Antique Portfolio

Published by Cadart & Luquet as part of the Société des Aquafortistes portfolio, promoting original etching as an autonomous art form in mid-19th-century France.

Issued as part of the celebrated portfolio Ausgewählte Kunstwerke aus dem Schatze der Reichen Capelle in der königlichen Residenz zu München, the print documents the ecclesiastical t...

Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Quivisia; Portesia" (Octandreie, Monogynie, Plate 302) Portfolio: Histoire Naturelle Year: 1749-1789 Medium...

A facsimile tome/book by TASCHEN illustrates all the prints in Volkamer's portfolio, including these four (4) original hand-coloured prints.

JUNGER (DISCIPLE)Woodcut, 1918. S.211. From the Portfolio Neun Holzschnitte (Nine Woodcuts) published by Kurt Wolff in 1918.

Finally, several of his pieces are also available in the Charles Moreau portfolio on modern ironwork. He collaborated with the architect and furniture designer Michel Roux-Spitz (188...

A fine example from the scarce Kleingrothe portfolios issued in Medan c. 1900–1910. Condition: Very good condition overall.

Issued during the reign of King Ludwig II of Bavaria as part of the celebrated portfolio Ausgewählte Kunstwerke aus dem Schatze der Reichen Capelle in der königlichen Residenz zu Mün...

Issued as part of the celebrated portfolio Ausgewählte Kunstwerke aus dem Schatze der Reichen Capelle in der königlichen Residenz zu München, the prints document the elaborate eccles...

Printed in 1920 for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition of 500.

Executed in 1885; this is a fine, dark impression with full original margins on watermarked laid paper from "The Portfolio" edition, published in London by Seeley, Jackson & Halliday...

Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Gravees a L'Eau-Forte" portfolio. This impression is on cream laid paper and the plate size is ...

The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a rare deluxe portfolio. Printed on smooth wove pape...

Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London by Henry Bohn. Plate size: 6 x 10 inches (152 x 250 mm).

Artist: John James Audubon (American, 1785-1851) Title: "Tropic Bird" (Plate CCLXII - 262; part No. 53) Portfolio: The Birds of America (Havell Edition) Year: 1835 Medium: Original H...

Artist: Henri Le Sidaner (French, 1862-1939) Title: "Pavillon dans les Arbres (Pavilion in the Trees)" Portfolio: Henri Le Sidaner (Camille Mauclair) *Issued unsigned, though signed ...

Zettler as part of the celebrated portfolio Ausgewählte Kunstwerke aus dem Schatze der Reichen Capelle in der königlichen Residenz zu München, these chromolithographs document the ce...

Paul Balluriau Symbolism : Twilight, 1897 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithograph cre...

Gurlitt had funded the trip and Pechstein consequently owed him prints and portfolios. Die Samländischen Ode partly satisfied this obligation.

Printed in 1897 for the rare portfolio "Art et Nature" by Leon Roger-Miles and published in Paris by Boudet in an edition of 525.

From one of the two large portfolios of studies discovered in an old Tuscan property, containing academic exercises and copies produced between the 18th century and the first quarter...

The artwork is from the portfolio Intermezzi, Opus IV, published by Theo Stroefer's Kunstverlag, Munich, in 1881.

Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Euphorbia (Spurge)" (Dodecandrie, Trigynie, Plate 411) Portfolio: Histoire Naturelle Year: 1749-1789 Medium...

It was first published in the Paris periodical Le Rire and later included in various portfolios of his graphic work. The item available for sale is not an original Lautrec lithograp...

This impression was printed in 1888 for the "Ten Original Etchings by the Best American Artists" portfolio and published by Estes and Lauriat. Image size: 12 x 8 inches (300 x 203 mm).

His artistic impressions were reflected in the portfolios "Journey to Egypt" (1921) and "Journey to Japan" (1921).

Höchstädt, Stuttgart, as part of a decorative arts portfolio titled “Decorative Models” (Decorative Vorbilder), intended to inspire design and aesthetic sensibility at the turn of th...

Printed in 1888 on cream wove paper and published for the portfolio entitled "Picturesque California: The Rocky Mountains and the Pacific Slope".

Artist: William Henry Toms (English, c.1700-1765) Title: "Draught of a Galley" (Plate 13, Vol. III, page 131) Portfolio: La Spectacle de la Nature Year: 1737 Medium: Original Hand-Co...

Subjects in the set include golden eagles, imperial eagles, sea eagles, peregrine falcons, gyrfalcons, Eleonora’s falcon, and related species, making this an exceptionally complete r...

