Antique Bears

Each piece or pallet is composed of rustic solid wood slats or planks between very heavy, SOLID iron sides and unique structural bent “V” shaped legs or supports. The whole pallet be...

The backplate is signed 'Rich Colston London' and bears serial number 897. The mechanism is reported to be in full working order.

Our antique and vintage pieces bear individual signs of age and use, which contribute to their history and character.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

This is a nice small antique pastoral oil painting depicting a flock of sheep gathered around a feeding trough inside a dark barn. The painting bears a signature in the bottom left c...

The reverse of the spoon features a double drop heel to the bowl. The anterior surface bears a pip to the handle terminal. Condition This antique sterling silver hash spoon is...

ㅤ Rather than relying on applied ornament, much of the decoration is created through the construction itself, with the copper individually hammered, pierced, punched, riveted and ass...

The upper portion of the brooch bears two French cut diamonds and the lower portion bears three Old European cut diamonds, totalling 0.25ct, all claw set representing bud designs.

Over more than 250 years, the wood has developed a rich patina. The surface bears extensive marks of use, including scratches, small dents, darkened areas, and age-related shrinkage ...

The upper drawer edge bears the stamped Howard & Sons maker’s mark, identifying the piece with the celebrated English furniture manufacturer.

Constructed with a wood shell and brass liner, this bears an elegant aesthetic.

Produced in Staffordshire during the early 1900s, the underside bears the standard Royal Doulton factory mark printed in green, featuring the British lion perched upon a coronet over...

Produced around 1875, the plate represents the sophisticated ceramic output of the Victorian Aesthetic Movement. Although it bears no factory marks, the quality of the enamel paintin...

Measuring 22.5 cm across, the reverse bears the green printed Coalport crown backstamp incorporating 'England', alongside the pattern reference 'X 2169' and the hand-inscribed locati...

The front lower rim of one plaque bears the impressed workshop mark reading 'Massier Ainé / A VALLAURIS', associating the production with the celebrated pottery centre in the south o...

Established under the direction of artist William Stephen Coleman, the workshop decorated pottery blanks sent down from Minton's Stoke-on-Trent works, employing both established illu...

The surface retains an attractive aged dark brown and greenish patina. The base bears the molded signature “L. CARVIN,” associated with French sculptor Louis-Albert Carvin (1875–195...

The detachable handles bear corresponding assay stamps excluding the date letter, and the undersides of the dish bases display stamped British design registration diamond marks along...

The chest retains four original rectangular-section clear glass bottles with faceted ground-glass stoppers, typical of mid-Victorian pharmaceutical dispensing. Each phial bears an ea...

The rear apron of the cabinet bears a clear stamped mark reading 'J.W. NEEDHAM BURY NEW ROAD MANCHESTER', identifying it as originating from the well-known Lancashire firm.

The underside of the foot is partially glazed in mottled blue and bears an incised alphanumeric workshop mark reading ""n.21"", although the specific English maker remains unidentifi...

The aesthetic avoids high-gloss excess and heavy gilding, favouring earthy terracotta bodies, hand-carved natural history motifs, and an honest exposure of the potter's raw materials...

These exceptional peppers will have been crafted in the same year but due to the hallmarking system one is struck with the date letter 'i' and the other bears 'k'. These exceptional...

The underside of the cup base bears a hand-painted iron-red pattern number, 1069, along with a small circular collector's label numbered 4014.

The interiors retain their aged bronze surfaces, while the undersides bear Japanese signatures attributed to Takao. An elegant example of Japanese decorative metalwork from the Meij...

The reverse of the plate bears the printed green Coalport crown backstamp reading 'Made in England', alongside the painted pattern reference 5351/R.

Fitted tightly over the glass rims, the silver mounts bear London hallmarks dating the pair to 1905.

The settee has retained its original character, with no known alterations, and bears the Baumann manufacturer’s metal label beneath the seat.

The handle is secured to the body by substantial riveted brackets, while visible soldering around the spout and various joints bears witness to traditional metalworking techniques.

The parts first came out between 1879 and 1881; this copy bears the Cassell and Company, Limited imprint used from 1883 onward, so it is a later issue of circa 1885.

The parts first came out between 1879 and 1881; this copy bears the Cassell and Company, Limited imprint used from 1883 onward, so it is a later issue of circa 1885.

Lycke signed, titled and dated on the reverse oil on panel unframed 40 × 53 cm (15.7 × 20.9 in) framed 50 × 63 cm (19.7 × 24.8 in) Inscription: The reverse bears the artist's handwr...

The monarch, also immortalised in three-quarter view, wears a cuirass over a coat, with a blue sash over his shoulder and a white collar around his neck. The face bears the same soot...

Presented with its original self-framed dark border with a warm, worn patina and scattered surface losses, the piece bears visible foxing, scratches, and spots consistent with long-t...

The exposed glass allows the decoration on the opposite side to remain visible, creating depth within the intricate silver design. An oval reserve bears an engraved ornamental monogr...

The underside of the belly bears the impressed four-digit model number 1689, alongside the impressed Vienna shield mark, a stamped 'MADE IN AUSTRIA' country designation, and a hand-p...

The underside of this example reveals concentric lathe marks from the finishing process but bears no impressed factory stamp. However, the quality of the unglazed body, the sharp pre...

Underneath, each base is stamped with the circular printed factory mark reading ""Of Etruria & Barlaston Wedgwood Made in England"" surrounding the designer's printed ""KM"" ciph...

With a diameter of 22.5 cm, the plate presents a balanced profile featuring a gently sunken centre and a slightly raised rim, designed primarily for presentation within a china cabin...

Underneath, the glazed white earthenware base bears the printed black factory backstamp reading 'Ricardia Ware' above 'MADE IN ENGLAND', alongside printed production codes.

The dishes are raised upon circular domed bases, giving each piece a refined elevated profile and balanced appearance. Both pieces bear matching Sheffield hallmarks for 1897 and hav...

You are viewing a gorgeous hand carved Italian Renaissance oak bench Just look at the details to the carving, I hope the photos go some way in illustrating the quality Characterful c...

In the lower right corner of the Crèvecoeur pasture scene, the plate bears the artist's printed signature and date inscribed 'H.

Both are in good condition, with minor wear consistent with age and use, and bear maker’s marks and stamped markings underneath.

Assayed in Edinburgh with date marks for 1921, the piece bears the maker's mark of Fraser, Ferguson and McBean.

The hinged lid opens to reveal a polished silver interior. The box bears the French boar's head hallmark, indicating silver of at least .800 fineness, together with the stamped numbe...

One of the two cupids is about to grab the bow of the garland with his head facing downwards, while with the other hand he shows a parchment which bears, in addition to the date of e...

The underside of each piece bears a 'lozenge mark' which certifies the patent of this piece on 20th August 1875 with the UK Patent Office.

Provenance: Acquired through a private sale in the United Kingdom. The reverse bears a George Rowney & Co. supplier’s stamp. Condition: Very good overall antique condition, with age...

A refined antique silver bowl and matching salver, executed in the elegant Baroque style and dating to the early 19th century. The salver bears a Lisbon silversmith’s mark attribute...

The opposing side of the setting bears an individual claw set Old European round cut diamond.

Just as Arouet mocks the Regent in “Oedipus,” Autreau, in our painting, takes a jab at the established order and bears witness to the dawn of the “Enlightenment.”

Decorated in cobalt blue underglaze atop a cool while field, the outer border is loosely brushed & stamped to resemble woven flower baskets with foliage, while the center bears the F...