Apollo And Daphne

While the sculpture may be appreciated from multiple angles, Bernini planned for it to be viewed side on, allowing the observer to see the reactions of Apollo and Daphne simultaneous...

Above all, Bernini's statue of Apollo and Daphne which he described in an interview in 1951 as "that group which it was almost impossible to conceive had been wrought by the hands of...

The frieze centred with a horizontal oval panel inlaid, against a simulated porphyry background, with red figures depicting Daphne and Apollo; the whole set within a laurel crown and...

Apollo follows Daphne, begging her to listen to him.

This is a very fine study for the painting Apollo and Daphne executed for Louis XIV in 1681 and now in the Musées Royaux des Beaux-Arts in Bruxelles (Inventory no.269).

19th century Meissen mythological porcelain figure of Apollo and Daphne.

This tapestry is probably part of the hanging of Apollo and Daphne where we see Daphne chasing Apollo in a forest, on the right in a perched tree is a parrot and at the bottom compos...

A pair of hand carved 18th century white polychromed male and female figures, possibly the Greek Roman God Apollo and nymph Daphne at the beginning of her metamorphosis.

Mosaic Relief with motif of Greek Mythology, "Apollo & Daphne". Made by Kay Simmelhag. Monogram in the front and monogram & dated -34 a tergo.

Small sculptural group representing Apollo and Daphne. The figure of Apollo has a break on his right arm and a missing thumb finger on the same hand.

Daphne...almost..., 2018 Acrylic on canvas (Signed front right middle) 82.67 H × 47.24 W in. 210 H × 120 W cm The artist reinterprets the myths of Apollo and Daphne from the Greek M...

When Apollo tried to rape Daphne, she fled. Exhausted by Apollo's pursuit, she begged her father Peneios to change her - Apollo charming - shape.

When Apollo tried to rape Daphne, she fled. Exhausted by Apollo's pursuit, she begged her father Peneios to change her - Apollo charming - shape.

The clock is surmounted by the figures Time and Urania from classical mythology. The figures Apollo and Daphne, also cast in patinated bronze, hold aloft the branches of each five li...

This original artwork is a reinterpretation of famous sculpture of Apollo and Daphne by Gian Lorenzo Bernini in a contemporary key, with vivid colors.

This original artwork is a reinterpretation of famous sculpture of Apollo and Daphne by Gian Lorenzo Bernini in a contemporary key, with vivid colors.

This original artwork is a reinterpretation of famous sculpture of Apollo and Daphne by Gian Lorenzo Bernini in a contemporary key, with vivid colors.

They remind of the greek mith of Apollo and Daphne, where the nymph, was running away from Apollo and she became a laurel oak.

They remind of the greek mith of Apollo and Daphne, where the nymph, was running away from Apollo and she became a laurel oak.

Pair of neoclassical antiquity style ebonized wood and brass trim pedestal base table lamps with original limed whitewashed and partially gilded surface to the carved wood busts of D...

There are plates representing ancient bas-reliefs and sarcophagi of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor, and two modern ...

Pair of Empire Style Two-toned Gilt Bronze Figural Candelabras: depicting Daphne and Apollo Stock Number: L145

Jonas Carl Linnerhielm (1758–1829) Apollo and Daphne Signed and dated “J. C. L. 1807” Pencil on cardboard
18.4 × 14.2 cm (7 ¼ × 5 ⅝ in); image 16.8 × 13.2 cm (6 ⅝ × 5 ¼ in) framed 3...

Drouot, representing Apollo pursuing Daphne, who was seeking to escape from his love.

Small sculptural group representing Apollo and Daphne. The figure of Apollo has a break on his right arm and a missing thumb finger on the same hand.

Giovanni Angelo Canini (Rome, 1608 - Rome, 1666) The Myth of Apollo and Daphne Oil on canvas (84 x 100 cm - Framed 106 x 125 cm.)

Daphne flees from Apollo taking him as a predator, Apollo explains that he wishes to pursue her as a lover in which Daphne rejects Apollo continually.

They remind of the greek mith of Apollo and Daphne, where the nymph, was running away from Apollo and she became a laurel oak.

