Antique Rosettes

is delicately decorated with rosette, foliate, and grape decorations. Gilt sides. Mirror measures 68

spires, hung with large rock crystal plaques, facetted drops and rosettes, terminated with a rock crystal

the Louis XVI / Neo-Classical taste.  The circular corona, enriched with foliate arms and rosette

floral rosettes and leaf forms: small, tightly packed botanical motifs in ivory, terracotta red, sage

wave” outer guard and a primary border of geometric rosettes, creates a precise visual frame that

capitals to the top of each pilaster and complementary carving to the bases as well as rosette paterae

movement to the design. Three prominent roundels anchor the field, each enclosing intricate rosette

the lower register and rising floral stems that terminate in rosettes and petal forms. Slender

rosettes. It is fitted on two-sides with hand-painted panels depicting exotic birds amid flowering branches

rosettes on the high backrest and bottom front panel of the seat, in good condition. Nice patina due to age

consists of various ormolu mounts, both on the base, some in the form of rosettes, and on the body, with

in brass rosettes and centered by a brass ball finial topped by an eagle. Reeded moldings outline the

clustered rosettes, dotted medallions, or stylized motifs enclosed within angular frames. The variation from

supporting central urn with flame. Adorned with a border of square rosettes, egg and dart decorations

foliage. Across the upper rail, carved quatrefoil rosettes create a rhythmic decorative border, while the

composition featuring a dense all over “Herati” or “Mahi” lattice of interconnected floral rosettes and

specifically the minute geometric rosettes scattered across the field and the precisely rendered “tree of life

with a rhythmic sequence of reciprocating floral rosettes and scrolling “vine” motifs creates a precise

dark ground primary border with a rhythmic sequence of geometric rosettes creates a precise visual

rosettes on a golden yellow ground creates a precise visual frame that highlights the superior wool quality

containing a rhythmic sequence of reciprocating floral rosettes and stylized palmettes creates a precise

central medallion and the surrounding field populated with stylized oak leaves and geometric rosettes

sequence of reciprocating floral rosettes and winding vines creates a precise visual frame that highlights

deeply carved frieze depicting swags, rosettes and rams head masks.

details of a cross below the medallion, acanthus leaves, and rosettes on the die joints are intermingled

motif, while the upper corners are accented with floral rosettes, a classic Louis XVI detail that adds a

decoration incorporates rosette designs and bands of stylised bud motifs, all accented with impressive finely

rosettes and scrolling vine work creates a precise visual frame that highlights the superior wool quality

geometric rosettes and stylized animal or bird-like forms creates a precise visual frame that highlights the

original paint and newly upholstered, circa 1900. Exquisite carved detail. The seat frame features rosettes

rosette medallions at the shoulders, and ending with square feet. The structure is joined by a graceful

impreziosito da elementi intagliati a motivi floreali e rosette centrali. I braccioli, dolcemente ricurvi

fastening with hooks concealed beneath two black ribbon rosettes. Black label, white graphics. Please note

tapered legs terminating in carved foliate details, while floral rosettes decorate the seat corners

oval medallions enclosing bold rosettes framed by beaded borders, and flanked by ram’s head handles

the scrolled armrests. The tapered, cabled fluted legs are detailed with rosettes on the die joints

polychrome rosettes and interlocking geometric blossoms. These borders are flanked by classic “running dog

cartouche, corner rosettes, and a delicate drop handle, all raised on decorative feet. The combination of

stepped geometric and rosette elements, reinforcing the structure of the field. The overall composition

rosettes. A dovetail motif adornment, cut from brass, crowns the square, tapering legs. These unique

rosette encircled by a delicately drawn wreath. This focal point is set within a spacious field defined by

blue, mina-khani c. 1890 rug with a medium blue rosette and triple flower main border. The design is

carved throughout with dentil mouldings and rosette ornament. The red-painted interior visible behind the

socle which supports a diamond cut circular reserve accented with an Ormolu rosette. Two intricately

. 2 arms & 6 sides. The broadly proportioned arms are well molded, scrolled & with rosette accents

in a deep oak colour polish Lovely pyramid fluted legs with a rosette detailing and brass feet. It

geometry derived from such sources as snail shells, spirals, and rosettes, the motif was often oriented

sequence of reciprocating floral rosettes and stylized palmettes creates a precise visual frame that

, scrolling foliage, and rosette motifs. The curved doors open to reveal interior storage, making the pieces

, intricately pierced and adorned with a central rosette motif, adding both visual lightness and refined

, rosettes, and abstract emblems that create a dense yet balanced arrangement. The ivory-toned field is

rosette blocks at each corner, leading into fluted, tapered legs with turned feet - a composition rooted

the understated elegance characteristic of Aubusson weaving. Floral rosettes and stylized foliage are

rosettes, angular blossoms, and abstracted medallion elements, all drawn with a distinctly Anatolian hand

of a wide primary border decorated with large, undulating floral rosettes and serrated “leaf” scrolls

over pattern of stylized floral rosettes and blossoms in rich shades of madder red and deep indigo blue

containing a rhythmic sequence of reciprocating multicolored floral rosettes creates a precise visual frame