Antique Portfolio

This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company.

This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company.

There is no definitive number of editions created as Renoir's etchings were never printed in suites or published in portfolios, however dealers estimate 400–700 impressions were pull...

MoMA records the work in its original Arno Holz portfolio context and gives the edition as 100 plus 38 reserved impressions.

This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company.

This lovely sensual rare French Art Deco engraving from the coveted portfolio Chansons de Bilitis in the 1920s France is by the famed artist; George Barbier.

This impression on cream laid paper is from the edition printed in 1884 for the "French Etchers" portfolio and published in New York. Image size: 5 1/2 x 9 3/8 inches (142 x 237 mm).

This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company.

Lac D'Imba is a drypoint on Japon paper, etched on leather, by Georges Ferdinand Bigot (Paris, 1860 - 1927). From the portfolio Croquis Japonais, composed of 21 drypoints, published ...

The most significant woodcuts associated with Drewes's Bauhaus years are the portfolio Ecce Homo, a suite of ten expressionist woodcuts produced during his early Bauhaus period.

By the mid-1940s, Wilsdorf streamlined his portfolio, phasing out his disparate sub-brands in favor of a single, unified sister brand: Tudor.

MAX BECKMANN (1884 – 1950) THE BEGGARS (DIE BETTLER, 1922) (Glaser 195; Hofmaier 219B) Lithograph, Plate 7 from 11-part print portfolio "Berliner Reise" (Trip to Berlin) Edition ...

Presumably a proof aside from the edition of 100, published by Daniel Henry Kahnweiler, Paris, 1926, this work appeared in Picasso Dessins (Picasso Drawings), a deluxe portfolio publ...

This exceptional Cartier cigarette case would make a distinguished addition to any serious Cartier collection, luxury accessory collection, or antique gold object portfolio. Details...

Executed in 1865; this is a rich, dark impression on laid paper with full original margins from the 1872 edition of "The Portfolio" published in London by Seeley, Jackson & Halliday ...

A striking impression after one of Félicien Rops' most provocative Symbolist compositions, Le Calvaire, from the celebrated portfolio Les Sataniques. The composition juxtaposes the c...

He is celebrated for creating elegant, patinated bronze and mixed-metal figures that quintessentially embody the stylized geometric energy and romanticism of the Art Deco movement. ...

An original gelatin silver border photograph print by iconic American photographer Edward Curtis (1868-1952) famed for his North American Indian Portfolios. This work is titled "Pra...

The work was published in April 1893 in the second installment of André Marty’s celebrated portfolio L’Estampe originale. It was printed in an edition of 100 by the Paris lithographi...

During this period, she published the portfolio, Metal (Métal) (1928), a collection of 64 pictures of modernist iron giants, including cranes, railways, power generators, the Rotterd...

This impression on cream laid paper was printed in 1884 for the "French Etchers" portfolio, and published in New York. Image size: 9 x 11 3/4 inches (225 x 300 mm).

An unsigned pastel drawing, dating circa 1925, from one of the artist's sketchbook portfolios; Estate stamped on reverse. Provenance: Estate of the artist.

Printed in 1917 and published in Munich in an edition of 110 by Franz Hanfstaengl for the rare "Stella Peregrina" portfolio. Image size: 4 1/2 x 4 3/4 inches (115 x 120 mm).

An unsigned drawing from one of the artist sketchbook portfolios. Estate stamped on reverse. Provenance: Estate of the artist.

An unsigned drawing from one of the artist sketchbook portfolios. Estate stamped on reverse. Provenance: Estate of the artist.

An unsigned watercolor from the artist's sketchbook portfolios; Estate stamped on reverse. Provenance: Estate of the artist.

An unsigned watercolor from the artist's sketchbook portfolios; Estate stamped on reverse. Provenance: Estate of the artist.

Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London by Henry Bohn. Plate size: 7 x 10 inches (175 x 252 mm).

Comes from Audubon's famous seven volume portfolio "The Birds of America", (First Royal Octavo Edition) (1840-1844), which consists of 500 hand-colored lithographs.

Klinger designed the plate as an edition device or publisher’s vignette for the special artist’s editions of his early print portfolios, including Radierte Skizzen, Opus I and Rettun...

The Bauhaus portfolio from that year is in the permanent collection of the Metropolitan Museum or Art in New York City.

Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London by Henry Bohn. Plate size: 7 x 10 inches (177 x 254 mm).