This artwork by Henri Matisse is a lithograph page from the book Cinquante Dessins, published by Les Soins de L'Artiste in 1920. First Edition. The portfolio was edited and printed...

Louise BRESLAU Young Girl with an Orange, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithograp...

Executed in 1883; this is a rich, dark impression on heavy cream wove paper, from the "Original Etchings by American Artists" portfolio, published in 1883 by Cassell and Company.

Without the additional portfolio of two original drypoint etchings, each signed by Muirhead Bone.

Every for the "Beauties of Claude Lorraine" portfolio. The inscription states that this work was published in London in 1825 by W.B.

Every for the "Beauties of Claude Lorraine" portfolio. The inscription states that this work was published in London in 1825 by W.B.

This adds interest for collectors and interior designers alike, whether framed with visible margins, floated in a double-glazed frame, or appreciated as a historical object in a port...

Comes from Audubon's famous seven volume portfolio "The Birds of America", (First Royal Octavo Edition) (1840-1844), which consists of 500 hand-colored lithographs.

The year he met Ernst Ludwig Kirchner, Erich Heckel and Fritz Bleyl there, he co-founded with them the group of artists known as 'Die Brücke'. Their first joint portfolio of prints a...

Published in London by The Studio in 1905 for a rare deluxe portfolio. Printed on smooth wove paper, the image measures 4 1/2 x 8 inches (114 x 204 mm).

Unnumbed from an edition 100 as published in the Hills o’ Brown Portfolio, (plate 10 of 12). Image 9 x 13 1/8, Sheet 10 ¼ x 13 7/8, with deckle edge at the bottom

Louis Rhead Art Nouveau Portrait of a Woman with Lilies: Jane, 1899 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) IN...

Though "The Jockey” and three other lithographs were created with the intention of publishing a portfolio of horse racing subjects for the print dealer Pierrefort, this was the only ...

Jacques. 171' in the plate lower right. From the portfolio: "Douze Eaux-Fortes d'après Nature" Image Dimensions : 8 x 11 cm Very good condition.

Comes from Audubon's famous seven volume portfolio "The Birds of America", (First Royal Octavo Edition) (1840-1844), which consists of 500 hand-colored lithographs.

Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Baccharis (Baccharises); Chrysocoma (Golden Bitter Bush)" (Syngenesie; Polygamie, Plate 698) Portfolio: His...

Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Picris (Sunflower); Helmintia (Bristly Oxtongue)" (Syngenesie; Polygamie, Plate 648) Portfolio: Histoire Na...

Comes from Audubon's famous three volume portfolio "The Viviparous Quadrupeds of North America", (Imperial Bowen Edition) (1845-1848), which consists of 150 hand-colored lithographs.

This means that while the Enlightenment was beginning to sweep through Europe, this very print was being carefully preserved in a connoisseur’s portfolio. It has survived the French ...

The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a rare deluxe portfolio. Printed on smooth wove pape...

Printed in 1897 for the rare portfolio "Art et Nature" by Leon Roger-Miles and published in Paris by Boudet in an edition of 525.

Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Gravees a L'Eau-Forte" portfolio. This impression is on cream laid paper and the plate size is ...

Kleingrothe as part of his important Sumatra’s O.K. portfolio. The image focuses on a family group standing among coconut palms, stilted houses, and woven fences typical of Batak arc...

Hermès, itself a paragon of artisanal excellence, recognized the intrinsic value of Puiforcat’s heritage and saw an opportunity to integrate it into its portfolio of prestigious méti...

About the Publication: Dessins de Henri-Matisse (Drawings by Henri Matisse), published by Editions des Quatre Chemins, Paris, in 1925, is a landmark early graphic portfolio that ca...

This impression on chine-collé paper was printed in Paris by Taneur and published as plate 27 for the Les chefs-d’œuvre portfolio. Image size: 4 7/8 x 5 3/4 inches (122 x 145 mm).

Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788) Title: "Abolboda; Elodea (Waterweeds); Lepidosperma (Hoary Rapier-Sedge)" (Triandrie Monogynie, Plate 905) Portfoli...

This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company.

Comes from Catesby's famous two volume portfolio "Natural History of Carolina, Florida & the Bahama Islands" (1771-1810) (third edition), which consists of 220 hand-colored etchi...

Geller's contribution to the portfolio was a woodcut based on Raisins and Almonds, the Yiddish lullaby written by Abraham Goldfaden in 1880 for his operetta Shulamis.