Antique Sepia

Perfume Bottle "Galéjade" made in clear and frosted glass with sepia patina by René Lalique for

'New Staines Bridge' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aquat...

details. Sepia and gilt decoration of flowers and flower basket. Probably Jiaqing period (1796-1820

Statue "Grande Nue Lierre" made in frosted glass with sepia patina by René Lalique in 1919

Perfume Bottle "Quatre Aigles" (Four Eagles) made in glass with sepia patina by Rene Lalique in

Perfume Bottle "5 Fleurs" made in glass with sepia patina by René Lalique in 1929 for Forvil

PELLETIER - 45/150 - Antique sepia engraving on paper featuring children at a water well - numbered

Statue "Grande Ovale Tete Penchee" made in glass with sepia patina by Rene Lalique in 1919

details. Blue, sepia and gilt decoration, central sepia reserve "European landscape with river and vessel

An exceptional Georgian pendant dating to circa 1800, masterfully designed as a large heart-shaped locket. The piece showcases intricate twisted wirework, exquisitely crafted in rich...

orchestration of detail so precise it seems to shimmer like fine embroidery. The sumptuous sepia and garnet

first half of the XVIII Century. Original sepia drawing on paper. Durmast wood Frame included. Fair

details. Blue and sepiacentral sepia reserve "European village". Lid has a sepia landscape scene

Vase "Margaret" made in frosted glass by René Lalique in 1929. Stamped signature on bottom. Perfect condition. Rare model. height: 22,5 cm Félix Marcilhac, René Lalique - Catalogu...

American Victorian style print of a sepia tone pencil portrait in a Pre-Raphaelite vein depicting a

Perfume Bottle "La Belle Saison" made in clear glass with sepia patina by René Lalique in 1925 for

Box "Amour Assis" (Cherub, Putti) made in glass with blue patina by René Lalique in 1919. Molded signature. Original glass base. Perfect condition. Very nice model. Great patina. ...

Mirror-Pendant "Sauterelles" made in frosted glass with sepia patina on silver foil by René Lalique

Perfume bottle "Ambre Antique" made in frosted glass with sepia patina by René Lalique in 1910 for

sepia patina. Molded "LALIQUE" signature on bottom. A few drops of the perfume remains into the

This late Victorian family portrait is in excellent original condition with frame intact and stamped at the back. A true conversation piece that will draw attention.

'Cliveden Spring, Bucks' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of a...

'Hermes Oak, Windsor Park' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of...

'Henley-bridge, Oxon' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...

'Chertsey Bridge, Surrey' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...

An iconic and rare Rene Lalique 'Une Figurine et Fleur' small pate with original sepia staining

glimpse into Victorian visual entertainment. Included are sepia-toned viewing cards depicting the serene

Amazingly detailed sepia painting of Cupid bestowing flowers on a young maiden. This navette shaped

A pair of Gilt Framed Classical Engravings in Sepia Tones which were engraved by J. Spiegl; from

Victorian Three Panel Two Sided Room Divider Decorated With Sepia Decoupage Scenes of The Day With

Art Deco Rene Lalique Decanter "Reine Marguerite" made in clear and frosted glass with sepia patina

sepia patina. Molded signature on bottom. Exceptional and extremely rare bottle. Félix

'View at Ifley, near Oxford' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...

'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...

suite of twelve original copper plate prints of Sepia of Amorini "Cherubs at Play" circa 1750 Each

Box "Un Jardin Dans la Nuit" made in frosted glass with sepia patina by René Lalique in 1918 for

Antique print Utrecht titled 'Gezigt op de Witte Vrouwenpoort'. Old tinted lithograph depicting the 'Wittevrouwenpoort' of Utrecht. This print orginates from ' Een Cahier Gezigten va...

executed reminiscent of Zuber Wallpaper but with an artist's hand. Sepia Grisaille Cherubs with Faded

This sepia-toned etching depicts a serene pastoral landscape, with a majestic mountain dominating

sepia ground flowers with famille rose vines & dotted rose & blue flowers. Made for the American

sensibilities of the Georgian period, with warm sepia and soft earth tones lending the work a wonderfully gentle

English taste. Warm sepia tones are beautifully complemented by subtle touches of colour, creating a

; molded handles. Cream & white with cobalt highlighted handles & sepia borders. Pattern 1485

Vase "Cariatides" made in glass with sepia patina by Rene Lalique in 1920. Molded signature on

Pen and ink in sepia and watercolor on board, 7 x 11 1/2 (178 x 293 mm), the full sheet. Signed in

Ink and wash in sepia on cream laid paper laid down to board, 5 5/8 x 9 1/16 inches (143 x 301 mm

Pen and sepia ink wash on cream laid paper, 4 1/8 x 6 3/16 inches (103 x 152 mm). In good condition

refined, embossed oval mount. The photograph features a delicate sepia-toned finish and bears the

* series. Turner designed and etched the plate himself, and the sepia gradations of tone were added through

Pen and brown ink drawing, with sepia and gray wash highlights, portraying a hunchbacked man

. The sepia team photo is mounted on the official Cambridge photographers mount 'Charles B. Gee, The

hand painted with continuous landscape scenes in warm sepia tones, depicting coastal views with

A Grand Tour image of the Alps. English School, 19th century c1850. Graphite and wash in sepia and

subject is of a tight, almost obscured angle. The warm sepia tones of the setting sun cascade downwards

hand-painted pastoral scene rendered in a soft sepia-toned palette, characteristic of late 19th century

series. Turner designed and etched the plate after his original painting of the same subject. The sepia

London: Boydell, 1810. Aquatint with engraving printed in sepia on cream wove paper with a partial