Antique Portfolio

The portfolio consisted of 15 lithographic reproductions of drawings and watercolors.

The printer of Schiele’s Zeichnungen and Handzeichnungen portfolios was Max Jaffe, a Viennese specialist in fine art collotypes.

The printer of Schiele’s Zeichnungen and Handzeichnungen portfolios was Max Jaffe, a Viennese specialist in fine art collotypes.

The printer of Schiele’s Zeichnungen and Handzeichnungen portfolios was Max Jaffe, a Viennese specialist in fine art collotypes.

An original gelatin silver border photograph print by iconic American photographer Edward Curtis (1868-1952) famed for his North American Indian Portfolios. This work is titled "Pra...

In that era, artists often did not sign the front of watercolors created for imperial portfolios, as authorship was recorded in the palace inventories.

It's part of 'Recueil d'estampes a l'eau-forte' a luxury portfolio edited in a small run and now part of the collection of prestigious Museum such as Congress Library, Getty Institut...

This impression on heavy wove paper was printed in 1880 for the "Etchers" portfolio. Plate size: 7 3/4 x 9 1/2 inches (198 x 240 mm).

Captions cut from the original portfolio survive on the backing boards, reading DOMVS VETTIORVM, CASA DEI VETTII, POMPEI, and DERNIÈRES EXCAVATIONS.

This etching was printed in 1889 for the "Famous Etchers" portfolio, and published in Boston by Estes and Lauriat.

This etching was printed in 1882 for the Nature and Art portfolio, and published in Boston by Estes and Lauriat.

A rich, dark impression on heavy cream wove paper, printed in 1883 for the "Original Etchings by American Artists" portfolio, published by Cassell and Company. Plate size: 10 1/2 x 8...

These contemporary additions indicate the drawing once formed part of a Victorian scrapbook or sporting portfolio. Executed on paper measuring approximately 16 cm by 20 cm, the dr...

The rare, complete portfolio of twelve etchings and aquatints on laid paper, in its original editorial soft cover.

Etchings of this size after English landscape painters were published in art periodicals such as The Portfolio in the 1870s, and the plate is believed to come from one of them.

Artist: William Curtis (English, 1746-1799) Title: "Tritonia Deusta Copper-Colour Tritonia" (Vol. 17, Plate 622) Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: ...

This impression on cream laid paper was printed in 1884 for the "French Etchers" portfolio, and published in New York. Plate size: 10 1/2 x 7 3/4 inches (267 x 195 mm).

This impression on cream laid paper was printed in 1884 for the "French Etchers" portfolio, and published in New York. Plate size: 9 1/2 x 12 1/4 inches (235 x 310 mm).

Henri LE SIDANER (1862-1939) Impressionism : Girls Dancing, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFO...

Artist: William Curtis (English, 1746-1799) Title: "Fritillaria Racemosa Oriental Fritillary (Slender Fritillary)" (Vol. 30, Plate 1216) Portfolio: The Botanical Magazine; or, Flower...

They are pictured in the portfolio from that exhibition. Please see reference photos.

Two small standing figures on brackets flank the view, a young man holding a portfolio at left and one reading from a sheet at right.

She wears a white tunic and a crimson mantle bordered in gold, a stylus in her other hand and a portfolio with a medallion at her feet. To the left a vase of pink roses stands on a p...

This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company.

Royal Academy of Arts, London, Library, record number 13/419 (the portfolio of plates, second edition, 1883). A. D.

The title "Germinal" was intended to suggest that the portfolio brought together the seeds that would have a lasting influence on art in the coming 20th century.

Artist: William Curtis (English, 1746-1799) Title: "Fritillaria Pyrenaica (Pyrenean Fritillary)" (Vol. 18, Plate 664) Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Y...

This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company.

The work is part of Santry’s contemporary art portfolio, which often blends fashion and surreal imagery.

Curtis Printed lower right: Photogravure John Andrew & Son Literature: The North American Indian (1907-1930), Portfolio 2, Plate 61. This work is universally considered by art...

It is a product of the historicism movement rather than the Renaissance period itself; specialized mechanical portfolio stands did not exist in this form in the 1600s.

This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company.

Artist: Philip Lutley Sclater (English, 1829-1913) Titles: "Francolinus Hardwoodi (Harwood's Spurfowl)", "Phlogoenas Keayi (Negros Bleeding-Heart)", "Theristicus Branickii (Andean Ib...

