Antique Ottoman

—motifs deeply rooted in Persian and Ottoman visual culture. The outer border is filled with rhythmic

, masterfully rendered by Max Koch, presents a vibrant and symmetrical floral pattern characteristic of Ottoman

forms, characteristic of Iznik pottery and Persian faience from the classical Ottoman era. The plate’s

— motifs deeply rooted in the decorative vocabulary of Ottoman ceramics. The border, adorned with

borders, Ottoman frontier, British India frontier, colonial cartography, imperial rivalry, 19th century

visually balanced. Today, this engraving stands as a remarkable visual document of Ottoman-era Egyptian

counterpoint. Today, this work holds strong appeal for collectors of Middle Eastern history, Ottoman-era

green fancy ottoman. Note the detail to the flute. A plain background of the original cream colored pith

, green, and ivory, embodies the elegance of Ottoman Iznik pottery at its height. The dynamic interplay

creamy white evoke the brilliance of Ottoman faience, while the intricate linear ornamentation reflects

lithographs during the 1830s–1850s, especially during expeditions to Russia, the Crimea, and the Ottoman

19th century ottoman Moorish table. Antique fine example side table with a hexagon form inlaid with

patinated urn form candlesticks with ormolu mounts, Ottoman influenced horsehead handles, pomegranate

Italian gilt wood benches, ottomans, poufs, or stools have graceful lines and are a versatile pair ready

inspiration from design and the Italian Renaissance, with a clear Ottoman and Eastern influence. He was not

ottoman designed by Jules Leleu has beautifully curved legs and is professionally upholstered in a

, terra-cotta and silver molasses. Ottoman period or Japanese styl very decorative trim for curtain panels

Iznik (Ottoman), using a color palette marked by turquoise, cobalt blue, emerald green, and terracotta

1741 he painted a remarkably realistic portrait of the Ottoman sultan's embassy in Naples, a canvas

preserved in Transylvanian churches and castles. Recognized for their hybrid Ottoman-Christian aesthetics

enormous mansion sizes, to both the Turkish/Ottoman domestic markets and to exports into Britain, and

ottomans are beautifully carved on all sides with lovely dolphin feet. This pair is large enough for extra

Greek struggle against the Ottoman Empire. Medora — beautiful and sorrowful, among natural ruins and

This example belongs to a specific family of late Ottoman Turkish rugs known by the term of Kiz

surrounding geometric and floral motifs in the border add symmetry and rhythm characteristic of fine Ottoman

Premazzi, also russified as Ludwig Osipovich Premazzi.(Milan, 1814 – Istanbul, Ottoman Empire, 1891) was an

, especially during expeditions to Russia, the Crimea, and the Ottoman Empire. This work was created during

, after the region’s independence from Ottoman rule in the late 19th century, their designs tend to lean

century French Louis XIV style gilt wood bench, stool or ottoman. This antique French gilt wood tabouret

rugs from the Ottoman period called 'Large Pattern Holbein', and is characterised by an eight-spoke

Eastern Moorish style mosaic inlay tables. Outstanding very rare to find pair of Ottoman Turkish pedestal

wrought iron curule benches or ottomans with beautifully distressed leather seats. These outstanding rare

and its strategic role between Europe, the Ottoman world, and North Africa. Duke Maximilian, a

Fantastic patina on this 19th Century metal painted tray. We see this tray either on an ottoman or

wood bench, ottoman, stool or tabouret. Our beautiful antique French gilt wood bench was taken down to

lithographs during the 1830s–1850s, especially during expeditions to Russia, the Crimea, and the Ottoman

bench or ottoman. The finish is a lovely soft green with gilt accents and is currently upholstered in

Ottoman provinces of the Middle East; and Southeast Asia including Siam, Burma, Annam, Cochinchina, Borneo

. Reflect the British Colonial taste for Turkish and Ottoman furniture, Spanish, Islamic Moorish style

. This town has been a major weaving center for rug production since the reign of the Ottoman Empire

. This town has been a major weaving center for rug production since the reign of the Ottoman Empire

Ottoman times the dervishes were powerful, but Ataturk viewed the group as contrary to the modern

motifs that are found on 16th and 17th century Ottoman court rugs.

found on 16th and 17th century ottoman court rugs.

of Ottoman and French military traditions that defined this elite corps. The Mamelukes of the

present day, Kumkapı workshops, near the Great Palace of Ottoman Sultans, produced rugs, which rivaled

Ottoman influences, and this piece carries that tradition forward in a serene and minimalist fashion. Its

both Ottoman palaces and later Western interiors for its blend of elegance and warmth. A compact yet

, especially during expeditions to Russia, the Crimea, and the Ottoman Empire. This work was created during

double hooked vines. The narrow main border displays rosettes and stylized Ottoman hyacinths. Hand

lining and finely woven cotton borders demonstrate meticulous attention to detail. Rooted in the Ottoman

exciting new oversized addition to Rug & Kilim’s curations of this celebrated weaving tradition of Ottoman

Ottoman carpet art. Meticulously woven in the late 19th century, this carpet was produced using

engagement between Venetian and Ottoman forces in the Gulf of Venice. Published anonymously around 1770 and

expeditions to Russia, the Crimea, and the Ottoman Empire. This work was created during his collaboration

straddled historical borders between Ukraine, Moldova, and Romania under Ottoman and Russian influence. The

straddled historical borders between Ukraine, Moldova, and Romania under Ottoman and Russian influence. The