Arabesque Antique

-shaped reserves framed by arabesques and lace-like patterns. The medallions appear on opposing sides and

, opening to a drawer, with arabesque decoration of stylized foliage, chimera and vases; some restorations

small scatter shows a slightly scalloped ogival red medallion with ivory volute arabesques and

arabesques are woven in soft beige, muted gold, and hints of sky blue, creating a harmonious and balanced

-scented cologne. The rounded body, with a raised base and short neck, is finely decorated with arabesques

curvy stems, and navy corners with arabesques. Light rose-tan border with triangular palmettes

arabesques in ecru rather than the more usual red, along with ivory lazy petal palmettes. Rose and light blue

a series of openwork rectangles of floral and arabesque motifs, held and articulated between them by

arabesque segments between. There is no corner resolution with diagonal palmettes. The inner medium dark

a small dome, and covered with very rich arabesque carvings in wood. Immediately in front is a

For pierced ears. Antique large gold “dormeuses”, oval-shaped, domed, openworked with arabesque

bulbous base. With gilt scrollwork or arabesque motifs along the length of the neck. Impressed "Christofle

serpentine front façade. Each of the drawers and the sides are adorned with painted arabesque and linear

polychrome of blue and pink for depth against the dark leather, surrounded by dimensional Arabesque curls and

fat forked arabesque “goosenecks”, on an attractively abrashed salmon-gold field. The rust main border

From northeast China, this export carpet shows a deep blue field organized by an open arabesque and

diamonds and original calibrated red gems. The edges of the antique brooch are chiseled in arabesque

with arabesques on the face and sides. Height: 2.5 cm, width 1.9 cm, depth: 10.9 mm, ring width in

floral motifs and detailed arabesques, exemplifying the refined artistry of Persian craftsmanship. The

panel captures our attention with its delicate arabesques of scrolling foliage symmetrically adorning

natural dyes. Characteristic red Zeychur border with rosettes and short attached arabesques. Moderate

. Depictions of mythological scenes, arabesque-shaped fittings between and around the plaques, and leaf

Orientalist gilt carved frame. Antique Islamic/Arabesque carved gilt mirror with corner blocking

cascading arabesque motifs accented with scrolling leaf designs to the incurves. The decoration to the

adorned with a line of drop-set rose-cut diamonds, the brooch profiles engraved with arabesques. The clasp

is formed of patterns in arabesques, in lace, floral patterns and pampille in the geometrical lines

roundels, while the neck features stylized phoenix birds among arabesque foliage in soft celadon green

and arabesques. Three decorative motifs are featured in this chromolithograph: a central panel of

classical influences: grotesques, arabesques, vegetal motifs, putti, mythical creatures, garlands, masks

historical figures. Interspersed among them are ornate scrolls, grotesques, arabesques, putti, heraldic

scrollwork, grotesques, cartouches, arabesques, and coats of arms, unified by their vivid color palette and

High Renaissance ornament. Other details include stylized urns, baluster forms, torches, arabesques

amidst an interwoven web of acanthus and arabesque patterns on a stippled red background. The color

, winged figures, floral arabesques, mythological beasts, and architectural elements. The visual vocabulary

against floral arabesques, embodying the humanistic and classical revival of the era. The use of bold

, quatrefoils, and floral arabesques – Central grey-toned motifs in delicate grisaille, likely evoking carved

-makers (ébénistes) and gave his name to a technique of marquetry employing brass with pewter in arabesque

foliate arabesques, sometimes organized around a central mask. Casting Louis XIV’s features in the guise

Pair of Italian Baroque small mirrors that were originally sconces. With silver arabesques

violent, chromatic contrasts and drawings partitioned by long, sinuous arabesques. In these extremes of

central medallion and scrolling arabesques in a rich blush, taupe, and deep burgundy palette. The detailed

display scrolling vines, delicate blossoms, and intricate arabesques, framed by a refined ivory outline

frame features arabesques, flowers and acanthus leaves, all delicately chased. The clasp is a pin with a

arabesques. In the center a splendid and important amethyst is set. Amethyst weight: approximately 16.5

on an unusual ivory field of flower heads and leaves connected by scrolling arabesques. Finely woven

pattern and arabesques. 4 natural button pearls decorate the front face. Diameter of the pearls : from 3

flowers and arabesques, of a Limoges enamel representing a young woman in profile wearing a veil. Height

the 1800s, this majolica apothecary container has an arabesque of white bands, partially filled with

Arabesque & leaping deer, interspersed with calligraphy. The bases have corresponding engraving and both the

arabesque-patterned corners, and each displays a quarter of the central sub-medallion. The ecru sub-field

or more souvenirs. The 2 sides of the gold medallion are decorated with finely chased arabesques

formed of arabesques and adorned with an applied fleur-de-lis motif. Height : 20.7 mm approximately

the body. The glass vases are superbly enameled: scrolling golden arabesques encompass the surface

. Ecru border with animals in light blue octilobe rosettes and arabesque-filled cartouches. Well-woven

with rose-cut diamonds and 4 small calibrated sapphires. The basket is openworked with arabesques

an openwork setting, such arabesques which join on the top to retain, with claws, a rose- cut diamond

its departure of 2 patterns in arabesques set with rose- cut diamonds. In the center, a round garnet