Antique Chalice

Description: Silver toothpick holder with a figure of a nobleman with a chalice standing on a

WMF. A hand beaten brass chalice, the bowl raised on three organic supports standing on a circular

chalice with a consecrated host at the top, adorned with a cross in the center. The piece is framed in a

A bronze wall hanging from a series of three. Fantastic craftsmanship. The screws are 13 cm long. The total depth is 18 cm. The weight is 10.2 kg.

Description: Silver toothpick holder with golden chalice resting on a vine and cut-out base. Metal

Hallmarked in London in 1917 by Omar Ramsden, this magnificent, Antique Sterling Silver Goblet, is in the Arts & Crafts style, featuring a hand hammered finish, intricate decoration ...

C R Ashbee. Made by The Guild of Handicrafts. An Arts and Crafts Copper chalice. The lid with semi

glasses (not marked) of 14,2 cm high and 8,5 cm diagonal (chalice is 5 cm high) 6 port glasses alll marked

with a goblet or chalice-like shape supported by a central pedestal and an octagonal base of turned

silver communion set consists of a chalice, paten and wine phial/flask. The chalice has a circular

orange glow across the table top, illuminating a gold chalice and a small crucifix resting nearby

silk border. The central field displays a large chalice-shaped urn issuing scrolling acanthus leaves

Chalice-shaped vase with a stepped ring-shaped foot, a curved wall opening upwards, colourless

atop a chalice‑like pedestal base, giving it both height and presence. Over time, the silver plating

, holding a chalice that serves as a container for the ink. The base from which the whole emerges is a fine

reverse depicts the lamb of God beneath a communion chalice. Engraved beneath with the symbol IJP with a

half-moon shapes then combined to form the shape of a chalice or goblet. The diamonds are set in a

sterling silver communion set consists of a chalice, paten and wine phial/flask. The surface of each piece

chalice. Metal: Silver. Origin: Portuguese. Brand: Porto Coroa. Weight: 173.17 grams. Dimensions

saint holds the chalice with the serpent, referring to the poisoned drink rendered harmless by the sign

Description: Silver and porcelain liqueur bottle with six chalices, reliefs, Greek frieze and two

Description: Silver toothpick holder with classical figure on chalice support on a relief plinth

Description: Toothpick holder in the shape of a mythical figure supporting a chalice and resting on

Description: Toothpick holder with Turkish Chief raising a chalice on a plinth with embossed

Description: Embossed silver toothpick holder with a female figure on a cut-out chalice support

Description: Silver toothpick holder with a boy on a pedestal with reliefs and a chalice above his

Description: Silver toothpick holder in a tripod shape with a chalice wrapped in vines and resting

eyes turned toward the angel offering him the chalice, symbol of the Passion. Next to Christ, stretched

leaf and chalice border in the central medallion which has ivory octagon motifs at each end.There are

original candle cups, with a robust, chalice-like form resting on a wide drip pan, designed both for

Description: Silver toothpick holder with chalice on a cane vine supported by an indigenous person

Description: Silver toothpick holder with chalice supported by a female figure covered in a cloak

Description: Silver toothpick holder with chalice between leaves on a trunk supported by an angel

chalice silhouette is elevated by a striking central element crafted from ebony wood, creating a

birds and spider palmettes. Ecru strip style main border of slanted leaves and chalices. Significant end

Elegant Murano glass vase, embellished with refined engravings. The vase is chalice-shaped, with an

devotional sculpture depicts Saint Barbara, recognizable by the chalice she holds as a symbol of faith and

pomegranate rest on a gold plate, its seeds glistening in the dim light. Ornate wine chalices, a bouquet of

by the chalice-shaped toyo (?).

This is a very fine Church Chalice carved by a Master Carver from the Kuba people of Congo. This

stands at right holding a chalice and raising one hand in acceptance. A potted lily in bloom at centre

stylized chalice or vase form anchors the lower register—suggesting ecclesiastical or noble commission

the centre, a nymph shown from behind pours wine into a chalice held by a young figure, while a dog, a

highly ornate monstrance, a tall reliquary or shrine-form vessel, and a sumptuous gold chalice. Each

Decorative bowl made of white marble with a chalice-shaped pedestal and finely detailed leaf

of Austrian Biedermeier from the early 19th century. It looks like a large chalice, which provides a

chalice, dressed in traditional attire with a flowing purple sash. The vase's elegant form and intricate

adorned with applied stucco ornaments, including stylized acanthus leaves and leaf chalices. The antique

, gazing upward toward a descending angel who brings the chalice of suffering, symbolizing the Passion that

, almost floating. Rosette/upper attachment: A small inverted chalice-shaped cup (flower or open petal) in

tree of life growing from the chalice of the water of life, a key motif in folk art from that period

Devotional wooden carving representing Saint Barbara, identifiable by the chalice with the Sacred Host she

, gently clasping a chalice in his right hand, his left arm resting against the tree stump, his left hip

with foliage, volutes and acanthus leaves come to support chalices with finely chiseled bobeches. The

danger and sudden death. Finally, a fourth female figure holds a chalice topped by an element evoking the

of the chalice and angel, He is bathed in an otherworldly light that breaks through the surrounding

, while the maidens at the center hold two crossed arrows and filling a chalice from a fluted amphora. A