Antique Musket

standing to attention with his musket by his side. ** The plinth is not included and has been used for

attire with a musket over his shoulder. This truly is a fascinating feature for an empty window where

Austrian enemy during battle, his musket held proudly while the ranks of soldiers surge forward behind him

canvases, depict scenes of a brawl (rather than battles) between brigands. Musket fire, mismatched attire

soldiers, muskets, and game. The dark, weathered colors and, of course, the imposing size give the object

, with uniformed soldiers crossing a river in a small boat while engaging in musket fire. Smoke rises in

plumes, muskets resting on their shoulders. Two soldiers are meticulously finished while the others are

proud grenadier of the Royal Guard standing in full uniform, musket in hand, with his regiment assembled

from three musket shots. The work is symbolic of the heroism and martyrdom of Wolfe who died on the

scene depicts a lively hunting narrative: a huntsman in period dress takes aim with his musket at a

huntsman dressed in Louis XV attire, holding a musket in his left hand while shading his eyes with his

young woman, leaning against the wall, holds a long musket, her attitude dignified and guarded. Nearby

Bonaparte’s Grande Armée. The figure is shown standing guard with musket and bayonet, wearing the

, with a second knife secured in his belt. A musket is balanced over his shoulder, and a small gazelle is

shouldered musket. This tile was salvaged from the famous Palm Beach Gilded Age mansion, Playa Riente, owned

, distinguished by their tall shakos with plumes, muskets with fixed bayonets, and carefully rendered campaign

accoutrements, including saber, musket, and rolled equipment. The powerful horse and poised posture emphasize

of the Napoleonic Wars. The hussar is shown riding at speed, musket raised, wearing the highly

,” shown seated contemplatively on a stone bench with his musket resting at his side. Issued in 1843, the

July Monarchy period. The figure is shown standing at ease, musket grounded, wearing the distinctive

Voltigeur in conversation. Both figures wear full campaign equipment, including muskets, packs, and shakos

shown in full standing uniform, resting his musket beside a low stone wall, set within a sparse

shown in active combat posture, musket raised, wearing the characteristic tall bearskin cap with colored

, each showing a continuous line of guardsmen standing at attention with muskets held upright. At the

command across Europe. The composition shows Polish infantry in action, advancing with muskets amid a

with plumes, cross-belts, muskets, gaiters, and the distinctive color palette of the Guard, making them

are depicted standing at attention with muskets and bayonets, while drummers appear with regulation

Guard infantry from line regiments. The musket carried at rest emphasizes the soldier’s role as heavy

uniform with musket. Presented in an oval gilt metal frame with red oval mount. Unsigned. On paper.

soldier with his gear bag behind him on the ground while he is smoking a pipe and relaxing on his musket

musket, rendered with remarkable attention to uniform details such as the epaulettes, crossbelt, and the

musket, carries baskets filled with oranges and produce — a vivid representation of the rural trade

fringed sash and shawl draped over his shoulder. A wide-brimmed hat adorned with tassels and a musket

at the top to elongated muskets and staffs at the center, and finally down to richly ornamented

Caucasus. The second stands beside him in a fur-lined coat and white turban, armed with a musket and sword

musket, firing on soldier on horseback, killing him, he is leaning back, holding his sword. In

charm and historical grandeur. A loyal hunting dog rests under his gloved hand while a musket rests at

muskets with fixed bayonets, along with full marching kit including knapsacks, cartridge boxes, and rolled

is strapped to his back. His stance, with musket slung and head turned slightly forward, conveys

infantrymen in the field. One soldier, still loading his musket, asks his sergeant for help, while the

disciplined formations unleash volleys of musket fire, while fallen soldiers and scattered weapons litter the

shaped as soldiers, muskets, pikes, trumpets, and other musical instruments. Several pieces are numbered

admiral's or senior officer's ship, and is answered by the muskets of the sentries in the other ships. The

. Set in a mountainous forest landscape, the scene shows a man leaning on his musket while gesturing in

, or simply conversing. Neatly stacked cannonballs, barrels, and muskets line the room, while climbing

armed with a musket, showing the essential blend of technical and combat roles within the Imperial Guard

right corner the stacked muskets may be plainly seen; possibly it was in order to cover them that the

his musket. Signed by the artist. Literature: Dumaige (1830-1888) Parisian born, showed at the

tranquility of nature. Skillful lighting draws the eye to the central figures, their muskets resting as they

short sword and an abundantly feathered domed helmet, in one he holds a musket in his left hand and in

square. One man shoots a musket at the lion while others flee in panic. This print originates from 'Oud

infantry squares with pikes and muskets, while cavalry units charge between them. On the right are the

his musket. Dumaige studied sculpture under Féuchère and Dumont. He exhibited his sculptures

1792. One of the soldiers is an infantryman smoking a pipe, relaxing on his musket after the battle

musket. Their expressions are stoic, their strides uniform, reinforcing the reputation of Swiss militias

an early firearm—likely an arquebus or matchlock musket—symbolizing the technological shift from bows

clashing with the royalist forces, with plumes of smoke filling the air from musket fire, while civilians