Antique Triptych

Decorative and highly versatile, this attributed Aubusson set may be displayed individually or as a dramatic triptych, framed for wall presentation, or incorporated into a custom int...

Made in the Spanish Colonial style, at times described as Tuscan, Baroque or Brutalist in terms of design, its wonderful geometrical carvings primarily stem from the Moorish influenc...

The vertical format and consistent presentation make them ideal for hanging as a triptych, whether in a study, hallway, or living space.

They foreshadow certain Surrealist themes, as shown by the right-hand side of the triptych L'Eau, L'Eau dormante. His large triptych, Les Ages de l'Ouvrier, exhibited at the Musée d'...

Related works: - Master of the Half-Figures, The Triptych with the Crucifixion, circa 1520-1530, Sabauda Gallery, Turin - Master of half-figures, the Crucifixion, Rotterdam, Boym...

A similar basket was seen in the Triptych woodblock prints: Arranging Flowers (Ikebana), from the series The Appearance of Upper-Class Women of the Edo Period (Tokugawa jidai kifujin...

Framing tips: Particularly effective when framed as a horizontal triptych using slim dark walnut or ebonized frames with generous ivory mats to emphasize the classical engraving lines.

They work well as a horizontal triptych or as part of a broader gallery wall combining cultural and decorative subjects.

They foreshadow certain Surrealist themes, as shown by the right-hand side of the triptych L'Eau, L'Eau dormante. His large triptych, Les Ages de l'Ouvrier, exhibited at the Musée d'...

Presented in a modern, ornate gilt wood frame. This triptych depicts upper-class ladies in an interior setting: the hostess is about to write something while servants entertain gues...

Framing tips: Ideally presented as a panoramic triptych within a single wide frame or as three separately mounted prints in identical dark wood frames.

The composition is arranged as a structured triptych, depicting three figures representing Chinese imperial society as understood by early 18th-century European scholars and engravers.

Satinwood Sheraton Style Over Mantel Mirror late 19thC the moulded Greek key pattern pediment over a frieze inlaid with harebell swags and urns above triptych mirror 64"w x 4"d x 33"h

Beautiful 17th century Dutch fireback with an allegory of Hope. Hope from the triptych faith, hope and love, the three theological virtues.

Framing tips: These prints frame beautifully as a horizontal triptych. A dark walnut or ebonized frame with a warm ivory mat works particularly well and enhances the fine line work o...

They work beautifully as a triptych, evoking the elegance and discipline of 18th-century riding schools and the aristocratic culture that sustained them.

Antique 19th Century Japanese Woodblock Print By Utagawa Kunisada C.1858 Edo period 1858 (Ansei 5), 3rd month Original Woodblock print of Snow (Yuki) actor Nakamura Fukusuke I as H...

The set works well aligned in a linear row or as a balanced triptych, emphasizing the scholarly yet decorative character of the engravings.

Annual Events for Young Murasaki (July) - Tales of Genji - Japanese Woodblock Rightmost panel a triptych, depicting monthly events for Wakamurasaki (Young Murasaki).

Triptych composed by a clock and two candlesticks in white statuary marble with gilded bronze finishes.

Caritas (the care / love). 'Love' from the triptych faith, hope and love, the three theological virtues.

Keywords: antique bird prints, svenska fåglar, nordic raptors, birds of prey art, antique lithograph birds, swedish ornithology, scandinavian natural history, vintage wildlife prints...

Works particularly well as part of a triptych with The Foal and The Post Horse. Technique: Color photomechanical print Maker: After Henry Thomas Alken (artist), after Thomas Sutherl...

When displayed together, they form a balanced and intellectually coherent triptych, progressing from dress to identity and finally to protection and authority.

This spacing preserves the individual integrity of each engraving while allowing the set to read as a unified triptych. Natural walnut, ebonized wood, or muted antique black frames c...

Framing tips: Best presented as a horizontal triptych in matching frames. Natural walnut or ebonized wood frames with off-white or light parchment mats will complement the technical ...

Our panel, originally the central part of a triptych, illustrates one of the subjects that has become universal in Western art, the crucifixion scene.

When displayed as a triptych, place the tall vase at centre, with the coffee pot and mug on either side to create a balanced and harmonious wall composition.

The central dish benefits from slightly wider side margins to balance the vertical plates on either side, creating a harmonious triptych arrangement. Technique: Chromolithography Ma...