This original large-format portfolio photogravure captures a rare glimpse into the cultural narrative of the Keres-speaking Sia Pueblo in New Mexico during Curtis's 1925 field session.

Artist: Henri Fantin-Latour (French, 1836-1904) Title: "Vérité (Truth)" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1900 (third state of three) Medium: Orig...

The British Driven From Boston by Allen Lewis is a powerful and dramatic engraving created circa 1932 for the landmark portfolio The Bicentennial Pageant of George Washington, issued...

His major graphic achievements include the portfolio Quelques Aspects de la vie de Paris and the illustrated books Parallèlement and Daphnis et Chloé.

Curtis Printed lower right: Photogravure John Andrew & Son Literature: The North American Indian (1907-1930), Portfolio 2, Plate 61. This work is universally considered by art...

Printed in 1919 for Das Kestnerbuch (a portfolio of original prints published during the height of the German Expressionist movement).

Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by ...

A lovely hand-colored etching showing the perspective plan of Venice, taken from the work Il Fiore di Venezia, a portfolio of Venetian paintings, monuments, views, and customs repres...

Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by ...

Printed in 1923 in an edition of 150 on Arches paper at the atelier Jacomet and published in Paris by Bernheim-Jeune for the rare "Renoir, peintre du nu" portfolio. Size: 15 x 11 inc...

Drawings of this kind were characteristically assembled into bound albums and portfolios for patrons and collectors, and the numbering and folded double-sheet format of the present w...

This exceptional Cartier cigarette case would make a distinguished addition to any serious Cartier collection, luxury accessory collection, or antique gold object portfolio. Details...

This prototype is published extensively in the period portfolio Le Sculpture Decorative Moderne. Circa 1925.

Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Gravees a L'Eau-Forte" portfolio. This impression is on cream laid paper and the plate size is ...

Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Gravees a L'Eau-Forte" portfolio. This impression is on cream laid paper and the plate size is ...

Duthuit-Garnaud 483 From the Portfolio of Ten Lithographs: “Dix Danseuses (ten dancers)” Lithograph on wove paper, c. 1927 Hand-signed and numbered in pencil in lower margin Impressi...

Artist: (Ernst) Max Pietschmann (German, 1865-1952) Title: "The Bather (Die Badende)" (Part II, Plate 7) Portfolio: Representative Art of Our Time *Issued unsigned Year: 1903 Medium:...

The work is part of the illustrated book  “ Le Portfeuille des Peintres-Graveurs Indépendants pour 1925 ” [The portfolio of painter-printmakers 1925]   by Christian Zervos, Éditions ...

Carl Zigrosser, later curator of prints at the Philadelphia Museum of Art, contributed the portfolio’s introduction. An impression and the complete portfolio are preserved by the Met...

Carl Zigrosser, later curator of prints at the Philadelphia Museum of Art, contributed the portfolio’s introduction. An impression and the complete portfolio are preserved by the Met...

Carl Zigrosser, later curator of prints at the Philadelphia Museum of Art, contributed the portfolio’s introduction. An impression and the complete portfolio are preserved by the Met...

This impression was published in Boston in 1887 by Estes and Lauriat for the "Nature and Art" portfolio and is printed on cream laid paper. Size: 4 3/4 x 6 7/8 inches (plate).

It is one of the thirty-four woodcuts included in the portfolio Small Woodcuts (Kleine Holzschnitte). The woodcut block were created by Orlik in 1896-1899 and they were printed in a ...

Romantic school, probably Germany circa 1850 Portrait of a Painter Sketching pencil on paper 23 x 17 cm Framed : 31 x 27 cm A bearded painter is shown seated in three-quarter profi...

Many impressions from the portfolio were printed on fine Rives paper, emphasizing the luxurious quality of the edition.

Gustave Dore, After by William Ridgway, French (1832 - 1883) - The Fairy-Circle, Portfolio: Guinevere, Year: 1867, Medium: Engraving, Image Size: 9.75 x 7.25 inches, Size: 16.5...

This impression was printed in 1882 on cream laid paper and published in Boston by Estes and Lauriat for the "Nature and Art" portfolio. Plate size: 7 3/8 x 4 3/4 inches (186 x 121 m...

Finden, French (1832 - 1883) - The Joyous Sprites, Portfolio: Guinevere, Year: 1867, Medium: Engraving, Image Size: 9.5 x 7.25 inches, Size: 16.5 x 11.75 in. (41.91 x 29.85 cm)...