Antique Mezzotints

John Colborne, 1st Baron Seaton Mezzotint by James Scott (1809-1889) after GW Fisher (1817-1895) . 1864.

An 18th century color printed in addition to hand colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering amaranthus p...

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame.

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame.

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame.

This is a striking original antique colored botanical mezzotint and line engraving of two varieties of corn or maize, which is finished with hand-coloring.

This striking hand-colored botanical mezzotint and line engraving is entitled "Gnaphalium, Gossypium (Cotton Plant)".

This striking hand-colored botanical mezzotint and line engraving is entitled Malus domestica, Pomier, Apfelbaunt (Apple)".

Original aquatint engraving of working river barges on the Seine in Paris, France. A horse drawn cart is seen loading or unloading product. Circa 1900. Signed by the artist in penc...

"The Seven Sisters" is a mezzotint etching on light wove paper, "Rye from the Hills" is an etching on watermarked laid paper, and "Pett Level" is an etching with aquatint on laid pap...

An 18th century hand colored botanical engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering sage plants: a. Horminum Peregrinum Foliis Salvice, b. Hormi...

This is a self portrait of a young woman who is the wife of the artist. Francisco Souto was born in Venezuela, and received a BFA from Herron School of Art and a MFA from The Ohio ...

Magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora.

Aquatint and mezzotint, printed in colours and finished by hand, heightened with gum arabic, from The Temple of Flora.

Magnificent print by Robert John Thornton. Aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora.

A magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora.

This 18th-century oil on panel by Giovanni Battista Piazzetta served as the direct master source for period engravings, including the famous mezzotint by Johann Gottfried Haid. No si...

Wonderful equestrian portrait of Henry Lascelles, 3rd Earl of Harewood Mezzotint on paper. Laid on to canvas Published C.1840 Original birds eye maple frame Slight chip to the pa...

Artist / Maker: Johann Wilhelm Weinmann (1683–1741) Publication: Phytanthoza Iconographia Plate: No. 93 Date: circa 1737–1745 Medium: Color-printed mezzotint and engraving with h...

Van Amstel famously invented a secretive technique designed to flawlessly mimic the texture of chalk and watercolor drawings by employing a combination of sophisticated aquatint, mez...

Published at a time when engraved reproductions played a vital role in bringing important works of art to a wider audience, this large-scale mezzotint stands as a significant example...

Mezzotint engraving realizd by  William Greatbach after the celebrated painting by John Martin.

A virtuoso across multiple media, he excelled in delicate etchings, rich mezzotints, and bold lithographs.Pennell became famous for documenting the rapid dawn of the machine age.

The composition is derived from the popular English mezzotint The Contemplative Charmer, first published in London by Carington Bowles in 1779 and subsequently by Robert Sayer and Jo...

Sir George Clausen RA, British (1852 – 1944) The Rickyard, A Sunny Day Oil on canvas Signed lower right Canvas size 24 x 20 inches Framed size 32.5 x 29 inches Provenance: Private ...

This indicates a mixed-method engraving, where an intaglio technique is combined with mezzotint. It was a common practice by British engravers and was referred to as “the English man...

Mezzotint realized by Friedrick Fleischmann after Correggio, in the late 19th Century.

Turner designed and etched the plate himself, and the sepia gradations of tone were added through mezzotint by Charles Turner (1773-1857). The composition depicts a charming rural sc...

The sepia gradations of tone were added through mezzotint by Charles Turner (1773-1857). The composition depicts the Greek hero Jason stealing up on the dragon he must outwit to seiz...

George Brookshaw’s brother, Richard Brookshaw (1736—c.1804) was a portrait painter and engraver well versed in mezzotint and copperplate engraving techniques, and may have instructed...

George Brookshaw’s brother, Richard Brookshaw (1736—c.1804) was a portrait painter and engraver well versed in mezzotint and copperplate engraving techniques, and may have instructed...

George Brookshaw’s brother, Richard Brookshaw (1736—c.1804) was a portrait painter and engraver well versed in mezzotint and copperplate engraving techniques, and may have instructed...

Highmore’s later three-quarter-length portrait of Prince William, Duke of Cumberland - who was installed to the order when aged only four - is untraced, and is only known from the me...

Hoppner was a master of this sentiment, and his compositions were widely reproduced via mezzotints, which served as the "patterns" for talented needlewomen.

From 1905, He began to produce etchings and mezzotints of towns and landscaped which were exhibited at the Royal Academy.

Mezzotint with etching, stipple, and roulette work on woven paper.

The Dean of Westminster Bringing the Crown – Coronation of George IV, 1821 – Stipple and Mezzotint in Colours by Sir George Naylor A finely executed stipple and mezzotint engraving ...

The present portrait corresponds exactly to a known composition engraved by the eminent mezzotint engraver John Smith, whose print of Prince George bears the inscription “G.

The work was extremely popular and was reproduced as a mezzotint and etching by the fine printmaker Charles Turner in the same year, hand coloured versions such as this example in th...

Some of his mezzotints are: "An Early Riser," a stag seen through the morning mists, "Grayling Fishing" and "A Salmon Pool on the Spey."

These images were widely reproduced as photogravures, mezzotints, and colored etchings.

Each handsome lithograph showcases a print of an 18th century Mezzotint by John Smith in London and after the original early 16th century paintings by Titian.

During that period he made many etchings, dry-points, and mezzotints, as well as paintings. In the late 1870s he also became interested in the craft of cloisonné enameling.

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique pair of framed 18th century first edition Phytanthoza Iconographie botanical hand colored mezzotint engraving...

The process was derived from the 18th century mezzotint process. Many examples have not survived owing to their fragile nature.

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique set of six framed 18th century first edition PHYTANTHOZA ICONOGRAPHIE botanical hand colored mezzotint engrav...

Stunningly rendered and impeccably created in the mezzotint process, this framed piece is one of few left.

The engraver Bartholomäus Seuter (whose initial "S" appears in the lower right) combined etching with mezzotint printed in color, which was then meticulously finished with hand-color...

The work was extremely popular and was reproduced as a mezzotint and etching by the fine printmaker Charles Turner in the same year, hand coloured versions such as this example in th...

Sight: 45 ½ by 27 ½ inches Frame: 53 by 35 inches Line, stipple and mezzotint engraving. Published by William Lucas & Co., London, 1869.

'Antirrhinum Orontium' Mezzotint printed in colours. Circa 1740. From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45.

Anne, Viscountess Townshend, reproduced by Goupil & Co from the mezzotint by Valentine Green after Sir Joshua Reynolds 1907.

'Acarna Theophrasti' and 'Acer Campestre minus' Mezzotint printed in colours. Circa 1740. From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45.

Blooteling, best known for his innovations in mezzotint, was also active as an engraver and publisher of high-quality reproductive prints after leading Dutch masters.

George Brookshaw’s brother, Richard Brookshaw (1736—c.1804) was a portrait painter and engraver well versed in mezzotint and copperplate engraving techniques, and may have instructed...

He worked in many manners, etching, dry point, mezzotint, sand-ground mezzotint, and burin engraving.

Phytanthoza Iconographia was groundbreaking in its use of mezzotint combined with line engraving, a technique that allowed for remarkable shading and depth in the depiction of flower...

This training revealed his natural artistic talents and during his early career he established himself as a successful mezzotinter, reproducing works by other artists. Ward started ...

Print, half-length portrait of Sir John McMahon, mezzotint by Charles Turner after Thomas Lawrence, 1815.

This drawing is the original sketch for one of the heads depicted in Frye's collection 'Twelve Mezzotint Prints' of 1760 and it can be assumed that this pastel work was created earli...