Antique Mezzotints

An 18th century color printed in addition to hand colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering amaranthus p...

John Colborne, 1st Baron Seaton Mezzotint by James Scott (1809-1889) after GW Fisher (1817-1895) . 1864.

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame.

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame.

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame.

This is a striking original antique colored botanical mezzotint and line engraving of two varieties of corn or maize, which is finished with hand-coloring.

This striking hand-colored botanical mezzotint and line engraving is entitled "Gnaphalium, Gossypium (Cotton Plant)".

This striking hand-colored botanical mezzotint and line engraving is entitled Malus domestica, Pomier, Apfelbaunt (Apple)".

"The Seven Sisters" is a mezzotint etching on light wove paper, "Rye from the Hills" is an etching on watermarked laid paper, and "Pett Level" is an etching with aquatint on laid pap...

An 18th century hand colored botanical engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering sage plants: a. Horminum Peregrinum Foliis Salvice, b. Hormi...

This is a self portrait of a young woman who is the wife of the artist. Francisco Souto was born in Venezuela, and received a BFA from Herron School of Art and a MFA from The Ohio ...

Robert John Thornton (English, 1768-1837), The Hirsute Stapelia, hand finished line, stipple and mezzotint engraving, quarto edition, 1807. Sight: 8 by 11 ½ inches; frame: 14 ½ by 1...

This 18th-century oil on panel by Giovanni Battista Piazzetta served as the direct master source for period engravings, including the famous mezzotint by Johann Gottfried Haid. No si...

One of his specialties was the mezzotint. Condition: Very good, please study image carefully.

Wonderful equestrian portrait of Henry Lascelles, 3rd Earl of Harewood Mezzotint on paper. Laid on to canvas Published C.1840 Original birds eye maple frame Slight chip to the pa...

Antique print titled 'Wie manchen hört von Kunst und den Antiquitaeten - Man als ein groses Kind und dümes Schafe reden'. Mezzotint of a pastoral scene showing sheep and cattle.

Artist / Maker: Johann Wilhelm Weinmann (1683–1741) Publication: Phytanthoza Iconographia Plate: No. 93 Date: circa 1737–1745 Medium: Color-printed mezzotint and engraving with h...

The British Museum holds an impression and identifies the technique as a mixed method mezzotint on chine collé. Hardy was particularly admired for his paintings of horses, hounds and...

Its botanical illustrations were produced using engraving and color-printed mezzotint techniques, with additional coloring completed by hand.

Its botanical illustrations were produced using engraving and color-printed mezzotint techniques, with additional coloring completed by hand.

Its botanical illustrations were produced using engraving and color-printed mezzotint techniques, with additional coloring completed by hand.

Its botanical illustrations were produced using engraving and color-printed mezzotint techniques, with additional coloring completed by hand.

Its botanical illustrations were produced using engraving and color-printed mezzotint techniques, with additional coloring completed by hand.

Its botanical illustrations were produced using engraving and color-printed mezzotint techniques, with additional coloring completed by hand.

Its botanical illustrations were produced using engraving and color-printed mezzotint techniques, with additional coloring completed by hand.

Its botanical illustrations were produced using engraving and color-printed mezzotint techniques, with additional coloring completed by hand.

Its botanical illustrations were produced using engraving and color-printed mezzotint techniques, with additional coloring completed by hand.

Its botanical illustrations were produced using engraving and color-printed mezzotint techniques, with additional coloring completed by hand.

Its botanical illustrations were produced using engraving and color-printed mezzotint techniques, with additional coloring completed by hand.

Its botanical illustrations were produced using engraving and color-printed mezzotint techniques, with additional coloring completed by hand.

Published at a time when engraved reproductions played a vital role in bringing important works of art to a wider audience, this large-scale mezzotint stands as a significant example...

Mezzotint engraving realizd by  William Greatbach after the celebrated painting by John Martin.

Van Amstel famously invented a secretive technique designed to flawlessly mimic the texture of chalk and watercolor drawings by employing a combination of sophisticated aquatint, mez...

