Antique Kunst

-07.01.2001, Electa, Milan, 2000, p.54. Jemen: Kunst und Archäologie im Land der Königin von Saba, Exhibition

Adoration of the Shepherds in silver, 35.5 x 26.8 cm, preserved in Hamburg, Museum für Kunst und Gewerbe⁷

"Deutsche Kunst und Dekoration, Vol. 5, Darmstadt 1899-1900, p. 256." References: Joseph Maria Olbrich, Jan

French companion to the Munich-based decorative arts journal Dekorative Kunst. A significant supporter of

kunst, arkitektur og design (National Museum of Art, Architecture and Design), accession number

inches (240 x 190mm). This etching is from GENIUS: Zeitschrift fur Werdende und Alte Kunst, a deluxe art

Botanical photogravures by Karl Blossfeldt (German, b. 1914 - d. 1932), "Urformen der Kunst", First

was director of the Drawing Company 'Kunst zij ons doel' in Alkmaar. Museum Willet-Holthuysen in

published "Die Kunst des Radierens" ("The Art of Etching"), which became a seminal work on the subject (it

: Zeitschrift fur Werdende und Alte Kunst. Signed in the plate, not by hand. Condition: there is a crease (top

lithograph is from GENIUS: Zeitschrift fur Werdende und Alte Kunst. Signed in the stone, not hand-signed

". Published in Leipzig, Germany by Zeitschrift fur bildende Kunst in 1915. The plate measures 7 x 6 1/4 inches

: Zeitschrift fur Werdende und Alte Kunst. Not signed. Condition: the sheet has been trimmed, not affecting

no. P139, P140. - Viktor Reitzner, “Alt Wien” Lexikon für Üsterreichische u. Süddeutsche Kunst und

no. P1245, P1246. - Viktor Reitzner, “Alt Wien” Lexikon für Üsterreichische u. Süddeutsche Kunst und

. Most likely by Vereinigte Werkstätten für Kunst im Handwerk, circa 1919. A founding member of the

Latvia, UK Museums, The Rijksmuseum, Harvard Art Museum, Statens Museum for Kunst, Groninger Museum and

influence of his years working under H.P. Berlage, as well as the broader Arts & Crafts / Nieuwe Kunst

d’échanges et de commerce. Van de 16e tot de 19e eeuw bleef de productie van decoratieve kunst bloeien, met

design around 1900. Bib.: Das Interieur. Wiener Monatshefte für Angewandte Kunst, IV. year, Vienna 1903

lifetime impression published in 1909 in Berlin by Cassirer for "Kunst und Kunstler". Printed on cream laid

Kunst", First Edition 1929, Berlin. Mounted in a wonderful pair of chip carved Tramp Art frames, circa

Scholderer kennen, mit dem er 1868 nach Paris reiste. Dort beeindruckten ihn die Kunst Gustave Courbets und

nach Paris reiste. Dort beeindruckten ihn die Kunst Gustave Courbets und die Schule von Barbizon. Nach

final flourish of Dutch Art Nouveau (Nieuwe Kunst) and the emerging order of early Art Deco, this piece

Statens Museum for Kunst in Copenhagen. Among his well-known sitters is Duchess Dorothea of Courland, a

eine systematische Ausbildung in der Kunst. Von 1913 bis 1922 lebte er in der Krim, wo er an

Medium: original etching. Published in Vienna by Gesellschaft für Vervielfältigende Kunst in 1903

painted degenerate art ("Entartete Kunst"). He died on 8 October 1943, after the allies' liberation from

Haus Der Kunst in Munich. In 1992, the Regional Council of Provence-Alpes-Côte d'Azur opened the Musée

founded the Prof. Laeuger'sche Kunst-Töpfereien at the Tonwerke Kandern pottery in the Black Forest, where

Feddersen, he stayed at the inn run by Grethjen Hayen in Alkersum. The inn is now part of the Museum Kunst

the collection of the ‘Museum fur Kunst & Ind in Vienna’, presumably what is now the MAK? Also in the

: Zeitschrift fur Werdende und Alte Kunst, an art revue founded in 1919 in the aftermath of The First World War

Demaskiert (Unmasked), Color Lithograph from Moderne Kunst in Meister-Holzschnitten, c1895 This

sideboard, attributed to Rudolf Lorenz’s firm Kunst und Wohnung, is an evocative example of Viennese applied

: Kreisel / Himmelheber - Die Kunst des deutschen Möbels - Band III - Klassizismus - Historismus

, Möbelfrabrik August Ungethüm. "Innendekoration: mein Heim mein Stolz", Heft 25, 1914, S. 110 . "Kunst &

'Jugend'. Alla Grande Esposizione d'Arte Tedesca alla Haus der Kunst di Monaco fu rappresentato con 20

d’Art Moderne in Paris and at the Haus Der Kunst in Munich. In 1992, the Regional Council of Provence

Hartman's own amalgam. He used elements of "Moderne Kunst and Decoration,” Hartman's description of the Art

½ x 11 5/8” Likely published by “Gesellschaft für Vervielfältigende Kunst” Vienna, Austria.

: Zeitschrift fur Werdende und Alte Kunst. This art and literary project only lasted three years, but had

posthumously exhibited at the Haus der Kunst, Munich, the Centre de la Vieille Charité, Marseille, the Centre

Decorative Arts). Other known versions are recorded in the Museum für Kunst und Gewerbe, Hamburg; the Museo

that emerged in the Dutch early 1900s was called ''Nieuwe Kunst'' (The New Art), which is often

PROVENANCE Herbert A. Cahn (1915-2002), Kunst der Antike, Basel, 1988 Private Collection, Paris

Üsterreichische u. Süddeutsche Kunst und Kunstgewerbe (Encyclopaedia of Austrian and South German Art and Arts and

, Hanna Höch und Karl Hubbuch zu seinen Schülern. Im Jahre 1900 unternahm Orlik eine seine Kunst

2001, no. 2167. Private purchase Jacques Schulman at the Oude Kunst- en Antiekbeurs Delft 1974. The

Werdende und Alte Kunst. Image size: 7 1/2 x 9 1/4 inches (195 x 235 mm). Signed in the plate (not by hand).

); Marne River at Nogent (1935) Copenhagen (Statens Mus. for Kunst): Sun Effect on the Water at Ste-Adresse

), museum no. 1573-1869. Collection online record. – Statens Museum for Kunst (Copenhagen), Et

. Vervielfaltigende Kunst: During the early twentieth century leading art journals around the world published original

Kunst, Munich, the Centre de la Vieille Charité, Marseille, the Centre Cultural Tecla Sala, Barcelona

been posthumously exhibited at the Haus der Kunst, Munich, the Centre de la Vieille Charité, Marseille

posthumously exhibited at the Haus der Kunst, Munich, the Centre de la Vieille Charité, Marseille, the Centre