Antique Sepia

A soft yellow halo encircles his head, its muted glow standing out gently against the warm, sepia-toned ground of the drawing. Francis’s face is lifted upward, his gaze fixed toward ...

Antique French Aubusson Tapestry Pillow With Figures In A Landscape In A Sepia Tones Ca.1850

Framing tips: A natural wood or walnut frame paired with a cream or sand-colored mat will enhance the warm sepia tones of this lithograph. To highlight the maritime subject, a double...

Strong impression with sepia tint stone. Plate mark clearly visible. Framing tips: This lithograph would suit a classic black or dark walnut frame with a cream or light beige mat, e...

Strong impressions with sepia tint stone. Plate mark visible, wide margins preserved.

Because this is an antique piece, the colors possess a magnificent tonal resonance; the natural dyes have mellowed over a century into a soft, matte patina of muted gold, dusty rose,...

Framing suggestions: An ivory or warm white mat with a dark wood or teak frame will complement both the sepia-toned image and the Indonesian subject matter.

Framing Suggestion: A dark wood or black frame with a natural white mat will elevate the sepia tones and highlight the strong architectural lines of the tobacco warehouse interior.

The border is equally rich, painted with delicate branches and blossoms of white prunus and brown bamboo, set against a swirling, fine sepia ground. This color scheme, known as Famil...

The stopper has a hemispherical swirling pattern. Sepia stained highlights. Moulded makers mark, 'LALIQUE' and engraved, 'France' to the underside.

Rosy peonies, scarlet dahlias, powder blue thistles, and soft ivory blooms burst to life, accentuated by rich olive and sepia-toned foliage. Perhaps most intriguing is the serpentin...

Printed using a high-quality photogravure process, the image has a rich sepia tone and fine detail. This is an authentic early printing, mounted on its original plate paper with prin...

With the autograph certificate of circulation, written in pen and sepia ink, signed and dated (April 29th, 1859) by Trinocq (the printer).

The Baines card offered for sale is printed in a yellow sepia tone with a picture of a lady golfer to the front with the words 'Well Driven, Swindon'.

Very richly decorated. The border has nice sepia, gilt landscape scenes. Additional information: Material: Porcelain & Pottery Region of Origin: China Decoration Type / Colour: Mand...

Framing tips: A lightly toned off-white mount complements the sepia gravure surface beautifully. A natural wood frame such as teak or walnut enhances both the subject and its tropica...

These elements are executed in a masterful palette of warm taupes and sepia browns, punctuated by vivid magenta-pink floral details that lend vibrancy and contrast to the otherwise n...

These repeating figures, composed of fine horizontal stripes in muted tones of mauve and sepia, create a dynamic allover design that avoids the need for a defined border, allowing th...

Rather than hand coloring, this plate is executed in fine sepia engraving, which was common for paleontological subjects to emphasize structural clarity over decorative color.

Framing Suggestions: A thin black or brushed bronze frame with a warm linen or ivory mat will enhance the sepia depth and give the piece museum presence. For a modern look, consider ...

A fine small Italian 17th/18th century sepia ink study of 6 putti in different positions.

Etching with drypoint printed in sepia ink on cream laid paper bearing an indiscernible watermark with linked spheres. 10 1/4 x 13 1/8 inches (260 x 332 mm), unevenly trimmed yet ful...

Baths of Caracalla is a vintage sepia photograph realized by Ludovico Tuminello in the early 20th Century.

Baths of Caracalla is a vintage sepia photograph realized by Ludovico Tuminello in the early 20th Century.

Baths of Caracalla is a vintage sepia photograph realized by Ludovico Tuminello in the early 20th Century.

• As a Statement Frame on a Console Table Add a sepia photograph, black-and-white portrait, or minimalist sketch for a dramatic Deco focal point

A soft cream or warm beige mat will complement the sepia palette and emphasize the depth of the landscape.

Baths of Caracalla is a vintage sepia photograph realized by Ludovico Tuminello in the early 20th Century.

Framing suggestion: A dark wood frame with a cream archival mount will highlight the deep sepia print while preserving the original wide margins.

Framing Tips: A warm off-white or soft ivory mat complements the subtle sepia tones. A dark wood frame (teak, walnut) enhances the historic character and echoes the tropical subject ...

Framing suggestions: A dark wood frame (teak or mahogany) or simple black frame pairs well with the sepia tones. A wide off-white or cream mat enhances presentation and draws attenti...