Fitzwilliam Museum, Cambridge, P 1521955: John Young after John Hoppner, Lady Anne Lambton and Children, mezzotint, proof before all letters, 1799. Toledo Museum of Art, 1951 497: J...

A virtuoso across multiple media, he excelled in delicate etchings, rich mezzotints, and bold lithographs.Pennell became famous for documenting the rapid dawn of the machine age.

Sir George Clausen RA, British (1852 – 1944) The Rickyard, A Sunny Day Oil on canvas Signed lower right Canvas size 24 x 20 inches Framed size 32.5 x 29 inches Provenance: Private ...

The composition is derived from the popular English mezzotint The Contemplative Charmer, first published in London by Carington Bowles in 1779 and subsequently by Robert Sayer and Jo...

Mezzotint realized by Friedrick Fleischmann after Correggio, in the late 19th Century.

The present portrait corresponds exactly to a known composition engraved by the eminent mezzotint engraver John Smith, whose print of Prince George bears the inscription “G.

Turner designed and etched the plate himself, and the sepia gradations of tone were added through mezzotint by Charles Turner (1773-1857). The composition depicts a charming rural sc...

This indicates a mixed-method engraving, where an intaglio technique is combined with mezzotint. It was a common practice by British engravers and was referred to as “the English man...

The sepia gradations of tone were added through mezzotint by Charles Turner (1773-1857). The composition depicts the Greek hero Jason stealing up on the dragon he must outwit to seiz...

The plates were made by the mixed method that distinguishes the Phytanthoza from every earlier botanical book: etched and engraved outlines combined with mezzotint tone, printed in c...

From 1905, He began to produce etchings and mezzotints of towns and landscaped which were exhibited at the Royal Academy.

Mezzotint with etching, stipple, and roulette work on woven paper.

George Brookshaw’s brother, Richard Brookshaw (1736—c.1804) was a portrait painter and engraver well versed in mezzotint and copperplate engraving techniques, and may have instructed...

George Brookshaw’s brother, Richard Brookshaw (1736—c.1804) was a portrait painter and engraver well versed in mezzotint and copperplate engraving techniques, and may have instructed...

George Brookshaw’s brother, Richard Brookshaw (1736—c.1804) was a portrait painter and engraver well versed in mezzotint and copperplate engraving techniques, and may have instructed...

The Dean of Westminster Bringing the Crown – Coronation of George IV, 1821 – Stipple and Mezzotint in Colours by Sir George Naylor A finely executed stipple and mezzotint engraving ...

Highmore’s later three-quarter-length portrait of Prince William, Duke of Cumberland - who was installed to the order when aged only four - is untraced, and is only known from the me...

The work was extremely popular and was reproduced as a mezzotint and etching by the fine printmaker Charles Turner in the same year, hand coloured versions such as this example in th...

These images were widely reproduced as photogravures, mezzotints, and colored etchings.

Some of his mezzotints are: "An Early Riser," a stag seen through the morning mists, "Grayling Fishing" and "A Salmon Pool on the Spey."

Each handsome lithograph showcases a print of an 18th century Mezzotint by John Smith in London and after the original early 16th century paintings by Titian.

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique pair of framed 18th century first edition Phytanthoza Iconographie botanical hand colored mezzotint engraving...

Stunningly rendered and impeccably created in the mezzotint process, this framed piece is one of few left.

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique set of six framed 18th century first edition PHYTANTHOZA ICONOGRAPHIE botanical hand colored mezzotint engrav...

Sight: 45 ½ by 27 ½ inches Frame: 53 by 35 inches Line, stipple and mezzotint engraving. Published by William Lucas & Co., London, 1869.

The work was extremely popular and was reproduced as a mezzotint and etching by the fine printmaker Charles Turner in the same year, hand coloured versions such as this example in th...

'Antirrhinum Orontium' Mezzotint printed in colours. Circa 1740. From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45.