Antique Lotus

over a pond. In the foreground, lotus plants and peonies emerge from leaves and stems of grass that

culture in Burma as a wealth-bestowing deity. From the Lotus Sutra, chapter 6, he is named as an Arhat

Rare Bronze table mirror signed by Albert Cheuret Egyptian inspiration with stylized lotus leaves

, support the Potoro under frieze. With fine carvings of alternating Greek ornament palmettes and lotus

beauty, and the other clutching a lotus, a symbol of summer and perfection. A stunning example of Ming

rich symbolism, centered on an openwork beribboned basket of peony and lotus flowers. The flower basket

into the design. The ebonized column is accented with a carved and gilded lotus collar and rests on a

carved in intaglio, each enclosing lotus-like blossoms and interlaced geometric patterns. These are

Buddha standing atop a lotus, his right hand raised in Abhaya Mudra position. He is below a green foliate

Designed as link-style cufflinks terminating with oval-shaped faces With stylized gold lotus flower

beautiful solid brass frame. Central figure seated on a lotus base, flanked by attendants. Clothing

surrounded with a lotus flower head meander, further encircled with the Eight Buddhist Emblems amongst

expression, accented with painted highlights, holding a lotus branch in her left hand.  

green foliage. The fan-shaped panels display stylized lotus or pomegranate blooms, auspicious motifs of

Beautiful serving dish in blue and white with central a reverse decorated floral lotus scene, the

garden, chaperoned by a young woman and holding various symbolic objects, such as the lotus flower, the

, butterflies, the Taeguk, lotus flowers, and phoenixes, representing values like harmony, prosperity, love

Classic Lotus kasuga and finial Hohju, light chamber Hibukuro, crane leg pole and well detailed base stone

substantial arms featuring sculpted lotus flowers. A rare and unique set.

skirt, standing on a stylized lotus pedestal, somewhat stylized overall with pointed index fingers

flowering branches, phoenix and magpies flying through the air, and canes and lotus flowers standing in

surrounded with a lotus flower head meander, further encircled with the Eight Buddhist Emblems amongst

-relief Sanskrit characters on lotus petals, and features a pattern of small vajras along the fluted edges

domed lid showing a lotus-bud final over a flattened and canted rim, both decorated overall with

his left hand held upright in the Abhaya Mudra gesture and standing atop a lotus flower. The three

character (twisted peach tree) & lotus blossom designs, segmented by undulating linear & flower blossoms

with lotus motifs, and the columns sit atop beautifully carved sandstone bases featuring lotus designs.

capital decorated with lotus leaf motif, the elegant reeded column supported by a decorative acanthus

Beautiful serving dish in blue and white with central a reverse decorated floral lotus scene, the

front of her, while she is standing on a lotus flower. Charming our eyes with its nicely weathered

exquisitely decorated by delicate hand painted designs of pastel colored lotus and peony blossoms, as well as

showcasing different regional motifs: scrolling foliage, blooming lotuses, and jasmine clusters rendered in

stylized flame or lotus motifs, adds depth and visual rhythm to the composition. A bold outer frame in

traditional motifs such as the lotus, dorje, or intricate scrollwork, all crafted to evoke protection, peace

crevices. The hair is lacquered black. Each figure cast with an oval lotus base having three rows of

A stylized lotus blossom towards the base of the bell and hexagonal cartouche in bas relief beyond

color pattern and is decorated with symbols including lotus flowers on a brilliant orange background

lotus leaf engraved base all exhibiting varigated green and blue colors . The multi colored patina

character (twisted peach tree) & lotus blossom designs, segmented by undulating linear & flower blossoms

shaped crest rail and scroll arms with lotus carved terminals and volute arm supports with caned back

, bordered with scrolling lotus and foliate designs. The base rests on three rounded, felted feet, suggesting

Antique Burmese wooden Buddha standing on a lotus base, with gilded gold and inlay of colorful

resemble stylized lotus petals, extending the theme of exoticism upward into the lighting element. These

the center lies a flattened medallion formed by four outward-facing lotus-like blooms in muted rose

Chinese society. The lateral poles at either end of the panel were carved with a boy holding a lotus leaf

corners are stylized sprays of peonies, chrysanthemums, plum blossoms, and lotus flowers—each portrayed in

the motifs used, such as the lotus figure, animal figures and geometric figures are also known. As a

including lotus, chrysanthemum and prunus flowers. Raised on 4.5 -inch square hardwood bases. The vases were

paneled ends, raised on lotus carved turned tapered legs and casters.

flowerheads, above a scrolling register of lotus-like motifs in vibrant colors. The foot is encircled by a row

European depictions of Eastern religious icons. The figure sits in the lotus position with hands in the

lotus blossoms and leaves centered around a ruyi shaped pendant hung with tassels. The sharp shoulders

Greek key corners and stylized lotus and peony motifs, framed with a muted palette that complements the

armrest supports, inverted. Cylindrical armrests with lotus-shaped attachments finished with a palmette

by scrolled designs accentuated with lotus blossoms.

The convex mirror plate within an ebonies reeded surround and spiral reeded frame with lotus-leaf

seated on lotus bases. In good condition and retaining a nicely weathered surface. Circa 1880. H: 49 cm