There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern s...

The subject could well have been inspired by one of the most famous and frequently depicted stories in art, that of Apollo and Daphne, taken from Ovid's Metamorphoses (I, 450-567).

Apollo pursuing Daphne is a beautiful original print on paper realized by Aubrey Vincent Beardsley.

There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern s...

There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern s...

There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern s...

There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern s...

There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern s...

There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern s...

There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern s...

There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern s...

There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern s...

There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern s...

There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern s...

There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern s...

Refined 18th-century charcoal drawing of Apollo and Daphne on linen mat in continuous corner hand carved pewter-leaf frame.

The myth of Apollo and Daphne has been proposed as a battle between chastity (Daphne) and sexual desires (Apollo).

This early nineteenth-century backplate features a low-relief sculpture scene of Apollo, the Greek God of Light and Truth, catching Daphne, a nymph.

'Daphne and Apollo' Mythological tapestry depicting the nymph Daphne rejecting the amorous attentions of Apollo by changing into a laurel tree.

The sculpture was the last of a number of artworks commissioned by Cardinal Scipione Borghese, early on in Bernini's career. Apollo and Daphne was commissioned after Borghese had giv...

As observed by scholar Alvar González-Palacios, it is amply recorded that “Bernini took punctilious care with the supports of his statues”, including for the pedestal of his renowned...

The full quotation, from the first book of Metamorphoses (Daphne and Apollo), puts the motto in context and makes it particularly relevant to apothecaries.

Judith with the head of Holofernes, antique oil painting after Cristofano Allori. Painting has been restored. Dimensions without frame. Frame has some damage.

Apollo and Marsyas Pompeo Girolamo Batoni (Lucca 1708 – Rome 1787) circle oil on canvas (65 x 83 cm. - framed 84 x 102 cm.) Provenance: Private collection, Rome The subject...

Bartholomäus Spranger (Antwerp, 1546 – Prague, 1611) workshop Aristotle and Phyllis Oil on canvas 64 x 54 cm In frame 79 x 72 cm The curious subject of this painting, quite...

Toilet of Venus Francesco Albani (Bologna 1578 - 1660) Follower of Oil on canvas 64 x 96 cm In fine gilded frame 83 x 121 cm. The painting on offer, depicting ‘Venus’ Toilet',...

Sir Anthony Van Dyck (1599-1641, Flemish) Study of a Head of Man Circa 1627-32, Van Dyck’s second Antwerp period Oil on paper, laid down on canvas Dimensions 15 x 14 inches (38.1 x 3...

Caravaggesque painter (17th century) - Saint Jerome. 47 x 73 cm. Oil on canvas, unframed (not signed). The painting depicts Saint Jerome recumbent, wrapped in a red cloak, in a mo...

French school of the second half of the 18th century Oil on canvas 46 x 38 cm (57 x 49 cm with the frame) Very beautiful frame in gilded wood from the Louix XVI period with decoratio...

The Pilgrim and Angel Spanish School, 17th Century oil on canvas, gilt framed framed: 48 x 37 inches canvas: 43 x 32 inches provenance: private collection, Barcelona, Spain condition...

Jacques Muller (Utrecht 1630 - 1680) Signed: 'J. Muller f(ecit).' Pupil of Abraham van Cuylenborch (Utrecht, 1620 - 1658) Diana and the nymphs bathing in a cave Second half of the ...

Mattheus Terwesten (The Hague, 1670 - 1757) Portrait of a young woman with palette and brushes, as Allegory of the art of Painting Oil on canvas 160 x 91 cm. - In frame 178 x 107 cm...

Jacob De Heusch (Utrecht, Netherlands, 1657 – Amsterdam, Netherlands, 1701) Title: Pair of Landscapes Medium: Oil on canvas Dimensions: without frame 50 x 80 cm, with frame 70 x 100...

Pietro della Vecchia (Vicenza, Italy, 1603 – Venice, Italy, 1678) Title: Bacchus and Ceres Medium: Oil on canvas Dimensions: without frame 109 x 130 cm – with frame 128 x 152 x 8 cm...