Antique Lotus

by scrolled designs accentuated with lotus blossoms.

Greek key corners and stylized lotus and peony motifs, framed with a muted palette that complements the

The convex mirror plate within an ebonies reeded surround and spiral reeded frame with lotus-leaf

seated on lotus bases. In good condition and retaining a nicely weathered surface. Circa 1880. H: 49 cm

depicted seated on a double-lotus throne with the middle two hands in praying Namaskara Mudra and the other

, ankhs, lotus motifs, and ornamental collars. Numbered details indicate individual design elements, such

is a grid of smaller motifs and symbolic forms, including stylized waves, lotus blossoms, cloud

exhibit geometric repetition, stylized waves, lotus blossoms, fret patterns, and fan-like arrangements

evident in the use of meander patterns, lotus forms, and symbolic motifs such as interlocking circles and

chrysanthemum within a ruyi-shaped cloud border. The foot features a delicate band of stylized lotus petals

symbolizing Buddha’s triumph over Mara and the moment of enlightenment. The figure sits serenely on a lotus

Antique Chinese Carved Hetain Light Celadon White Jade depicting dragonfly and ruyi on a lotus leaf

using high-quality wool, these rugs often feature classic Chinese motifs such as dragons, lotus flowers

playing in a traditional garden, holding lotus branches, butterflies, and small charms. All of these

teal and peach border overlaid with multi-colored peonies, cherry blossoms, lotus, and chrysanthemums.

to more elaborate decorations, including carved or incised motifs inspired by nature, such as lotus

Fenghuang, the embroidered lotus flowers symbolize purity and spiritual growth. In Taoism, a philosophy

the lotus position in a meditative pose, gazing serenely before her. She is wearing a fabulous orange

base rims encircled by strapwork bands enclosing stylized lotus blossoms, a subtle yet deliberate nod

. The borders are adorned with exquisite stylized lotus scrolling, adding a touch of elegance and grace

and decorative lotus knop. The paint surface is untouched, with a lovely dry chalky texture — pale

add an elegant touch. The granite bases are meticulously carved into lotus motifs, symbolizing purity

. Standing atop a lotus leaf in open water, they hold a gardening hoe in one hand and a basket for flowers or

bouquet—lotus, chrysanthemums, or plum blossoms—carefully arranged to echo themes of refinement and

lotus flower decorated capital. Condition These antique candlesticks are an exceptional gauge of

apertures to represent a lotus seed pod, resting over smaller flower buds. The base features further floral

lotus flower carved element at the top. The base in contrasting light and medium colored satin wood in

shows more elaborate capitals with lotus, palm, and papyrus forms, indicative of different symbolic

on a lotus base on a rocky outcropping, the left hand holds a lotus and the right hand upraised with

short foot ring, there is a band of double-lotus motif, again in alternate black and white inlays. The

ties, and the urns taper into lotus-cup knop supports above domed, spreading bases. Each circular base

in a rounded bun at the back. She stands on a tiered circular base decorated with lotus petal motifs

Bronze bronze and shows the Buddha seat on a lotus seat with very detailed hand carving works on it. You

, gold and walnut with carved swagged fabric and lotus embellishment. The pediment features two black

. Between the reserves, the ground is filled with lotus blossoms and foliate scrolls in shades of blue

on lotus backplate to reveal a compartmented interior. The façade showcases a recessed panel

appreciated. In this exceptional example, a spirited young boy stands on a lotus blossom with a sash draped

large walking stick in one hand and a lotus flower in the other. Features superb colors including pink

Antique Burmese wooden Buddha standing on a lotus base, with gilded gold and inlay of colorful

lotus flower earrings was made in argantina during the art deco era hall marked 750k gold finest for 18k

intricately designed brackets. The cross-supporting beam is adorned with serpentine and lotus carvings, adding

color palette of orange-red, cobalt blue, and gold. The design features blooming chrysanthemums, lotus

papyrus leaves, anthemia, and lotus elements, blending ancient Egyptian references with Victorian

, adorned with decorative lotus finials, reflect refined artistry and attention to detail. The transparent

auspicious symbols. In the first horizontal row, the child is holding in one hand a closed lotus flower

. These include classic examples of lotus and papyrus capitals from Karnak and Luxor, both of which are

modelled standing in flowing robes upon a lotus leaf decorated stand, holding a flowering lotus stem in

quadrilobe cut out. The pillow is delicately painted on one side with swimming fish and lotus flowers

sitting in a lotus blossom, surrounded by peony blossoms and floral scrollwork. A common design in Chinese

anthemion carved brackets, the long padded arms ending in scrolled lotus carved terminals either side deep

appears as a lame beggar. Standing atop a lotus leaf in open water, he holds an iron crutch and carries a

, almost Zen-like composition, typically featuring open fields with symbolic medallions, dragons, lotuses

with lotus form lappets, raised foot rim and iron brown washed base. Minor kiln flaws otherwise fine

Chinese architecture, including pavilions and tiered pagodas. The scenes are framed by lotus blossom

brass with Egyptian Lotus motifs set with sapphire poured glass peacock eyes on green enamel. Signed PF

maebyeong vases, often with inlaid decoration (called sanggam technique), featuring cranes, clouds, lotus

inward. The broad borders frame the central field with additional rows of lotus blossoms, vines, and