Antique Incense

Early Japanese Lacquer Incense Box (Kogo) Late 17thc. Of rectangular form with soft corners

The Ming period or Great Ming Period is the last Han ruled dynasty in Chinese history. Considers a high mark culturally and influenced by great events at home and wider contact with ...

Nicely made and large incense burner or Okimono of a turtle. In earthenware with nice patina

French Late 18th Century Louis XVI Gilt Bronze Incense Burner or Brule Parfum A round and fluted

Nice Quality with superb decoration. Additional information: Material: Bronze & Metal Region of Origin: Japan Period: 19th century, 20th century Condition: Some usual age signs like...

This finely cast bronze incense burner is an accomplished work of the late Edo period, attributed

an incense burner. The eagle is considered the king of birds. Its tail feathers are said to be the

A bronze okimono of an owl, constructed in two sections, the short-eared owl (detachable) perched on a tree branch with its head cocked quizzically to the right and its wings folded ...

incense as a home altar for ancestor worship. Simple and classic, the small table has a waisted design

incense as a home altar for ancestor worship. The antique table feels at once traditional and modern

and incense as a home altar for ancestor worship. Simple and classic, the small table has a waisted

Antique (19th century) French Brûle-parfum (perfume or incense burner) after the original model by

originally used to burn joss sticks, a form of traditional incense. Each elephant wears a blanket saddle and

Curious small incense box, or kōgō, in red and pink lacquer, fashioned in the form of a split

and incense as a home altar for ancestor worship. The table feels elegant and classic, designed with a

equally well as a catchall, incense holder, or small centerpiece. The organic form and hand worked surface

incense and tikka powder from worship. 4 inches (10 cm) high, 6-1/8 inches (15.5 cm) as based Ex private

, and good fortune in Japanese culture. Thoughtfully designed, the elephant’s back opens to hold incense

and artifact. Beautiful as a standalone sculptural object, or used as a flower vessel, incense holder

for water, incense, offerings, or ritual purposes. A pleasing example of Himalayan craftsmanship, it

originally used to elevate lanterns or incense burners, each small table has a square-corner design with

for incense, tea utensils, or other scholarly or domestic use. The attribution is therefore

suspended thurible / incense burner and reworked as a table lamp somewhere in the middle of the 20th century

Small incense box (kōgō) in black persimmon wood, carved in the form of a textured, charred and

Bronze incense-burner depicting a kingfisher with an elongated beak, resting on a lotus flower that

Small circular lacquered wood incense box (kōgō). The exterior of the concave cover is decorated

Kōgō (incense box) in textured and lacquered wood, shaped like a physalis. The exterior surface of

with gold representing on the basin a bouquet of flowers in a vase and an incense box. Flowers and

store incense and small accessories. The minimal case is accented with simple carvings, pops of red

decorative arts from the Napoleon III period. These impressive incense burners are crafted from "Sea Green

is not a regular plate or saucer, but rather a stand or holder, most likely for a bowl or incense

Monumental sculptural incense burner inspired by ancient Chinese ding vessels. Cast in metal with a

fragrant incense, plants or ritual offerings. The squat vessel was sculpted by hand to a freeform design

Pre-Columbian Earthenware Incensario, El Chanal, Colima, Western Mexico A large incense burner

functions: Portable Altar: It acted as a temporary, sacred Buddhist shrine to support incense burners, text

censers were historically used in China to burn incense, often placed within a shrine or atop a home altar

conceived as an incense burner. Period: Edo period, first half of the 19th century Dimensions (rooster): 23

A large Japanese bronze sculpture depicting an oni lifting a Buddhist ceremonial kōro (incense

Kōgō (incense box) in lacquered wood shaped like a chestnut. The exterior surface of the box is

, incense burners, ceremonial stands, bronze utensils, and antiquarian decorative objects inspired by

monumental incense burner, where a robed elder performs ceremonial gestures while an attendant stands nearby

used for burning incense. X

colonial ports, this table updates the stone-top incense table of Qing-dynasty furniture with features

on home altars or in local temples where centuries of incense smoke (notable on the figure’s left

on home altars or in local temples where centuries of incense smoke (notable on the figure’s left

highlights its age and authenticity. This censer would have been used for burning incense, a common practice

include potted plants, incense burners, and other traditional Chinese emblems—thoughtfully arranged to

smoking accessories. Believed to have evolved from the traditional accessories of Japanese incense

an incense container used in Japan as part of the tea ceremony. Made of glazed earthenware, lacquered

human statue figure bearing a smoking incense burner. Two roosters flutter above. The tonality is

cabinet of gold and black is a variation on a cabinet for incense. It contains small boxes within boxes to

An antique Japanese enamel footed incense burner, Ota Kichisaburo School, Meiji period, 1868 to

hold offerings, incense and family treasures.

fowl, incense, alabaster vessels and clothing, wine and milk, and a goodly burial (for) the Venerated

faint veil of incense smoke appears to rise in front of the acolyte, suggesting that a moment of

century CE. These boxes were often used for holding incense, cosmetics, or papers. The lid of the box is

extending three arms with c-scroll decorations, censers were used in churches to burn incense during mass