Antique Rosettes

rosette encircled by a delicately drawn wreath. This focal point is set within a spacious field defined by

blue, mina-khani c. 1890 rug with a medium blue rosette and triple flower main border. The design is

carved throughout with dentil mouldings and rosette ornament. The red-painted interior visible behind the

socle which supports a diamond cut circular reserve accented with an Ormolu rosette. Two intricately

. 2 arms & 6 sides. The broadly proportioned arms are well molded, scrolled & with rosette accents

in a deep oak colour polish Lovely pyramid fluted legs with a rosette detailing and brass feet. It

geometry derived from such sources as snail shells, spirals, and rosettes, the motif was often oriented

, scrolling foliage, and rosette motifs. The curved doors open to reveal interior storage, making the pieces

sequence of reciprocating floral rosettes and stylized palmettes creates a precise visual frame that

, intricately pierced and adorned with a central rosette motif, adding both visual lightness and refined

, rosettes, and abstract emblems that create a dense yet balanced arrangement. The ivory-toned field is

rosette blocks at each corner, leading into fluted, tapered legs with turned feet - a composition rooted

the understated elegance characteristic of Aubusson weaving. Floral rosettes and stylized foliage are

rosettes, angular blossoms, and abstracted medallion elements, all drawn with a distinctly Anatolian hand

of a wide primary border decorated with large, undulating floral rosettes and serrated “leaf” scrolls

over pattern of stylized floral rosettes and blossoms in rich shades of madder red and deep indigo blue

containing a rhythmic sequence of reciprocating multicolored floral rosettes creates a precise visual frame

refined, open designs. A wide floral border, gently animated with rosettes and stylized blossoms, frames

leaves, and rosettes along its frame. Constructed from high-quality mahogany and exhibit splendid

rosette on frame

neoclassical taste of the early 19th century. The frieze is adorned with delicate floral swags and rosettes

with a tapestry of scrolling vines, palmettes, and rosettes, seamlessly integrated into a mirrored

, gadrooning and brass rosette detailing to the sides. With enough space for a lamp and a cup of tea, this is a

detailing of scrolling acanthus leaves at the top and a central rosette on the stretcher below. Its 2 inch

-forged iron frame with beveled glass panels, topped with decorative rosettes and scroll details. The iron

“dragon” inspired flourishes and the small, scattered geometric rosettes—and the presence of significant

geometric rosettes and stylized botanical forms creates a precise visual frame that highlights the superior

decorated with undulating floral rosettes and serrated “leaf” scrolls creates a precise visual frame that

glass rosette shades in amber and yellow tones. Each candle arm is adorned with striking cast sunburst

. The molded top features a carved gadroon border and a raised lid centered with a floral rosette and

, particularized with a rosette. The center chairs represent the Louis XVI time period. Newly upholstered in a dark

decorated with a rhythmic sequence of reciprocating cartouches and geometric rosettes creates a precise

, featuring intertwined ribbon and vine patterns alongside floral garlands and rosettes. This layered framing

and dart carved detail around the frame, rosettes on the leg posts with fluted round end caps. Newly

, draped garlands, rosettes, and acanthus leaves, this clock showcases the mastery of classical design

repeating rosettes and fluted detailing, introducing a subtle decorative contrast to the otherwise grounded

geometry with organic Art Nouveau vitality, featuring a commanding central floral rosette reminiscent of a

references, rosettes, or simply lines painted on the turned wood baluster columns. At the waist is a small

primary border decorated with a rhythmic sequence of colorful geometric rosettes creates a precise visual

phantom quartz crystals, and chalcedony rosettes on polished agate base. This fragment is originally from

barley twist legs joined by an H-form stretcher with bold, sculptural turning and carved rosette blocks

finial, while floral rosettes accent the block corners for added sculptural detail. The rectangular top

bronze rosette in the center. An iron hook is attached to the top of the mirror. Italy, circa 1870.

steel blue field hosts an encyclopedic vocabulary of classical Persian motifs—palmettes, rosettes, vine

, including stylized trees, rosettes, and animal forms. Each element is rendered in vivid hues of burnt orange

at the shoulders with carved diamond-shaped rosettes, reflecting the restrained neoclassical

rosettes while showcasing an array of inlaid marbles featuring Sienna, Rosso Levanto, Lapis Lazuli to name

recessed panel decorated by richly chased Ormolu rosettes all around the chairs. The horseshoe shaped chair

above is richly decorated by finely etched mirror plate panels with rosettes. The outer panels lead to

, punctuated by square rosette blocks that align with the fluted, tapered legs below. The fluted arm supports

scrolling foliage, as well as rosettes and ornamental detailing across the lid. Raised on elegant bronze

uprights, rosette corner blocks, and tapering legs - a strong neoclassical foundation with a more

elegance. The cabinet door below is centered by a beautifully articulated acanthus rosette, surrounded by

scrolling plant; on the basement a row of rosettes; and on the top, a palmette. On the left is a nude male

of scrolling vines and botanical rosettes. This structural balance between the intricate cream-ground

architectural accents. The ormolu corner mounts, rosettes, escutcheons, and delicate appliqués bring a refined

clean and architectural, with square backs, fluted tapered legs, and crisply carved rosettes set within