Antique Lotus

a golden lotus plinth, elevated by a tiered base draped in fabric painted with blue pigments and

blooming peonies, cherry blossoms, and lotuses. The combination of flora and revered scholarly items evokes

flower basket with myriad auspicious flowers including chrysanthemum, peonies, cherry blossoms, and lotus

Fine tall kasuga granite stone lantern with a beautifully carved lotus top and with a rare band of 12

handle, molded lotus flowers, and wave motifs around the base. The lid is surmounted by a flame finial

architectural elements such as a fluted shaft, lotus-like carvings, and a deeply molded drip pan. Most notably

has been emptied. He stands upon an elaborate lotus plinth, draped in robes decorated with red, blue

, featuring a mesmerizing aquatic tableau of fish in a serene lotus pond. Their surroundings come alive with a

standing figure holds a curved lotus stem in the right hand, extending upward to a flower with a small

auspicious flower clusters including peonies, chrystanthemum, cherry blossoms, and lotus, all woven in gray

orange border, both overlaid with multicolored lotus and peonies, and butterflies.

curvature of the form and contributing to a refined sense of balance. Decorative bands of lotus petals

garden landscape nestled in the lower left corner: a delicate lotus rises in the foreground, while a

delicately rendered tableau—an auspicious flower such as a peony, lotus, chrysanthemum, or cherry blossom

, peonies, and lotus flowers, all woven on varying shades of indigo, gold, green, and pink.

assuming Vajrasana or the ‘full lotus’ position, over the primary figure adorned in traditional Hanfu

flat top circular box with lid decoration in under glaze cobalt blue of a lotus blossom with speckled

detail, featuring curled manes, stylized paws, and decorative bases adorned with lotus motifs

, underscoring the auspicious, festive quality of the piece. A band of upright lotus-petal lappets encircles the

, the silk collar with high quality was worn by noble or aristocratic women. The red color and the lotus

Marble statue of carved statue of the Buddhist goddess known as Guanyin, sitting in the lotus

motifs. The field is dominated by an intricate pattern of stylized lotus blossoms, cloud bands, and

on center surrounded by decorative bands of foliate scrolls and lotus blossoms, the exterior wall

radiating lotus rosettes to intricate scrolling foliage and trellis-patterned leafwork. The variation within

darker gray border. A central potted lotus is flanked by a potted chrysanthemum in one corner, and a

pond with blooming lotus flowers shimmers in the background. Slender stalks of bamboo frame the scene

symmetrical floral motifs—often stylised lotus patterns, symbolising fertility and longevity in Hindu culture

oval medallion overlaid with multi-colored peonies, lotus, chrysanthemum, and sherry blossoms

carved with stylized acanthus leaves and lotus motifs, recalling classical antiquity and Renaissance

from typical Edo stone Buddha statues. The circular base with lotus petals likely originally housed

were skillfully repainted at some point with elephant and lotus motifs on the panels. Vividly hand

lotus cartouches bearing birds and flowers, all encircled by brocade bands and on a solid background

seated upon a triangular shaped base with lotus decoration, the Buddha's hands posed in a typical mudra

lotus flowers. The bevelled plate is 88cm x 58cm, and the frame is 150cm x 102cm. Condition Tiny

a round planter adorned with pink lotus blossoms, the piece is rich in naturalistic detail and

Cloisonné vase displaying geometric patterns in cobalt and cyan. Exceptional Polychrome lotus flowers flow

, seated in Vajrasana posture on a lotus throne. On his head is a five-pointed crown, symbolizing the Five

, chrystanthemums, cherry blossoms, and lotus, some potted in vases and some growing from garden landscape, and all

lotus-and-arcaded molding runs around the stepped plinth so that the ornament echoes top and bottom and

shaft features a classical baluster form with lotus leaf carvings, leading to an exuberant corona of

lotus blossom. Dimensions Heights 9" With open-carved wood bases.

floral motifs—central rosettes, dotted lotus-like leaves, and symmetrical vinework—framed by ornamental

lotus base. Age: Burma, Early Shan Period, Early 16th Century Size: Height 53.4 C.M. / Width 34.3 C.M

The broad central band molded and painted with lotus flowers and scrolled foliage on an orange

, including chrysanthemums, lotus, and other traditional blooms—each meticulously woven in a harmonious

detail, alongside sprigs of peonies and a single lotus, each woven with masterful precision. The flowers

upward, creating a base for the smaller upper basin, which contains a beautiful lotus flower at the end

gilded bronze inlays depicting two standing women carrying lotus branches forming a candlestick, posing

their peak. The deep indigo background is adorned with meticulously rendered cranes, lotus blossoms

This is a Burmese Buddha Sculpture. It depicts a gilt wood Mandalay Buddha standing over a lotus

lotus petal reserves containing alternating patterns of spots and lattice, evidence of further

by decorative rosettes. The upper rim is encircled with a band of stylized lotus petals, while the

floral motifs. Each column rises in a slender baluster form, encircled by hand-carved lotus leaves and

ribbon tied in a bow, also executed in bold relief. The legs are capped and based with lotus blossoms

Rare Bronze table mirror signed by Albert Cheuret Egyptian inspiration with stylized lotus leaves

section. Her right foot on a lotus flower, Guanyin wears an ornate headdress and elegant clothes. The

chapiter’s curvature. Delicate vines, lotus blooms, and stylized foliage unfold in harmonious symmetry