Antique Kunst

The esteemed Viennese retailer and manufacturer of porcelain and ceramic ware, Ernst Wahliss Kunst, Porzellan und Faience Fabrik rolled out its Serapis Wahliss line in 1911.

Published in Berlin by Bruno Cassirer in 1904 for Kunst und Kunstler. The plate measures 5 1/2 x 7 1/4 inches (140 x 185 mm).

Examples of this model are held in the permanent collection of the MAK (Museum für angewandte Kunst), Vienna, and featured in the Schedlmayer Collection exhibited at the Leopold Museum.

Model 1858, documented in the Wiener Werkstätte Archives at the Museum für Angewandte Kunst, Vienna (inventory HAF 206).

In 1912, he studied at Debitz's private academy, followed by the Staatliche Akademie für Angewandte Kunst. By 1915, he had the opportunity to work with prominent sculptors such as Fr...

Berlage for ’t Binnenhuis, dates from around 1900 and reflects the early development of Dutch modern design at the intersection of the Arts & Crafts movement and Nieuwe Kunst. Th...

Provenance Galerie Antiker Kunst, Hamburg, 1976 European Private Collection Antiquities Christies London, June 5, 2014 Private Los Angeles Collection

Borch are included in the permanent collection of The National Gallery of Denmark (Statens Museum for Kunst). The painting is estimated to be from the early 20th century and comes ...

Copenhagen (Statens Mus. for Kunst): Motherhood (1914) Geneva (MAH): St-Cirq-Lapopie (1946) Geneva (Petit Palais): Corvette Entering Port (1906); Women Bathing (1907) Grenoble: Alleg...

Mauguis, Arts, June 25, 1955 Haus der Kunst & Orangerie des Tuileries, Pierre Bonnard, Centenaire de sa naissance, Munich & Paris, 1967, no. 75 (illustrated) Raymond Cogniat,...

Around 1916, Klaas Vet drew on that tradition for one of the Arnhemsche Fayencefabriek's most distinctive decors, translating its symmetrical rosettes and stylized florals into the f...

The lower margin references “Werkstätte für Graphische Kunst, Stuttgart” and E. Schreiber G.m.b.H., a known German printing house associated with high-quality commercial graphics in ...

Ref: Catalogue Raisonne de Philippe Decelle n. 7032 Provenance: Kunst & Auktions-Haus W.G. HERR, n. 42, Mars 2000. lot 536 Condition: Excellent.

Es ist die Formensprache von Otto Muellers Kunst, die die Frau ‚nach der Natur‘ hervorgebracht hat, so dass sich nun ihre eigentliche ‚Natur‘ offenbart, die der Frau beim Blick in de...

© MAK – Museum für angewandte Kunst

His works are found in the most important museums: the Prado in Madrid, the Academy Galleries in Vienna, the Catalan Museum in Barcelona, ​​Troja Castle near Prague, the Walters Art ...

In 1901, he founded the association "Wiener Kunst im Haus" (Viennese Art in the Home) together with colleagues, including Hoffmann's student Hans Vollmer.

Heilige Krieger: Der Heilige Florian in der Kunst Mitteleuropas. Vienna: Böhlau Verlag, 1998.

Provenance Galerie Antiker Kunst, Hamburg, 1977. Private European Collection.

Koson’s prints are held in major museum collections worldwide, including the British Museum (London), Brooklyn Museum, Freer Gallery of Art, Harvard Art Museums, Los Angeles County M...

Deutsche Akademie der Künste Berlin, Berlin (Ost) 1966, cat. no. 59; Lothar Lang, George-Grosz-Bibliographie, in: Marginalien, Zeitschrfit für Buchkunst und Bibliophilie, 30th issue...

The Niedermoser furniture factory is the furnishing company that "adapted Olbrich's compositions," according to Josef Folnesics in "Deutsche Kunst und Dekoration, Vol. 5, Darmstadt 1...

This etching is from GENIUS: Zeitschrift fur Werdende und Alte Kunst, a deluxe art revue founded in 1919 in the aftermath of The First World War.

Botanical photogravures by Karl Blossfeldt (German, b. 1914 - d. 1932), "Urformen der Kunst", First Edition 1929, Berlin. Mounted in simple black frames.

Most likely by Vereinigte Werkstätten für Kunst im Handwerk, circa 1919. A founding member of the Vereinigte Werksstätten für Kunst im handwerk was Bruno Paul.

This original Rouveyre print is from GENIUS: Zeitschrift fur Werdende und Alte Kunst. Signed in the plate, not by hand. Condition: there is a crease (top right).

Published in Leipzig, Germany by Zeitschrift fur bildende Kunst in 1915. The plate measures 7 x 6 1/4 inches (180 x 160 mm).

This original Carl Hofer lithograph is from GENIUS: Zeitschrift fur Werdende und Alte Kunst. Signed in the stone, not hand-signed. Condition: there is minor foxing.

.): Regatta (1938); View of Ste-Adresse (1924); Deauville (1929) Chicago (AI): Open Window, Nice (1928); Villerville (1928); Marne River at Nogent (1935) Copenhagen (Statens Mus. for...

This original Archipenko print is from GENIUS: Zeitschrift fur Werdende und Alte Kunst. Not signed. Condition: the sheet has been trimmed, not affecting the composition.

