Antique Molding

George III mahogany secretary, circa 1800. The pediment with dental moldings, two glass doors with

with beehive design and cock beaded moldings, single board sides, resting on slightly splayed feet

molding pinned in place makes an attractive crown. The drawer fronts are plain, with wooden knobs and

and string inlay decorated Mahogany case with dental molding and decorative twisted columns on the

bold turned bosses and geometric moldings. The interior retains an old painted surface in terra cotta

giltwood molding, distinguished by its rich, deep grain and refined curvature. It remains in good condition

subtle molding details. The four spacious drawers are accented with ornate metal pulls and keyholes

classic feature of the period, and stands on sturdy bracket feet. With its clean lines, subtle molding

with lower molding and exaggerated pierced spandrels, standing on square legs, the outer edges with

by two crown moldings, halted by a round, arched column, supported by a stretcher base, standing on

soft wood and simply decorated with Oriental motifs and egg-and-dart moldings. Fitted with five

ogee molding pinned to the underside of the overhang forms a substantial crown. The front corners bear

a silk-lined back. The lower doors are applied with half-round moldings which are also found on the

top, supported by three legs joined by crosspieces, featuring refined moldings reminiscent of plant

columns, capitals and a triangular pediment with Dentil molding. Still today recognized as one of the most

, white and black. The top of the Pinewood furniture has a white aged molding with a simple finely carved

slip surrounded by a heart-and-dart outer molding

-cut dovetails on the top with a classic ogee molding, pegged in place, forming the bold crown. The

top has a peripheral linear molding of stylized drapery swags, and beneath this is another linear

architectural American mantel of the early 19th century, distinguished by its subtle molding hierarchy and

molding decoration and carving that was made more than 100 years ago. The top is made of two boards with

plinth molding around base. Finished on the back and so suitable for placement facing room entrance

. Similar carvings adorn the pilasters and the mullions, with elongated oval moldings that surround a

hand-cut dovetailed drawers. The drawers are faux paneled. A rectangle of ogee molding forms the

18th century Italian Station of the Cross wood fragment with Vanadinite. The hand-carved molding

a darker blue over orange on interior, having a crown molding above an open section with three

. Features a copper hexagonal lantern top with spire finial over fluted molding and beveled glass inserts

raised foliate, flowers and egg and dart molding. Dimensions: 30"w x 3" x 34"h, sans frame 14.75' x

A carved and gilt wood wall mirror with layered molding, bead and leaf detail, and inner engraved

buildings beyond. Measures 12 3/4" x 9 3/8" overall. Framed in a thin ebonized black wood molding. Good

underneath–adding warmth and texture to the rectilinear design. The molding exhibits a delightful

handsome frame with etched gilt decoration on all four corners. Original gilt wood liner moldings as well

perimeter molding that adds refinement and decorative character. Its compact scale makes it ideal as a side

with egg and dart molding, and a beveled mirror flanked by diamond medallions. Dimensions: 34" x 22

arch shaped top has an inserted original mirrored and heavy moldings in a natural wooden finish. The

the base, two wide feet elevate and protect the elegantly styled molding and modern mirror plate

door and Roman numeral dial, flanked by molded surrounds. The case features dentil molding at the

with typical hand-carved moldings. The top half of the cabinet has two molded panel doors with lock and

noted by the elongated doors with thick molding. Each door features a triad of gracefully contoured burl

crisply defined ebonized frame. The rectangular form is structured with clean, stepped moldings, framing a

and close, drawers flanked by brass inlaid stiles. All drawers with brass moldings, pulls and

painted fillets in dark tones, accented by red chromatic highlights along the uprights and moldings. The

molding, which is unusual, as this part of the table is not generally seen. The platter sits atop two

"miantiao gui," or noodle cabinet, named for the rounded, noodle-like molding of the legs and frame. The

the rectilinear sides are softened by panels with high-arching en chapeau molding. The front apron has

framed in period molding. Excellent condition, ready to hang and enjoy.

the richly carved edge molding and the handles with lion mask escutcheons. Knee clearance: 23 1/2"

framed with delicate molding, fluted rounded corner posts, tapered legs, and brass ring pulls with

front and side edges, two top drawers and three graduated lower drawers all with cocked beaded moldings

design, beaded inner molding, and the original mercury glass plate, giving the piece wonderful depth

-molding clay before automated mass production became the global standard. Shown with life size hand model

are trimmed with a tasteful molding detail, repeated on the drawers and on the center stile between

finished with a warm, luminous gilt patina. The wide molding adds strong decorative presence, making the

choice. The sides are elegantly paneled, and the whole is finished with decorative moldings. Due to its

Philippe style, enclosing the original mirror glass. Etched into the molding is an elegant, scrolling

solid European pinewood with beveled inset panels, original iron hardware and decorative molding in

wood molding with a ring at the back for hanging on the wall. Small size - measure 5 1/2" x 4 1/4" x 1