Antique Rosettes

throughout. Three full-length drawers with recessed panels and petite carved rosettes in each corner provide

This early 20th century East Turkestan Khotan accent rug presents a classic medallion-and-rosette

, faceted icicles and rosette-cut connectors, giving good movement and light play throughout. Upper tiers

bold X-form bases with rosette-carved cross points and turned stretchers. Generously sized seats are

legs, rosette details, and intricate beaded trim along the arms and apron. The oval cane back adds

unfolds with remarkable intricacy, where Shah Abbas palmettes, lotus blossoms, rosettes, acanthus

rosettes and intricate carvings in the elegant style of Louis XVI. Dimensions of the armchair: - Height

combines stylized tulips, blooming rosettes, scrolling leaves, and ornamental botanical forms, producing a

rectangular frame is structured with classical panel divisions and small rosette accents at the corners

in a deep mahoagany colour polish Lovely pyramid fluted legs with a rosette detailing and brass feet

containing a rhythmic sequence of reciprocating floral rosettes and stylized serrated leaves creates a

bases with applied rosettes and carved paw feet. Painted finish with gilt accents at the collars

neoclassical motif rosettes, floral garlands, and stylized acanthus ornament typical of early nineteenth

classic pattern consists of a repetitive lattice of small floral rosettes and serrated leaves that create

. This border features a rhythmic succession of large rosettes and stylized floral sprays, connected by a

throughout. Features a carved foliate crest, volute-scroll arm supports, rosette-carved seat rail, and

scattered rosettes and small geometric devices, lending movement to the otherwise orderly composition. A

rhythmic sequence of reciprocating floral rosettes and stylized “turtle” motifs creates a precise visual

A rectangular upholstered stool with shaped seat rail, carved frieze with central rosette and

carved in relief with scrolling vine leaves and grape clusters, within a rosette-and-foliate border

adorned with oversized rosettes and undulating floral chains, the design achieves a rare traditional yet

cartouches; individual drawer escutcheons repeat a four-petal kiku rosette form in varied scales; the hikido

, and spiritual enlightenment. Rosettes and Buds: Symbols of vitality, fertility, and the continuity of

dense floral vine around a similar smaller ivory medallion with a central rosette surrounded by

rosettes and floral motifs. The uprights and arm supports are richly detailed with acanthus carving and

horizontal carved accents while the center panel of the door is ornamented with rosettes. The marble has a

format. Surrounding the main medallions are smaller roundels, floral rosettes, and geometric devices

shaped with simple floral rosette motif to capital, square stepped bases. Height: 9.5 inches. Weighted

beetlewing decoration. Each circular medallion features a symmetrical floral rosette design, showcasing

decoration. Rosettes in the corners. Overall matte gilt with some shiny gilt details. Dimensions: L. 63 3/4

bonnet top and arched molded pediment, with a carved pin-wheel rosette and three caved & gilded finials

painted corbels in green and red, the feet with painted daisy rosettes in yellow and green, and the whole

emphasized by gilded fluting and rosettes at the capital. The original mirror plate offers a mostly clear

design anchored at the center by a raised panel of scrolled motif and sunflower rosettes at the corners

including rosette ring pulls and a central escutcheon. The warm-toned wood veneer is arranged in a subtle

decorative finials, all anchored by delicate rosette-carved plinths and tapered legs. Upholstered in a

1840-1860 The top with an acanthus carved edge above an alternating foliate and rosette pattern

grapevine and rosette decorated frame.

. The center of the desk has two wide drawers with elegant circular Ormolu pulls and a central rosette

architectural quality. Small gilt rosettes are applied along the side rails and corner blocks, while crossed

multiple guard borders filled with small geometric rosettes and protective motifs, enhancing both the

boards are various mounts with griffins, scrolls, rosettes laurel wreaths, acanthus leaves and other neo

scroll motif Distinctive handles, passing through fan rosette backplates Standing upon a trio of

central Ormolu rosette. The straight apron above has a bottom mottled Ormolu trim below the Mahogany

point, with classical styling inspired by the ancient Greeks and Romans, including rosettes flanking the

turned finials and two short hat / coat hooks below, raised on fielded uprights with Gothic rosettes. The

are wonderfully detailed pierced palmette designed mounts flanked by two circular rosettes all above

uprights topped with intricate floral rosette carvings. The apron below the seat is decorated with a

laurel swags, rosettes, and acanthus leaf corner accents, which offer a sophisticated nod to the grandeur

spires, hung with large rock crystal plaques, facetted drops and rosettes, terminated with a rock crystal

spires, hung with large rock crystal plaques, facetted drops and rosettes, terminated with a rock crystal

small rosettes and dotted floral roundels. These are arranged in a loose lattice formation, creating a

ebonized Fruitwood ball feet below Mecca rosettes. The top of the frame displays a wonderful and most

punctuated at each corner by carved rosettes, a classical motif that anchors the design visually. The legs

flower rosette decorative elements and finished with the original stepped motif alabaster canopy having

, rosettes, fluted vertical elements, and carved classical accents give the buffet a formal, elegant rhythm

inclusion of a sophisticated primary border containing a rhythmic sequence of reciprocating floral rosettes