.): Regatta (1938); View of Ste-Adresse (1924); Deauville (1929) Chicago (AI): Open Window, Nice (1928); Villerville (1928); Marne River at Nogent (1935) Copenhagen (Statens Mus. for...

A pair of botanical photogravures by Karl Blossfeldt (German, b. 1914 - d. 1932), "Urformen der Kunst", First Edition 1929, Berlin. Mounted in a wonderful pair of chip carved Tramp A...

Executed in 1906, this is a lifetime impression published in 1909 in Berlin by Cassirer for "Kunst und Kunstler". Printed on cream laid paper with the full margins and the Van Gelder...

Published in Vienna by Gesellschaft für Vervielfältigende Kunst in 1903. The plate measures 4 1/2 x 7 inches (115 x 178 mm).

On 9 October 1940 he was arrested and interned as a foreigner in the camp of Civitella del Tronto and then of Ferramonti, (Cosenza) from November 1941 and will be accused by the Nazi...

Its significance is further affirmed by a comparable example held in the permanent collection of Norway’s Nasjonalmuseet for kunst, arkitektur og design (National Museum of Art, Arch...

Representation in Museums Hansen’s works are represented in major Scandinavian collections, including: Statens Museum for Kunst (where he also appears portrayed by P.S. Krøyer in En ...

This print is from GENIUS: Zeitschrift fur Werdende und Alte Kunst, an art revue founded in 1919 in the aftermath of The First World War.

Majorelle’s inspiration for the use of Columbine leaves was likely seeing the design on the cover of L’art Decoratif, the French companion to the Munich-based decorative arts journal...

Image 8 5/8 x 8 11/16” In excellent condition and full margins, sheet 13 ½ x 11 5/8” Likely published by “Gesellschaft für Vervielfältigende Kunst” Vienna, Austria. ...

The present work is unsigned but was attributed several years ago to Louis-Nicolas van Blarenberghe by the renowned Dutch art dealer John Hoogsteder on the Dutch television program T...

Wiener Monatshefte für Angewandte Kunst, IV. year, Vienna 1903, pp. 1, 128 & 141 ; photograph, armchair, exhibition room, Wiener Werkstätte, company headquarters, Vienna VII, Neu...

Demaskiert (Unmasked), Color Lithograph from Moderne Kunst in Meister-Holzschnitten, c1895 This engaging color lithograph titled "Demaskiert" (Unmasked) was created by an anonymous ...

. - Viktor Reitzner, “Alt Wien” Lexikon für Üsterreichische u. Süddeutsche Kunst und Kunstgewerbe (Encyclopaedia of Austrian and South German Art and Arts and Crafts), Volume III, Pr...

. - Viktor Reitzner, “Alt Wien” Lexikon für Üsterreichische u. Süddeutsche Kunst und Kunstgewerbe (Encyclopaedia of Austrian and South German Art and Arts and Crafts), Volume III, Pr...

Printed in 1920 and published in Germany for GENIUS: Zeitschrift fur Werdende und Alte Kunst. Image size: 7 1/2 x 9 1/4 inches (195 x 235 mm).

Pieter Plas had several pupils and was director of the Drawing Company 'Kunst zij ons doel' in Alkmaar. Museum Willet-Holthuysen in Amsterdam and the Teylers Museum in Haarlem expose...

This original Alexander Kanoldt lithograph is from GENIUS: Zeitschrift fur Werdende und Alte Kunst. This art and literary project only lasted three years, but had incredible influenc...

L'Asie Exotique, Palm Springs, CA Collections: Mead Art Museum at Amherst College AC 1970.17 Portland Art Museum 80.122.391 Stiftung Christliche Kunst Wittenberg B/MBe/1920/1 Relev...

"Innendekoration: mein Heim mein Stolz", Heft 25, 1914, S. 110 . "Kunst & Handwerk", Vol. 12, 1913, p. 629 / "Deutsches Volksblatt" 11.

It was later known as Kunst und Wohnung, R. Lorenz GesmbH. The company operated in Vienna's Josefstadt district.

Berlage, as well as the broader Arts & Crafts / Nieuwe Kunst movement in the Netherlands. The chair demonstrates a careful balance of craftsmanship and structural clarity: A scul...

Source: Vervielfaltigende Kunst, Vienna" Courtesy Art of the Print

In 1908, Struck published "Die Kunst des Radierens" ("The Art of Etching"), which became a seminal work on the subject (it included an etching by Edvard Munch).

The new style that emerged in the Dutch early 1900s was called ''Nieuwe Kunst'' (The New Art), which is often referred to as the Dutch version of the Arts & Crafts movement.

Wiener Innenraumgestaltung 1918–1938, Österreichisches Museum für angewandte Kunst, Vienna 1980, p. 46/47, ill. 42, p. 65, cat. 5 - Haus & Garten Frank & Wlach, Graz 2008, p....

Her work has been posthumously exhibited at the Haus der Kunst, Munich, the Centre de la Vieille Charité, Marseille, the Centre Cultural Tecla Sala, Barcelona, Centre Pompidou, Paris...

Other works by Darbes are preserved in major institutions such as the Tretyakov Gallery (Moscow), Russian Museum (Saint Petersburg), National Museum in Warsaw, Museum of Fine Arts in...

Dort beeindruckten ihn die Kunst Gustave Courbets und die Schule von Barbizon.

Dort beeindruckten ihn die Kunst Gustave Courbets und die Schule von Barbizon.