Antique Bears

The underside of the base bears his characteristic applied blue paste lozenge seal impressed with his initials, alongside painted factory numbers on the stopper plug.

On the underside, the unglazed base bears an impressed maker's or mould mark consisting of a block letter 'H' beside a small numeral, characteristic of English manufacturing dating t...

The silvered dial features Arabic numerals and bears the name of the London retailer, W. Cawley & Sons, surrounded by a brass bezel that complements the warm tones of the lacquered c...

The lamp includes two frosted white tulip-shaped glass shades, original in style, delicately mounted to echo blooming flowers. The base bears a plaque inscribed "Lever de l'aurore p...

The icebergs and the small polar bear in the background turn this sheet into an Arctic landscape as much as a natural history plate.

This characterful piece is crafted from solid, weathered pine and displays a warm patina that bears witness to nearly two centuries of use. The cabinet features a wide drawer with au...

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Daniele Buzzi's 1925 poster for the Swiss Federal Railways, one of the great images of the electric age. A red locomotive bears down on the viewer, pantograph raised against a green ...

Their elaborate decoration made them especially fashionable among the European elite during the 18th century. Bears the maker’s mark “FF” beneath a crown 4 1/2" high x 3/4" wide x ...

Produced in England during the 1880s, the pair is traditionally attributed to Minton's art pottery lines, which frequently combined Anglo-Japanese geometric motifs with historic cera...

On the underside, the unglazed concave base bears the circular printed Royal Doulton England mark surmounted by a lion and crown, alongside a separate uppercase 'FLAMBÉ' backstamp pr...

Georges LE MEILLEUR (1861-1945) Fisherman on the River, 1926 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of th...

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

The reverse of the silver mounts is finished with smooth, plain backplates, one of which bears a small stamped assay punch typical of regional silver standards of the period.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Provenance: Bonhams, London. Bears inscription 'Count Dorsay by Frank Grant' (to stretcher).

A bright turquoise glazed interior provides beautiful contrast with the cobalt exterior, while the shaped base rests on three molded feet. The underside bears a small hand-painted b...

Ornate scrollwork, decorative borders, and stylized lettering reflect the richly embellished commercial packaging and advertising graphics of the Belle Époque and early 20th century....

All five platters bear the British registration kite mark recording the design registration of June 6, 1846.

The reverse is plain and bears a clear set of English gold hallmarks. The marks include 9 and 375, confirming 9-karat gold, together with the Birmingham anchor assay mark and the da...

The contrast between the warm gold shank and the platinum-set diamonds is characteristic of fine French jewelry from the turn of the 20th century. The ring bears the French eagle’s ...

The dial, composed of twenty-five enamel cartouches, bears the signature Brulfer à Paris at its centre.

The ensemble thus offers a beautiful interplay between the structured precision of the silver and the natural warmth of the wood. The pieces bear the Minerva hallmark, guaranteeing...

It is non monogrammed, measures 7 1/2'' in height by 7'' in width, weighs 23 troy ounces, and bears hallmarks as shown. A similar pitcher is illustrated in the book "Tiffany Silver" ...

Produced in Staffordshire during the early 1900s, the underside bears the standard Royal Doulton factory mark printed in green, featuring the British lion perched upon a coronet over...

Produced around 1875, the plate represents the sophisticated ceramic output of the Victorian Aesthetic Movement. Although it bears no factory marks, the quality of the enamel paintin...

Measuring 22.5 cm across, the reverse bears the green printed Coalport crown backstamp incorporating 'England', alongside the pattern reference 'X 2169' and the hand-inscribed locati...

The front lower rim of one plaque bears the impressed workshop mark reading 'Massier Ainé / A VALLAURIS', associating the production with the celebrated pottery centre in the south o...

Established under the direction of artist William Stephen Coleman, the workshop decorated pottery blanks sent down from Minton's Stoke-on-Trent works, employing both established illu...

The undersides show neatly trimmed, unglazed footrings enclosing smooth, glazed recessed bases that bear no painted workshop signatures or export stamps, consistent with late ninetee...

The upper drawer edge bears the stamped Howard & Sons maker’s mark, identifying the piece with the celebrated English furniture manufacturer.

The interiors retain their aged bronze surfaces, while the undersides bear Japanese signatures attributed to Takao. An elegant example of Japanese decorative metalwork from the Meij...

The reverse of the plate bears the printed green Coalport crown backstamp reading 'Made in England', alongside the painted pattern reference 5351/R.

The underside of the foot is partially glazed in mottled blue and bears an incised alphanumeric workshop mark reading ""n.21"", although the specific English maker remains unidentifi...

The aesthetic avoids high-gloss excess and heavy gilding, favouring earthy terracotta bodies, hand-carved natural history motifs, and an honest exposure of the potter's raw materials...

The contrasting blue lining provides an attractive setting for storing jewelry, watches, or other personal treasures. The box bears the inscription “Allegre Toulon” on the interior,...

These exceptional peppers will have been crafted in the same year but due to the hallmarking system one is struck with the date letter 'i' and the other bears 'k'. These exceptional...

The underside of the cup base bears a hand-painted iron-red pattern number, 1069, along with a small circular collector's label numbered 4014.

This is a nice small antique pastoral oil painting depicting a flock of sheep gathered around a feeding trough inside a dark barn. The painting bears a signature in the bottom left c...

The reverse of the spoon features a double drop heel to the bowl. The anterior surface bears a pip to the handle terminal. Condition This antique sterling silver hash spoon is...

ㅤ Rather than relying on applied ornament, much of the decoration is created through the construction itself, with the copper individually hammered, pierced, punched, riveted and ass...

The sterling silver shield-shaped mount on the front of the mull bears the monogram JM in lovely script and the date 1843.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

In the lower right corner of the Crèvecoeur pasture scene, the plate bears the artist's printed signature and date inscribed 'H.

Fitted tightly over the glass rims, the silver mounts bear London hallmarks dating the pair to 1905.

The settee has retained its original character, with no known alterations, and bears the Baumann manufacturer’s metal label beneath the seat.

The underside of the base bears the words “Modèle déposé” (registered design), together with a model number.