Page from "Spring View in Takanawa" Mid 18th Century Ukiyo-e Print Left page from the triptych print "Spring View in Takanawa" by Utagawa Kunisada (Toyokuni III) (Japanese b. 1786 d...

Framing tips: Displayed as a vertical or horizontal triptych, these prints are ideal for naturalist interiors or botanical-themed collections.

Framing tips: Best presented as a vertical or horizontal triptych in matching gold, oak, or dark walnut frames with soft ivory or pale green mounts.

Displayed horizontally, they create a serene botanical triptych; vertically, they add gentle color and symmetry to narrow wall spaces, ideal for a reading corner or conservatory.

Framing tips: These engravings pair beautifully in a triptych arrangement. Use light oak or black frames with off-white or sage green mounts to enhance the fine green tones and scien...

Framing tips: Best displayed as a vertical triptych in matching antique-gold, oak, or dark green frames with ivory or soft grey mounts.

They can be arranged horizontally as a triptych or vertically for a tall wall space, adding botanical charm to a living room, library, or hallway.

A narrow gold or dark wood frame enhances the botanical coloring, while spacing them in one horizontal line creates an elegant triptych effect ideal for a study, garden room, or natu...

Framing tips: These three plates create a perfectly balanced triptych when framed together in natural oak, light gold, or white frames.

Made of carved wood and adorned with its original gilded finish, the frame features a triptych of beveled mirror plates, each subtly aged with natural foxing and patina that enhances...

Their mix of colour and monochrome makes them ideal for framing as a set, whether aligned horizontally or as a vertical triptych. They appeal both to collectors of ancient history an...

Framing tips: Best presented as a botanical triptych in light oak, gilt, or black frames. Use soft ivory or moss-green mounts to bring out the natural tonal harmony of the leaves and...

His illustrative approach combines the narrative depth of panoramic battle paintings with the immediacy of poster art. The use of the triptych format enhances the sense of scale and ...

Framing tips: These prints would look elegant when framed together as a triptych, using light cream or soft green mounts to highlight the delicate hues.

Double matting in ivory or light cream tones softens the dramatic imagery, while wide dark wooden frames enhance their strength. A triptych display brings out their scientific and de...

Framing tips: To highlight the contrast and harmony within this set, consider a uniform triptych frame with equal spacing between each print, using a warm-toned mat to draw out the r...

Framing Suggestions: For an elegant display, consider framing this triptych together in a wide black or dark wooden frame with a light, neutral mat to allow the humor and historical ...

Double matting in soft ivory highlights the finely detailed feathers, while slim dark or gilt frames emphasize their classical 19th-century character. Hanging as a triptych creates a...

The plates make a striking decorative ensemble when hung as a triptych, equally suitable for classic interiors, country houses, studies, libraries, or modern natural-history-themed w...

Arranged in a vertical or horizontal triptych, the set makes an impressive wall display.

Their warm palette, delicate linework, and museum-quality layout make them perfect for framing as a scientific triptych or natural history wall ensemble. Condition Summary: Excellen...

Arranged in a vertical or horizontal triptych, the set makes an impressive wall display.

Coltman’s contribution was Dominance of the City, a mural triptych. A triptych is comprised of three separate and distinct panels.

Framing tips: These three engravings work beautifully as a triptych. Wide ivory or cream mounts will emphasize the crisp engraving lines, while black or dark wood frames provide cont...

For a more dramatic presentation, consider grouping them as a triptych on a single wall. Technique: Hand-colored engraving Maker: Samuel Howitt (1756/57–1822), published by Edward O...

Framing Tips This set frames beautifully as a matching triptych in dark walnut, black lacquer, or antique gold frames with soft ivory or warm sand-tone museum mats.

A notable aspect of his oeuvre is his creation of religious triptychs during the 1920s for churches and private patrons, demonstrating his technical mastery and ability to render tra...

The fireback is from the Louis XIV period. Hope from the triptych faith, hope and love, the three theological virtues).

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning suite of six Antique Japanese Woodblock Triptych watercolour prints after Utagawa Hiroshige 17...

Plates 133, 134, and 135 together form an extraordinary triptych of Landsknecht fashion. These soldiers became famous across Europe for their exuberant and unconventional dress—massi...

Coltman’s contribution was Dominance of the City, a mural triptych. A triptych is comprised of three separate and distinct panels.