Associated Press Art

In his latest show, Benjamin Heller invites us to enter a poetic space of echo and convergence. As a photographer, sculptor, and performer, movement is key in this body of work, that is punctuated by self portraits selected from the series "The Long Walk: Analog Narratives". This series features pieces collected over an extended period of time spent traveling. It is a window to the interior landscapes he seeks to find reflected in the world, to contain a sense of this intimate vastness. All of the images can be viewed as variations on a self-portrait. The places of intimacy and sense of vastness contained in the photographs can convey a sense of transport that enhances the viewer's visual experience. The "echoes" we find in the show reside in multiplicities of human and physical forms, rolling natural curves, and animals in flight; all intended to provide a resonance with the contours of earth, water, and wind. The result is an array of images captivating in themselves, but also given new meaning in the context of Robin Rice's skillful curatorial arrangement. Her intuitive placement creates a graphic narrative for the viewer to follow and decipher, encouraged by the convergence of the poetic titles of the works. Traces of poetry, sculpture, the lines of the body, lived experience are also evoked in Heller's photographs, in movement and action. He also finds inspiration in photographer Duane Michals' framing of expressive narratives, and in Sally Mann's felt sense of powerful physical presence. Photographer Miranda Penn Turin, in reviewing the exhibition, said "I can almost hear a soundtrack, and it's the sound of wind". The invitational image is entitled "Fall," a graceful figure, suspended in a glowing arc, light streaming upwards, eyes closed in rapture. This light sits in contrast to the infinite shadow of the black background, conjuring a certain atmosphere. Heller believes that it is shadows that allow the viewer to reside in the experience – this image does just that. These imagined environments speak to our converging lives and the echoed moments we experience, embodying for each viewer, just what Benjamin Heller connects with while photographing. Another view of self portraiture at the front sign in desk, is an image reading, "and the soul wanted to move," between the keys of a typewriter. This show is a mirror of a desire to move. The black & white images capture simultaneously this movement and stillness, asking us to pause between the natural forces that rise and fall. Heller employs multiple-exposure and a fixed 4x5...

'The Carlton Hotel' A Cadillac with Florida plates parked outside the Carlton Hotel, Cannes, France, circa 1955. Gorgeous print measuring a very large 30 x 30" inches / approx 76 ...

This vintage silver gelatin print is signed in pencil on the mount beneath the image. Printed in 1948 in an edition of 75 numbered copies. This print is from presentation set #33. Po...

Silver Gelatin Print Signed & Numbered in blue pencil verso Along with copy right stamps and the negative number written in regular pencil Sheet size: 15.8 x 12 Image size: 14.63 x...

Silver Gelatin Print Signed & Numbered in blue pencil verso Along with copy right stamps and the negative number written in regular pencil Sheet size: 15.8 x 12 Image size: 10.88 x...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Sandrine ‘. Signed by Ian Sanderson ...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Franci and Rachael ‘ who was capture...

Silver Gelatin Print Signed & Numbered in blue pencil verso Along with copy right stamps and the negative number written in regular pencil Sheet size: 15.8" x 12" Image size: 14....

13.5 x 10.5 inch gelatin silver print, printed circa 1980 Framed to 26.5 x 22.5 inches Signed on verso Berenice Abbott's "New York at Night" is one ...

Black & white vintage photo of Venice Italy in 1952 by American Abstract Expressionism artist Stanley Twardowicz (1917-2008). It depicts a reflection of the buildings on the water of the canal with a gondola. Sheet is 14 x 11. Photo image measures 7.5" by 8.5" Stanley Twardowicz (1917 – 2008) was an American abstract painter and photographer. Twardowicz was born in Detroit, and studied at the Meinzinger Art School during World War II as well as working in a tank factory. Twardowicz began practicing photography on a 1948 trip to Mexico, and during the 1950s and 1960s he developed his painting style, related to color field paintings and abstract expressionism. He achieved some national recognition during the years he moved to Plainfield, New Jersey and became a regular at the famous Cedar Tavern in Greenwich Village, the meeting place of fellow abstract expressionists Jackson Pollock, Franz Kline and others. The Cedar Tavern (or Cedar Street Tavern) was a bar and restaurant at the eastern edge of Greenwich Village, New York City. Known as a gathering place for avant garde writers and artists, it was located at 24 University Place, near 8th Street. It was famous in its day as a hangout of many prominent Abstract Expressionist painters and Beat writers and poets. Robert Motherwell had a studio nearby in the early 1950s, and he held a weekly salon for artists there. Willem de Kooning, Mark Rothko, Michael Goldberg, Lynne Drexler, Philip Guston, Ted Joans...

Silver Gelatin Print Signed & Numbered in blue pencil verso Along with copy right stamps and the negative number written in regular pencil Sheet size: 15.8 x 12 Image size: 14 x 9....

4th issue of VERVE, "the magazine to look for" Teriade, E. (director), texts by Henri Michaux, Paul Valéry, Rainer Maria Rilke, Jean-Paul Sartre et. al Verve Volume One No. 4; No. 4...