Antique Obi

Very large (188") hand woven silk brocade Obi.

A knife-edge rectangular accent pillow, made out of an Early 20th century Japanese Silk Obi. The

A knife-edge rectangular accent pillow, made out of an Early 20th century Japanese Silk Obi. The

A knife-edge rectangular bolster pillow, made out of an Early 20th century Japanese Silk Obi. The

This is a Maru Obi made in Japan around 1920s. Obi is a belt of varying size and shape worn with

It does not come with an insert. Linen in the back. Zipper Closure. Dry Cleaning is reccommended.

Beautiful bronze figure of a standing Japanese geisha in a traditional kimono with an obi. The

A magnificent antique Japanese silk obi fragment from the Meiji period (1868–1912), showcasing

<> This canvas has been upcycled from an early 20th-century maru-obi, featuring a subtle yet

<< Story behind the work >> Obi fabric I used for this artwork is taken from three

with an obi. This geisha is exceptionally cast with immense detail. Starting from the head, the

This is a Fukuro Obi made in Japan around 1920s. Obi is a belt of varying size and shape worn

work> This artwork uses the obi (kimono sash) fabric from Meiji era, over 100 years old, to depict

the belt (obi) of the kimono, this would secure any type of sagemono and help tighten the link between

, everyday items were carried in small boxes (sagemono) attached to the sash (obi). To prevent these from

, everyday objects were carried in small boxes (sagemono) attached to the sash (obi). To prevent these from

objects were carried in small boxes (sagemono) attached to the sash (obi). To prevent these from slipping

inrō is a traditional Japanese personal container, worn suspended from the sash (obi) of a kimono

traditional Japanese personal container, originally worn suspended from the sash (obi) of a kimono. Because

order to be kept firmly in place a netsuke was notch into the belt (obi) of the kimono, this would

suspended from the sash (obi) of a kimono. Because traditional garments had no pockets, small items such as

firmly in place a netsuke was notch into the belt (obi) of the kimono, this would secure any type of

classical dance tradition. The long kimono and wide obi are adorned with floral motifs and feature finely

greater set called sagemono. In order to be kept firmly in place a netsuke was notch into the belt (obi

place a netsuke was notch into the belt (obi) of the kimono, this would secure any type of sagemono and

into the belt (obi) of the kimono, this would secure any type of sagemono and help tighten the link

decorated with red and yellow flowers on a black background, a large golden obi and wooden sandals. Her hair

as those seen in kimono and obi sashes. This plate was produced in Paris around 1869 by the famed

wearing military armor with signature dragon on his breastplate ,brocade patterning of his thick obi tie

motifs. Dressed in traditional Japanese style, she wears a short-sleeved kimono (tomesode) with an obi

fasteners for pouches and other containers that were hung on the sash (obi 帯) of a kimono. As time

and a design of snow-clad bamboo. Her elaborately tied obi, or sash, has a scrolling floral pattern

it to an obi (sash). Measuring, .7/8" high x 2.1/8" wide x 1" deep. In good overall condition and

(sagemono) hung on the belt (obi). To prevent them from slipping, a netsuke, a small wooden or ivory

fasteners for pouches and other containers that were hung on the sash (obi 帯) of a kimono. As time

, which were hung by cords from the obi.

, which were hung by cords from the obi.

, which were hung by cords from the obi.

, which were hung by cords from the obi.

, which were hung by cords from the obi.

-century Japan as simple button fasteners for pouches and other containers that were hung on the sash (obi

, resulting in the development of containers known as sagemono, which were hung by cords from the obi.

from the obi or belt. This particular example is heavily made with an ink compartment to one end with a

boxes (sagemono) hung on the belt (obi). To prevent them from slipping, a netsuke, a small wooden or

sagemono passed around the belt (obi). Inrō are often adorned with harmonious decorations and scenes

, which were hung by cords from the obi.

pattern, and lined motif pattern are woven together to create a kilim that looks like an obi. The pattern

, and lined motif pattern are woven together to create a kilim that looks like an obi. The pattern of

pattern, and lined motif pattern are woven together to create a kilim that looks like an obi. The pattern

embossing (design in white collar), kinginzuri (design in blue obi and stripes in black kimono of the

in the platforms she is standing on. Her obi is also done with a green polychrome with gilt accents

in small compartments known as inro. Hung from the obi sash belted around the waist and secured by

, contrasted with a darker obi (sash) tied around her waist. The lithograph has a decorative oval frame

boxes (sagemono) hung on the belt (obi). To prevent them from slipping, a netsuke, a small wooden or

seals, medicine, and other small items. They were hung from the obi, and secured with netsuke and ojime

the obi (sash) worn around the waist when wearing a kimono. They are often highly decorated with

on the obi (a broad sash) by men of the upper classes and were prized as collector’s items. Kajikawa