There is no definitive number of editions created as Renoir's etchings were never printed in suites or published in portfolios, however dealers estimate 400–700 impressions were pull...

This lovely sensual rare French Art Deco engraving from the coveted portfolio Chansons de Bilitis in the 1920s France is by the famed artist; George Barbier.

This impression on cream laid paper is from the edition printed in 1884 for the "French Etchers" portfolio and published in New York. Image size: 5 1/2 x 9 3/8 inches (142 x 237 mm).

Sheets from this atlas are sought after today both as reference cartography and as decorative material, the generous folio format suiting a wall quite as readily as a portfolio. Hung...

Sheets from this atlas are sought after today both as reference cartography and as decorative material, the generous folio format suiting a wall quite as readily as a portfolio. Hung...

Sheets from this atlas are sought after today both as reference cartography and as decorative material, the generous folio format suiting a wall quite as readily as a portfolio. Hung...

Sheets from this atlas are sought after today both as reference cartography and as decorative material, the generous folio format suiting a wall quite as readily as a portfolio. Hung...

Lac D'Imba is a drypoint on Japon paper, etched on leather, by Georges Ferdinand Bigot (Paris, 1860 - 1927). From the portfolio Croquis Japonais, composed of 21 drypoints, published ...

This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company.

Sheets from this atlas are sought after today both as reference cartography and as decorative material, the generous folio format suiting a wall quite as readily as a portfolio. Hung...

Sheets from this atlas are sought after today both as reference cartography and as decorative material, the generous folio format suiting a wall quite as readily as a portfolio. Hung...

Sheets from this atlas are sought after today both as reference cartography and as decorative material, the generous folio format suiting a wall quite as readily as a portfolio. Hung...

Sheets from this atlas are sought after today both as reference cartography and as decorative material, the generous folio format suiting a wall quite as readily as a portfolio. Hung...

Sheets from this atlas are sought after today both as reference cartography and as decorative material, the generous folio format suiting a wall quite as readily as a portfolio. Hung...

Sheets from this atlas are sought after today both as reference cartography and as decorative material, the generous folio format suiting a wall quite as readily as a portfolio. Hung...

Sheets from this atlas are sought after today both as reference cartography and as decorative material, the generous folio format suiting a wall quite as readily as a portfolio. Hung...

Sheets from this atlas are sought after today both as reference cartography and as decorative material, the generous folio format suiting a wall quite as readily as a portfolio. Hung...

Portrait prints of every kind, engraved, etched, lithographed and photomechanical, were produced in great numbers for books, periodicals and portfolios, and a buyer choosing among th...

Portrait prints of every kind, engraved, etched, lithographed and photomechanical, were produced in great numbers for books, periodicals and portfolios, and a buyer choosing among th...

Portrait prints of every kind, engraved, etched, lithographed and photomechanical, were produced in great numbers for books, periodicals and portfolios, and a buyer choosing among th...

Portrait prints of every kind, engraved, etched, lithographed and photomechanical, were produced in great numbers for books, periodicals and portfolios, and a buyer choosing among th...

Champenois Published in L’Estampe moderne, no. 16, August 1898, Paris, by Charles Masson and Henri Piazza L'Estampe Moderne appeared each month as a portfolio of 4 original lithograp...

The most significant woodcuts associated with Drewes's Bauhaus years are the portfolio Ecce Homo, a suite of ten expressionist woodcuts produced during his early Bauhaus period.

Artist: Peter Brown (English, Active: c.1758-1799) Title: "The Fossane (Malagasy Civet)" (Plate XLIII - 43) Portfolio: New Illustrations of Zoology, Containing Fifty Coloured Plates ...

Artist: William Hayes (English, 1735-1802) Title: "The Hoopoe" (Vol. II, Plate 65) Portfolio: Portraits of Rare and Curious Birds, with their Descriptions, from the Menagery of Oster...

He frequently studied and worked in Rome, which was a major hub for European artists capturing North African and Middle Eastern themes. His portfolio includes highly detailed waterco...

MAX BECKMANN (1884 – 1950) THE BEGGARS (DIE BETTLER, 1922) (Glaser 195; Hofmaier 219B) Lithograph, Plate 7 from 11-part print portfolio "Berliner Reise" (Trip to Berlin) Edition ...