Antique Obi

Very large (188") hand woven silk brocade Obi.

A rectangular bolster pillow, made out of an early 20th century Japanese Silk Obi. The Obi is the

A knife-edge rectangular accent pillow, made out of an Early 20th century Japanese Silk Obi. The

A knife-edge rectangular accent pillow, made out of an Early 20th century Japanese Silk Obi. The

A knife-edge rectangular bolster pillow, made out of an Early 20th century Japanese Silk Obi. The

It does not come with an insert. Linen in the back. Zipper Closure. Dry Cleaning is reccommended.

This is a Maru Obi made in Japan around 1920s. Obi is a belt of varying size and shape worn with

Beautiful bronze figure of a standing Japanese geisha in a traditional kimono with an obi. The

A magnificent antique Japanese silk obi fragment from the Meiji period (1868–1912), showcasing

<> This canvas has been upcycled from an early 20th-century maru-obi, featuring a subtle yet

<< Story behind the work >> Obi fabric I used for this artwork is taken from three

with an obi. This geisha is exceptionally cast with immense detail. Starting from the head, the

This is a Fukuro Obi made in Japan around 1920s. Obi is a belt of varying size and shape worn

objects were carried in small boxes (sagemono) attached to the sash (obi). To prevent these from slipping

suspended from the obi (kimono sash) and were used to carry small personal belongings. Typically composed of

the belt (obi) of the kimono, this would secure any type of sagemono and help tighten the link between

, everyday items were carried in small boxes (sagemono) attached to the sash (obi). To prevent these from

, everyday objects were carried in small boxes (sagemono) attached to the sash (obi). To prevent these from

objects were carried in small boxes (sagemono) attached to the sash (obi). To prevent these from slipping

firmly in place a netsuke was notch into the belt (obi) of the kimono, this would secure any type of

traditional Japanese personal container, originally worn suspended from the sash (obi) of a kimono. Because

inrō is a traditional Japanese personal container, worn suspended from the sash (obi) of a kimono

suspended from the sash (obi) of a kimono. Because traditional garments had no pockets, small items such as

greater set called sagemono. In order to be kept firmly in place a netsuke was notch into the belt (obi

place a netsuke was notch into the belt (obi) of the kimono, this would secure any type of sagemono and

into the belt (obi) of the kimono, this would secure any type of sagemono and help tighten the link

wearing military armor with signature dragon on his breastplate ,brocade patterning of his thick obi tie

as those seen in kimono and obi sashes. This plate was produced in Paris around 1869 by the famed

fasteners for pouches and other containers that were hung on the sash (obi 帯) of a kimono. As time

it to an obi (sash). Measuring, .7/8" high x 2.1/8" wide x 1" deep. In good overall condition and

and a design of snow-clad bamboo. Her elaborately tied obi, or sash, has a scrolling floral pattern

(sagemono) hung on the belt (obi). To prevent them from slipping, a netsuke, a small wooden or ivory

, which were hung by cords from the obi.

, which were hung by cords from the obi.

fasteners for pouches and other containers that were hung on the sash (obi 帯) of a kimono. As time

, which were hung by cords from the obi.

, which were hung by cords from the obi.

, which were hung by cords from the obi.

, resulting in the development of containers known as sagemono, which were hung by cords from the obi.

-century Japan as simple button fasteners for pouches and other containers that were hung on the sash (obi

from the obi or belt. This particular example is heavily made with an ink compartment to one end with a

boxes (sagemono) hung on the belt (obi). To prevent them from slipping, a netsuke, a small wooden or

sagemono passed around the belt (obi). Inrō are often adorned with harmonious decorations and scenes

, which were hung by cords from the obi.

embossing (design in white collar), kinginzuri (design in blue obi and stripes in black kimono of the

in the platforms she is standing on. Her obi is also done with a green polychrome with gilt accents

pattern, and lined motif pattern are woven together to create a kilim that looks like an obi. The pattern

, and lined motif pattern are woven together to create a kilim that looks like an obi. The pattern of

pattern, and lined motif pattern are woven together to create a kilim that looks like an obi. The pattern

boxes (sagemono) hung on the belt (obi). To prevent them from slipping, a netsuke, a small wooden or

seals, medicine, and other small items. They were hung from the obi, and secured with netsuke and ojime

, contrasted with a darker obi (sash) tied around her waist. The lithograph has a decorative oval frame

the obi (sash) worn around the waist when wearing a kimono. They are often highly decorated with

on the obi (a broad sash) by men of the upper classes and were prized as collector’s items. Kajikawa

holding small objects, suspended from the obi (sash) worn around the waist when wearing a kimono. They are

, zashikikazari, kimono, prahran, japanesetextiles, stonningtongifts, kazarichristmas, obi, vintageobi

positions and dressed in jewel toned heavily patterned kimono, obi, and robes. I imagine this bed being used