Antique Slip

carved side columns, the boarder and feet, oversized brass handles, a green baize lined slip shelf and

in polychrome slip, with small grasses highlighted in gold. Twisted "rope" handle. Late 19th-century

European continent. Near the top of the mug is a band of medium blue slip. Below are two thin bands of

signalled. Unsigned. Held in a modern gilt frame in the Louis XIV taste, with a broad burnished slip and a

(1886-1966). Well presented in a wooden frame with a gilt-effect slip and dark green mount. Signed and

American Queen Anne old growth mahogany upholstered slip seat side chair. The square seat is fitted

upholstered boxed slip seat. England, circa 1820.

production continued into the Ming dynasty. Features a white slip with black or brown painted decoration

/ 19th century, Edo period. Each poem slip signed Kageki. Full translation of the poems are available

. Over the iron-rich clay body, white slip was vigorously applied with a brush, creating rhythmic, wave

Late Victorian Adam Revival Giltwood Wall Mirror with beaded slip and moulded frame, bevelled glass

presented in an ornate gilt frame with a neutral linen slip. On board. Image size: 26 x 34cm.

domestic subject matter. Presented in a giltwood frame with linen slip, complementing the intimate scale

a traditional slip or for a more contemporary look, modern shapewear. Of note it is a petite size

ground with black decoration” (hakuchi kokka). In this method, a white slip is applied over a slightly

woolwork is stitched to calico slip and stretched over mountboard. Frame backed with paper and sealed with

slip seats, and square Marlborough legs, all joined by robust box stretchers. This combination creates

of the Doncaster Great St Leger 1845." Well presented in a vintage wooden frame with a gilt slip. On

. Titled to the stretchers verso. Well presented in a thick wooden frame with a gilt slip. On canvas on

slip, modern resort wear or for a bride. The crochet is white and incredibly detailed with geometric

seat fitted with a wool crewelwork slip seat depicting two deer beneath a fruit tree is a work of art

. Elegantly presented in a swept gilt-effect frame with a fabric slip. On canvas on stretchers.

Giacomo de' Rossi (1627-1691). The work is elegantly presented in a wooden frame with gilt-effect slip. On

considering this decoration has all been done by hand without a single slip; one can imagine the sheer focus

Early 20th century carved mirror with original lacquered finish and gilt slip. U.K 1900. H 50cm x W

with tape.. Dimensions exclude the frame and slip.

POTTERY WITH RED SLIP AND BLACK GEOMETRIC RESIST DESIGN CONDITION: GOOD DIAMETER 18 cm Ex Uk collection

. Mounting: The sampler is stitched to calico slip over mountboard acid free card. Frame backed with

twist and floral design, the inner slip beaded. Rosettes in shoulder corners. The central cartouche of

funerary ceramics. The female visage, rendered in pale slip, displays idealized Hellenistic features—calm

production on the island. Painted in white slip with umber detailing, it has the distinctive, individual

foliage and symmetrical motifs typical of 19th-century decorative frames. The inner gilt slip enhances the

type vessel, ovoid with a slim flat bottom, pottery with cream slip painted with red and black

. The black-slip ground is bordered by painted geometric bands and a molded rope-twist rim, echoing

dimensional ratios, while incorporating modern innovations like non-slip silicone feet hidden beneath silver

coiffure. The arms rest on her abdomen and she wears white slip-painted upper armbands. Though the large

horn strapped onto the forehead with a slip-painted headband, coffee bean eyes, sharp nose and slit

. The present narrow dark blue slip perfectly frames the whole, replacing the original frame.   

. Frame backed with chipboard and sealed with tape.. Dimensions exclude the frame and slip.

simple moulded profile and dark outer slip. Medium: Oil on canvas Overall size: 28” x 21” / 71cm x 54cm

advertisement slip for "Phantasmagoria" tipped to the front endpaper. CONDITION: Internally clean and bright

Late Victorian Adam Revival Giltwood Wall Mirror - with beaded slip and foliate moulded frame

the natural red-orange of the clay, set against a lustrous black slip background. You can admire the

slip casting. On the bottom there is a paper label marked "Oliver Sutton Antiques- Guaranteed Genuine

is housed behind glass with a clean mount and ebonised frame with gilt slip. A very striking and

Date: Circa 1780-1800 Medium: Earthenware with Applied Clay Slip (Variegated Surface) Dimensions: 7 3

18th Century Slipware colander, three integrated feet, yellow slip. lots of wear. France, Circa

form, decorated in a cream slip on a celadon ground with large sprays of leafy fronds to the front and

has a quiet beauty, patterned only by firing imperfections and the brushed texture of its slip clay

typically scenes, figures and foliage. The box has its originally lacquered segmented slip, areas of loss

French storage pottery: a rich honey-brown slip-glaze covering the upper section and rim, above an

Collection of 3 graduating slipware honey pots. glorious pale yellow slip. Good condition

inner slip, consistent with mid-19th-century presentation practices for folk needlework. Measurements

typical of early glass. The gilt inner slip, formed over gesso and bole, displays naturally softened high

white slip that provide a subtle, rhythmic contrast. The captivating central band showcases the highly

is set within a finely carved, moulded and fluted giltwood slip border and elegant fretwork mahogany

priesthood, the young Serres gave the Benedictine monks at his seminary the slip and made his way to Spain