Antique Naples

, original from the 18th century, coming from a noble villa in Naples (Italy), it was the majestic entrance

is attributed to the Giorgio Sommer Foundry, Naples. At a similar scale to the antique, it is larger

Tallec was a member of the French section of the Academy of Fine Arts in Naples. For his talent, he

, Naples but also in Bologna, he is the dominant figure of the School of Bologna, which emerged under the

), 6th Marquis d'Aligre, Chamberlain to Caroline Bonaparte, Queen of Naples (1808 to 1815), from 1803

prize winner at the prestigious Accademia di San Luca in Rome, before continuing his career in Naples

Naples, he is famous for having frescoed the Royal Palace of Caserta. His works are characterized by

-colored engraving portrays a lady of the court of René d’Anjou (1409–1480), Duke of Anjou, King of Naples

Francesco or Pietro Graziani (active Naples/Rome, 17th–18th Century) Neapolitan Battle Scene, 17th

. Independently, she worked in Florence, Naples, Vienna, St. Petersburg, and Berlin before returning to France

’ uncovered in Pompeii circa 1823-1826, now housed in the Naples Archaeological Museum. The bronze figure

, Bologna, Florence and Naples to prepare his frescoes in Milan, which he completed from 1793 to 1795. After

. At the age of twelve, he was admitted to the Institute of Fine Arts in Naples, where he studied under

carve than shell which is a significantly softer material. Most shell cameos were carved in Naples

Francesco Graziani, called Ciccio Napoletano (active Naples, late 17th–18th century) Battle Scene

pittoresque, ou description des royaumes de Naples et de Sicile (1781-86, pubblicato con la collab. di D

pittoresque, ou description des royaumes de Naples et de Sicile (1781-86, pubblicato con la collab. di D

Hendrick van Somer o Someren o de Somer (Lokeren, Belgium, 1607 - Naples, Italy, 1656) Title: Saint

Cremona, Rome, and Naples; all fused with a sentimental and idyllic tone that made his works popular among

collections. Mount Vesuvius is a somma-stratovolcano located on the Gulf of Naples in Campania, Italy, about

Herculaneum in the Kingdom of Naples (now Campania, Italy).  It was published between 1757 and 1792 by the

Italian Rococo Gilt Bronze-Mounted Walnut and Fruitwood Inlaid Commode Naples, Circa 1760 An 18th

carve than shell which is a significantly softer material. Most shell cameos were carved in Naples

Tritons defending Nereids. Oil on glass (reverse). Possibly Italian school (perhaps Naples), late

Academy. From 19 to 25, he studied in Rome, Naples, London and New York and had also travelled as far

-1824, cited in N. Spinosa and L. Di Mauro, Vedute napoletane del Settecento, Naples, 1993, p. 204). Of

DRAWING OF NAKED MAN - Study of light by Gennaro Luciano, Naples, 1920, with ebony frame. Cm.65x48.

wrote that in Naples he had seen "at the home of Lord Duke della Torre, nephew of Lord Cardinal

the 1st century B.C. Possibly made by the renowned F. Chiurazzi Foundry in Naples in the late 19th

1819 etching, titled "Pilgrims, Costumes of Naples," captures a poignant moment of devotion in 19th

single stay between 1842 and 1844; He discovered the Ligurian coast, Tuscany, Naples, and, of course

-century Naples, where attention to materials and ornamentation was paramount. Ideal for a bedroom, living

Collection. Description: A walnut figure modelled on the bronze ‘Narcissus’ found in Naples 1862, now more

is attributed to the Giorgio Sommer Foundry, Naples. Though smaller than the antique, it is larger in

Southern Italian View of a Town Attributed to Salvatore Balsamo (Naples, 1894–1922) Late 19th

. Acquired from a Naples estate

Giustiniani manufactory in Naples. These refined serveware pieces exemplify the zenith of Neapolitan ceramic

- 1814) Marble Naples, Italy 18th Century SIZE: Male: 36cm high - 14¼ ins high Female: 36cm high

Onofrio Loth (Naples, Italy, 1665 – 1717) Title: Still life Medium: Oil on canvas Dimensions

Herculaneum in the Kingdom of Naples (now Campania, Italy).  It was published between 1757 and 1792 by the

miles’. Jura was sold to Italian owners Raffaele Ferraro of Naples in 1901 and foundered off of Peru

, original from the 18th/19th century period. Origin Naples, push opening, simple lacquered back. Slightly

Herculaneum in the Kingdom of Naples (now Campania, Italy).  It was published between 1757 and 1792 by the

Naples (now Campania, Italy).  It was published between 1757 and 1792 by the Regia Stamperia, and copies

surroundings of Naples with figures in the foreground and Vesuvius in the background. This artwork, never

Accademia di Belle Arti in Naples. Signed lower right. Italy, circa 1880’s. Dimensions: 8.5" W x 11.5" H

now in the National Archaeological Museum in Naples. This figure has an attached marble base which may

Herculaneum in the Kingdom of Naples (now Campania, Italy).  It was published between 1757 and 1792 by the

Naples (now Campania, Italy).  It was published between 1757 and 1792 by the Regia Stamperia, and copies

Naples (now Campania, Italy).  It was published between 1757 and 1792 by the Regia Stamperia, and copies

Naples (now Campania, Italy).  It was published between 1757 and 1792 by the Regia Stamperia, and copies

Naples (now Campania, Italy).  It was published between 1757 and 1792 by the Regia Stamperia, and copies

Naples (now Campania, Italy).  It was published between 1757 and 1792 by the Regia Stamperia, and copies

Naples (now Campania, Italy).  It was published between 1757 and 1792 by the Regia Stamperia, and copies

Herculaneum in the Kingdom of Naples (now Campania, Italy).  It was published between 1757 and 1792 by the

Naples (now Campania, Italy).  It was published between 1757 and 1792 by the Regia Stamperia, and copies

Naples (now Campania, Italy).  It was published between 1757 and 1792 by the Regia Stamperia, and copies