With lidded glass vase of baluster from decorated with sepia-toned Chinese court figures, butterflies, dragons, floral sprays, and more; on a turned giltwood base.

Crafted with a neoclassical architecture, it features a bold shell and foliate crown embellishment atop an intricately detailed crown molding, which overlooks a classic sepia toned p...

A small rural settlement with a farmhouse and slender tree anchors the scene near the center, emphasizing the relationship between agriculture and nature in Venezuela’s fertile valle...

Framing Tips: Use a dark wood or mahogany frame to echo the sepia tones. Pair with a warm cream or tan mat to complement the print’s coloring.

A classic gold or warm oak frame will complement the sepia tones, and a soft cream or light beige mat will preserve the print’s balance.

Portrait panels are printed in brown, sepia tones one titled RT HON H.H. ASQUITH and with a further similar portrait titled H.M KING GEORGE V to the opposite side.

The palette is intentionally muted, relying on the interplay of ivory and rich sepia tones to create a sense of depth and tranquility, characteristic of the finest antique rugs of th...

Eugène Delacroix used the same sepia wash technique in a study preserved in the Musée du Louvre.

Mucha’s composition, engraved in a warm sepia-brown tone, features a group of allegorical female figures representing ideals such as Commerce, Industry, and Prosperity.

Although Karl Martin is best known for his geological and scientific work, plates such as this one reveal a refined artistic sensitivity in documenting settlement patterns, rural lif...

Characteristics: - Sepia Tone: Albumen prints often have a warm, sepia tone, which matches the slight yellowing visible in this photograph

Two-color lithography in black and sepia. Author: Joseph NASH, British painter, member of the Ghotic Revival Group, in 1838 he published the Revival Lithographic Collection "Medieval...

ST/218 - 3 - Entrance --- Two colors lithography in black and sepia. Author: Joseph Nash, famous British painter, member of the Gothic Revival Group.

The restrained hand coloring in warm sepia tones, soft blues, and delicate cloud formations gives the print a calm, atmospheric quality that works exceptionally well in interior sett...

Framing tips: A natural oak or walnut frame with a soft cream mat enhances the map’s gentle sepia terrain and blue coastal hues, ideal for both maritime and historical displays.

DOURAT - 'Notre-Dame No. 1' - Antique fine art colored sepia tone engraving on heavy cream paper - Notre Dame Cathedral in Paris - signed and titled - France - circa 1910.

Ashworth pottery was in Hanley in Staffordshire. The plate is in a sepia colored transfer and the plates are hand colored in flow blue dark accents.

An idyllic Danish scene and a bouquet of flowers hand-painted in a brown/rose sepia color. It has Royal Copenhagen markings beneath its base and under its lid.

Two-colors lithography: black and sepia. Author: Joseph Nash, British painter, member of the Gotic Revival Group.

Topographic relief is rendered in warm sepia tones, vividly illustrating the rugged volcanic terrain of the island, dominated by the Canlaon volcano and central mountain range.

For added effect, a subtle double mat with a thin green or sepia line can enhance their botanical theme. Technique: Copperplate engraving Maker: Denis Diderot & Jean le Rond d’Alemb...

Framing tips: This piece pairs well with a dark or mahogany wood frame and a warm-toned mat to bring out the sepia and gray tonal range of the print.

Framing tips: A natural linen mat with a thin gold fillet works beautifully with the warm grey and sepia tones of the elephants. Alternatively, a dark olive or charcoal mat paired wi...

Executed in finely detailed lithography with subtle hand tinting in warm sepia and golden tones, these two plates balance scientific observation with Romantic landscape aesthetics.

Executed in finely detailed lithography with subtle hand tinting in warm sepia and golden tones, these plates balance scientific documentation with Romantic colonial-era landscape ae...

Ywo-colors lithographiy. black and sepia. Author: Joseph Nash, British painter, member of the Gothic Revival Group, in 1838 he published the Revival Lithographic Collection "Medieval...

This 12-inch patent tile displays a sepia scene, in the Etruscan taste, of classically dressed figures titled 'The Meeting of Ulysses and Penelope'.

Two colors lithografy: black and sepia. Author: Joseph Nash, British painter, member of the Gothic Revival Group.

Behind the glass lies a beautifully hand-painted scenic panel in warm sepia tones, depicting a pastoral scene with architectural ruins, trees, a fisherman, and a boat.