

fitted tunic and hose reflects refined urban or noble dress, while the armored figure with shield and

armor, round shields, and simple yet expressive headgear. The scene hints at shifting political

is dressed in his celebratory armor with a draped cloak over his shoulder. Pericles is showcased with

dressed in shining armour, a crested helmet, while his iridescent red cloak appears puffed by the wind

fascinating virile portrait is King Vittorio Amedeo II of Savoy, portrayed in ceremonial armor and red cloak

, St. John the Theologian in a pink himation, and St. Longinus in a silver armour and a green tunic

dramatic narrative moment involving a dying armored figure surrounded by soldiers, monks, and statesmen

. The corners are adorned with finely detailed female busts in Renaissance armor, while both side panels

a contemporary engraved crest of a dexter cubit arm in armour, holding a fleur-de-lis. The silver

the Franco-Prussian War. The composition is remarkably dynamic. Joan’s armor is rendered with crisp

technique typical of Edo royal workshops. Depicting two warriors in ceremonial armour, standing side by side

. Each composition is rendered with exceptional attention to costume, armor, weapons, and heraldic detail

guardian’s body, the angular armor plates, and the subtle gradations of blue and green in the background. The

Daytonian in Manhattan, the firm offered an array of elevated goods such as 16th century silver armor

Naturelle, and engraved by C.J. Fritsch, whose finely controlled linework captures the heavy folds, armour

suit of armour, carved face beneath a hinged visor made of white bone. The knight is holding an axe and

decorating armor.

, fine detailing of robes, armor, and architectural latticework, and rich gold gilding over a red bole

century to store arms and armor, the French armoire evolved by the 18th century into the most prominent

trims to the hair and clothing add a subtle sheen to the portraits in what appears to be armor or

drapery, gesturing toward Mars who is adorned in a plumed helmet, red cloak, and classical armor. Several

ornament. Evoking the elaborate parade helmets known from Renaissance prints rather than functional armor

horse. The figure is illustrated in full armor, adorned with rich detailing and a red cap, in a highly

unfolds through a series of miniature vignettes, each teeming with detail — weapons, armor, costumes