Antique Rosettes

interconnected palmettes, rosettes, and delicate vine scrolls set against a vibrant terracotta red field. The

square bases with concave corners accented with rosettes flanking reeded panels. The circular tapered

large rosettes, fruit garlands and scrolls. One fragment is larger than the other. Minor fading

, flanked by scrolling candle arms terminating in urn-form candle cups with rosette embellishments

Saint Anne marble top and a hinged curved door with a bronze pull detailed with a rosette. Its

to repeating rosewood simulation. All flanked be recessed panels capped with rosettes, terminating in

sprigs and rosettes soften the geometry, suggesting renewal, vitality, and the eternal return of nature

including swags, tassels, bow knots, and rosettes. They have been newly rewired and are ready for use.

floral rosettes reflects the pinnacle of the Western Anatolian village weaving tradition. Textiles of

small rosette motifs and classical detailing. Reflecting the Neo-Classical influence associated with

with stylized palmettes, rosettes, serrated leaves, and angular vine motifs, arranged in a balanced yet

rosettes, scrolling vines, and delicate botanical sprays, reflecting the sophisticated draftsmanship

recessed rosettes centered by a mottled and recessed Mecca band with oval carvings. The seat retains its

gilt rosettes throughout—eglomise panel at the top depicting children playing, clowns, and villagers

vibrant natural dyes. The design features a classic “all over” arrangement of stylized floral rosettes

richly carved with geometric and rosette motifs, flanking a central stack of drawers. The detailed

network of delicate flowering vines and smaller rosettes that fill the space with a vibrant, expressive

intricate neoclassical carvings, including scrolling foliate motifs, rosettes, and a central carved mask

base accented with a mottled edge and beaded upper trim surrounding a central Ormolu rosette. The

linear frame adorned with a continuous bead motif and carved rosettes, while the garlands complete the

gilded carved wood design of flowers around the circumference with an urn and rosettes crowning the top

rosettes, reflecting the high level of draftsmanship synonymous with the Shirvan name. Within the mihrab, a

features classic Louis XVI motifs of rosettes at the die joints, a twisted ribbon motif along the seat back

dark striped horsehair, the frame with carved rosette corner blocks above four elegantly turned and

floral rosette. This monumental centerpiece is set against a vibrant terracotta red field, which is

reciprocating floral rosettes and stylized palmettes creates a precise visual frame that highlights the superior

crowned by a rosette, its structure unfolding outward through lotus blossoms, palmettes, and rectilinear

parterre. Across this softened azure ground, the blossoms seem to shimmer like suspended rosettes, their

supported by four fluted legs, which form four square columns decorated with ormolu rosettes, flowers and

field is orchestrated as a magnificent allover garden of Shah Abbas palmettes, rosettes, boteh motifs

drawers and raised panel doors that feature rosettes at each corner. Inside there are two, fixed, shaped

three spacious drawers, ideal for a living room or bedroom. Adorned with rosettes on the sides, top, and

) and rosettes, associated with Neoclassical, Regency, or Italian style furniture. Material: The frame

forms and vine work, framed by a robust border with repeating rosette and palmette patterns. Heriz

supports, the terminals carved with foliate and rosette detail. The barrel-form back and seat upholstered

with small-scale motifs rosettes, latch-hooks, and abstracted plant forms creating a balanced interplay

outlines and anchored by serrated motifs and stylized rosettes. Between these, smaller geometric devices

carved and detailed with classic corner rosettes, characteristic of the Louis XVI style. The ample seat

navy; small rosette fillers in blue and ivory. The four corners carry deep navy spandrels filled with

with hints of a grand Neoclassical style, such as the central rosettes, the Ionic scrolls across the

with carved neoclassical motifs such as drapery and rosettes common to the Adam (or Federal) style, and

associations with purification and blessing, while the inset rosettes function as floral stars—small celestial

hexagon shaped rosettes. Above each level are circular candle cups with four at the bottom, three at the

symmetrically along the vertical axis, each composed of stylized rosettes and geometric blossoms that create a

a painted gray apron carved in relief with gilt swags, bows, and rosette medallions. Raised on four

resembling ram’s horns, floral rosettes, and lattice motifs. Each form is finely rendered with an almost

. Carved from solid wood, its façade is enriched with geometric and rosette motifs, executed with a

trim. The apron is decorated by a central carved reserve with four intertwined rosettes within a

design is anchored by a large floral rosette medallion at the center, composed of radiating petal motifs

elegantly drawn floral motifs, including stylized palmettes, rosettes, blossoming vines, and curvilinear

, Earl of Egremont. Framed with gold rosettes. Provenance & labels verso. Unsigned Provenance

carved rosette detailing. Perfect for positioning in bedrooms, hallways or living rooms. They have

architectural rhythm. Each medallion is rendered with an authoritative hand, showcasing grand rosettes and

rosette that evokes both celestial symbolism and garden imagery. The octofoil form has long represented

with an etched ribbon. The wreath is flanked by two elongated scrolls with acanthus leaves and rosettes

with carved rosettes above pierced splats ending in rosettes on the front legs. Wearing old, worn

interconnected scrolling vines, palmettes, rosettes, and stylized floral blossoms. Rather than relying on a