Antique Barber

A fine and rare early barbers pole in original polychrome paint finish. Turned in one piece. A

An Imari Porcelain Barber's Bowl/Basin, used for shaving, bleeding and much more. Late 17th or

England mid-century Barber mug in white ceramic by Grimwade's Winston, 1900s Shaving foam mug with

Female Illustrator of the Golden Age Alice Barber Stephens renders in an academic style and women

This intimate domestic scene depicts a young woman in period dress seated in a dimly lit interior, engaged in needlework while a small cat sits attentively beside her on richly drape...

Medium: Watercolor on Paper Signature: Signed Lower Left "Alice Barber" Men in Discussion Fireside

VINTAGE HAIRDRESSER’S ADVERTISING SIGN ‘JAQUES COIFFEUR HOMMES FILLETTES’ Reflective ribbed silver mirror encapsulated by black-backed glass reveals a reflective, eye-catching font ...

The Barber of Seville By Luis Alvarez Catalá Executed in oil on canvas, housed in a giltwood frame

American brass Nautical Swivel spot light on telescopic barber pole tripod stand, Troy, NY. Late

Antique print titled 'The Spanish Barber'. Old color photogravure made after a painting by Charles

of the Carquinez Woods, their fates become inextricably intertwined. Alice Barber Stephens's

Work on canvas

Medium: Watercolor on Board Signature: Signed and Dated Lower Left

Frontispiece for Under the Lilacs by Louisa May Alcott for the 1906 edition published by Little, Brown, and Company The full caption reads: "A strange dog was sitting calmly among t...

Story illustration for Janet: Her winter in Quebec by Anna Chapin Ray, published in 1906 by Little, Brown, and Company, facing page 200 The full caption reads: “Now that her chance ...

JOSÉ VILLEGAS CORDERO Spanish, 1844 - 1921 THE BARBER OF SEVILLE signed & dated "J. Villegas

Medium: Charcoal on Board Signature: Signed Lower Right Advertisement for Cream of Wheat cereal, 1908. Fast Asleep Advertisement, Cream of Wheat, 1908-1909; Cream of Wheat Invento...

She stepped to her place and fired without taking her usual careful aim.” Illustration for Under the Lilacs by Louisa May Alcott, for the 1906 edition published by Little, Brown and ...

Date: 1891 Medium: Watercolor on Board Dimensions: 13.50" x 12.00" Signature: Signed Lower Left

native woman, a native barber, an old widow from Quito and a native farmer. From a Dutch edition of

Hallmarked in York in 1840 by James Barber & William North, this very rare, Victorian, Antique

spray above a paw foot. This magnificent silver soup tureen was crafted by James Barber & William

feet, chairs like this often referred to as barber’s chairs

under J. V. Barber. He regularly exhibited at the Royal Birmingham Society of Artists and Royal Academy

in Harborne, Birmingham. He studied under Vincent Barber (1788-1838) at the Barber family’s Charles

nicely grained contrasting dark and light woods bordered with gadroon moldings and with barber pole

and C. Barber, artists associated with the English landscape tradition that would later influence

. In the rust-red border of polychrome panels between the rosette and barber-pole stripes. Very good

, orange-rose and camel are among the accent tones. The construction is all wool, both the mixed barber

containing a rhythmic sequence of reciprocating diagonal “running dog” or barber pole stripes creates a

: Tannhauser – Wagner 4: Faust – Soldiers Chorus 5: Barber of Seville 6: Mignon – Thomas 7: Ave Maria

opener made by Robert Cattle and James Barber; an addition to our Georgian silverware collection. This

stripe motif often referred to as a barber pole pattern. This dense, repeating structure creates a

Highly desirable barber shop collectible item consisting of an American Native American themed

executed “barber pole” guard borders definitively distinguishes this antique masterpiece as an authentic

and the precisely executed “barber pole” guard borders definitively distinguishes this antique

Stunning handwrought old American silver necklace featuring turquoise and barber dimes. The barber

, a barber, before attending drawing classes at the Collège de Verdun, From 1849 to 1855, first the

general tonality extends to the dark grey-brown barber pole warps. In their country of origin, these

minute geometric details within the stepped medallions and the precisely executed “barber pole” guard

the minute “barber pole” stripes separating the border layers and the precisely rendered geometric

, outer brick-red barber-pole minor stripes. Faraghan rugs originate from the Faraghan region of west

borders show classic snowflake designs in various colors.There are four black and white barber pole lines

is a two tone barber pole narrow line and several plain cream lines present.At each end is a

, Mary Hallock Foote, Alice Barber Stephens, E. Boyd Smith, W. L. Taylor, J. M. Flagg, Otto H. Bacher, M

vine and barber-pole minor stripes, plain outer ivory stripe. Hadji Jallili rugs originate from the

flanked by striped segmented minor borders.There are three quincunx narrow borders and two barber pole

a visual marker, much like a barber’s striped pole, for illiterate customers or, in the following

fortune. He started selling umbrellas from a barber's shop in Northampton Street and then manufactured

care commonly handled in the early modern period by barber-surgeons or itinerant practitioners. Nearby

mole-brown and sandy-brown angular linked stylized vine between buff-brown angular boteh and barber

reciprocals in ivory and dark brown.There are four red and yellow barber pole lines in the border system.At

distinguishing characteristic of these rugs is the striped “barber’s pole” single-cord selvedge or edge finish

the delicate interior that features a striking "barber pole" or diagonal candy-stripe pattern in deep

show floating octagons.There are four red barber pole lines and the innermost transitions into the

-Augustin Caron de Beaumarchais, the celebrated French playwright best known for The Barber of Seville and

repeating geometric rosettes/guls and several guard bands filled with diagonal stripes (barber pole motif