Antique Mezzotints

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is

Le Matin (Morning) Mezzotint, 1886 Signed and dated in the plate (see photos) Edition: at least 650

THE GAMESTERS and THE FORTUNE TELLER. A wonderful pair of color printed mezzotint engravings after

This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm

Moody, mysterious, majestic – these are some of the ways to describe the mezzotints of Frederick

This is an original antique hand-colored botanical mezzotint and line engraving of flowering

This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm

An 18th century color printed in addition to hand colored botanical mezzotint and line engraving by

This is an original antique colored botanical mezzotint and line engraving of a flowering Betel Nut

This is an original antique colored botanical mezzotint and line engraving of flowering Red

This is an original antique colored botanical mezzotint and line engraving of banana plants, which

This is an original antique colored botanical mezzotint and line engraving of flowering Gas Plants

This is an original antique colored botanical mezzotint and line engraving of flowering Red Sweet

John Colborne, 1st Baron Seaton Mezzotint by James Scott (1809-1889) after GW Fisher (1817-1895

This is a striking original antique colored botanical mezzotint and line double page engraving of

techniques, including aquatint, mezzotint, stipple and line engraving methods. It was printed in color and

This is a striking original antique colored botanical mezzotint and line engraving of two varieties

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia

This striking hand-colored botanical mezzotint and line engraving is entitled "Gnaphalium

This striking hand-colored botanical mezzotint and line engraving is entitled Malus domestica

Original aquatint engraving of working river barges on the Seine in Paris, France. A horse drawn cart is seen loading or unloading product. Circa 1900. Signed by the artist in penc...

Medium: Set of Three Original Etching, Aquatint, and Mezzotints on watermarked soft cream wove and laid

An 18th century hand colored botanical engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering sage plants: a. Horminum Peregrinum Foliis Salvice, b. Hormi...

This is a self portrait of a young woman who is the wife of the artist. Francisco Souto was born in Venezuela, and received a BFA from Herron School of Art and a MFA from The Ohio ...

Aquatint and mezzotint, printed in colours and finished by hand, heightened with gum arabic, from

Magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished

A magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished

Magnificent print by Robert John Thornton. Aquatint and mezzotint, printed in colour and finished

mezzotint by Charles Turner (1773-1857). The composition depicts a charming rural scene with several figures

gradations of tone were added through mezzotint by Charles Turner (1773-1857). The composition depicts the

Mezzotint realized by Friedrick Fleischmann after Correggio, in the late 19th Century. Not signed

1790s mezzotint after John Hoppner, R.A. Framing: Presented in a substantial, period-style gilded frame

. From 1905, He began to produce etchings and mezzotints of towns and landscaped which were exhibited at

1803. The work was extremely popular and was reproduced as a mezzotint and etching by the fine

of mezzotint engraving, with a measure of the same success that he had already achieved in pure

The Dean of Westminster Bringing the Crown – Coronation of George IV, 1821 – Stipple and Mezzotint

color-printing technique (a precursor to full color printing involving mezzotint) that was successfully

. John’s Wood, London. During that period he made many etchings, dry-points, and mezzotints, as well as

Mezzotint with etching, stipple, and roulette work on woven paper. Good conditions.

handsome lithograph showcases a print of an 18th century Mezzotint by John Smith in London and after the

mezzotint engraver John Smith, whose print of Prince George bears the inscription “G. Kneller pinxt

) combined etching with mezzotint printed in color, which was then meticulously finished with hand-coloring

marketable. These images were widely reproduced as photogravures, mezzotints, and colored etchings.

century first edition Phytanthoza Iconographie botanical hand colored mezzotint engravings of roses on

process was derived from the 18th century mezzotint process. Many examples have not survived owing to

century first edition PHYTANTHOZA ICONOGRAPHIE botanical hand colored mezzotint engravings on hand made

symbol. Middle-class needleworkers often sought out printed patterns or mezzotints of grand houses to

Cottage Wife, painted in 1803. The work was extremely popular and was reproduced as a mezzotint and

, Richard Brookshaw (1736—c.1804) was a portrait painter and engraver well versed in mezzotint and

innovations in mezzotint, was also active as an engraver and publisher of high-quality reproductive prints

. Throughout his life, Pennell created over 900 etchings and mezzotints, along with more than 600 lithographs

This beautifully preserved hand-tinted mezzotint of William Innes and caddy, engraved by Valentine

). Large piece. Sight: 45 ½ by 27 ½ inches Frame: 53 by 35 inches Line, stipple and mezzotint engraving

published as mezzotints were extremely popular. The drawings betray Mortimer’s interest in certain

of the plates. Phytanthoza Iconographia was groundbreaking in its use of mezzotint combined with