Antique Slip

yet stylised anatomy, elongated neck, covered in a warm buff-toned slip with surviving green glaze on

slipping, a netsuke, a small figurine in wood or ivory, was used to secure the cords of inrō or other types

This amphora is a well formed example of the Geometric period, decorated in dark brown slip with

with a gilt slip. Unsigned. On paper.

imperfections and the brushed texture of its variegated grey slip clay finish. Additional Dimensions: Diameter

with ebonised insert slip surrounded with 79 gilt spheres.

filled with ground herbs or oils. The tapered form has a white slip finish and faded traces of the

A highly decorative country house convex mirror, with oil gilt slip and faded velvet clad frame

foliate slip, fret cut frame with gilt HoHo bird and with a shell in satinwood and harewood - 23"w x 41"h

filled with ground herbs or oils. The tapered form has a white slip finish and faded traces of the

filled with ground herbs or oils. The tapered form has a white slip finish and faded traces of the

gilt slip. On canvas.

recessed cross. There is a hole at the top of the hand where a cord would have slipped through and a cutout

church beyond. Signed to the lower right. Well presented in a gilt-effect frame with a canvas slip. On

, issuing twin candle branches with slip over drip pans and back snake arms, the candelabra centred with a

filled with ground herbs or oils. The tapered form has a white slip finish and faded traces of the

gold slip. On paper.

the frame and slip.

objects were carried in small boxes (sagemono) attached to the sash (obi). To prevent these from slipping

slipping, a netsuke, a small figurine in wood or ivory, was used to secure the cords of inrō or other types

inner slip frames an attractive original mercury-silvered plate, displaying a soft, even bloom and

frame. Frame backed with card and sealed with tape.. Dimensions exclude the frame and slip.

Mould-made, with white slip, this large terracotta female protome is as lively as she is enchanting

a black cassetta frame with a gilt slip. On canvas.

sectioned into seven alternating bands of smooth light blue slip and crisp white ground, all separated by

floor tile decorated with a heraldic lion, incised and inlaid with yellow slip under a transparent lead

-effect frame with a grey slip. On canvas laid to board.

them to return home safe and sound. The Japanese also like to slip a frog into their wallet to make

slip decoration Elton Sunflower Pottery Elton painted mark Circa 1910

presented in a period bird’s-eye maple frame with gilt slip. An evocative piece of early folk art capturing

artist left the work unfinished. Presented in a wooden frame with a gilt slip. Unsigned. On paper.

filled with ground herbs or oils. The tapered form has a white slip finish and faded traces of the

lullabies before beheading him. Well presented in a wooden frame with a gilt-effect slip. On laid. Image

midground and distance are populated by skaters and children at play, some slipping and falling on the ice

filled with ground herbs or oils. The tapered form has a white slip finish and faded traces of the

filled with ground herbs or oils. The tapered form has a white slip finish and faded traces of the

monogram and dated to the lower right. Well presented behind glass in a maple frame with a gilt slip. On

slip trailed glaze through a cow horn and feather quill . Danico in Horsens, Denmark was started by

-width profile. Use wide warm-ivory mats, optionally with a subtle pale green inner slip to echo the

-width profile. Use wide warm-ivory mats, optionally with a subtle pale green inner slip to echo the

inner slip complements the insect coloration. Museum or UV-filtering glass is recommended. Hang side by

gilt frame with an oval slip. On canvas laid to panel.

from slipping etc. A very special gift for someone or as an indulgent addition for the discerning

. Executed in oil on canvas and housed in a period burr-veneered frame with gilt slip, the painting would sit

with a gilt slip. On canvas.

or stamped by its maker or retailer. On the underside of the original slip seat, which retains not

left and dated '17. Well presented in a glazed gilt slip. On paper.

design is outlined in slip and glazed in turquoise, yellow, and white on a dark blue background.

dated. Presented in a gilt frame with a cotton slip. On panel.

original 19th-century wood frame with ebonized interior slip and gilded accent liner. This dramatic scene

slip was layered to create delicate floral or figurative reliefs that appear to float upon the surface

: ca. 200–600 CE (Early Intermediate Period) Material: Burnished ceramic with painted slip decoration

the length of the piece, the chain does not open or close, and could easily be slipped on over the

housed in a new, English made gilt frame which is in excellent condition and retains its original slip

. Presented in a washed wooden frame with a gilt-effect slip. On canvas on stretchers.

frame with a foliate running pattern and canvas slip. On canvas on stretchers.

early mountain makers often understood graphic impact long before we called it that. Scaled to slip