Baluster Legs

stand with four substantial turned baluster legs, raised on ball feet. This very elegant antique cabinet

character. The top is supported on a pair of bold, turned baluster legs, each raised on splayed trestle feet

in design, this rectangular table stands on two elaborately carved baluster legs and splayed feet

proportions. It stands on beautifully turned baluster legs, terminating in brass casters, there is an ebonised

table base forms an open gallery with a line of five, large baluster legs turned on a lathe. A shaped

carved scrolled armrests, it sits on carved baluster legs with brass casters. The proportions are lovely

-front, and robust turned baluster legs joined by stretchers. The warm oak grain adds a timeless presence

Standing upon stout baluster legs united by a double 'H' stretcher Ring turned spindles rise obliquely

Standing upon a quartet of stout baluster legs united by a 'H' stretcher This is a wonderful antique

baluster legs and riding smoothly upon brass castors to each corner This is an attractive antique

shaped motif to the centre Rolled handles to each end uniting the sections with turned baluster rails

turned baluster legs on rectangular block joints. These legs are connected to one another through Baroque

Standing upon a quartet of stout baluster legs united by a double 'H' stretcher This is a desirable

formed saddle squab with pronounced seat and JK monogram to rear Standing upon stout baluster legs

table rests on eight finely carved baluster legs, a hallmark of the Gustavian neoclassical style, all

. The substantial trestle base features hand-turned baluster legs, molded shoe feet, and a thick cross

geometric motifs, retaining its original iron pull and lock escutcheon. The table stands on turned baluster

baluster legs with porcelain or ceramic castors for easy mobility and added visual elegance. Each element

with bead and reel, on baluster legs joined by arched stretchers. Amazingly fantastical spiral

exquisitely baluster turned and tapering legs, and a beautifully curved X-form stretcher with central urn

turned baluster legs terminating in original iron casters. The warm, time-softened patina and surface

turned baluster legs anchored by square block feet. Two side low stretchers and a long, low middle

finely turned baluster legs. These are connected by an intricately carved X-form stretcher, providing

scrolling foliage across the single drawer front, supported by turned baluster legs and joined by a

Standing over block shoulders, leading to turned and cupped baluster legs Buttress aprons adorn each end

aesthetic. Its rectangular top with softly rounded corners rests on two turned spiral baluster legs, richly

rails to the baluster legs, with the two front connectors having a floret carving. The golden frames

gently tapered baluster legs to the front & 'sabre' shaped legs to the rear. The chairs were

playing a hand Raised upon a quartet of faceted baluster legs and riding smoothly upon castors This is a

Italian cabinetmakers of the period. The piece is supported on turned baluster legs connected by a

side chairs, two armchairs (fauteuils), and a canapé. All have square baluster legs and volute x

base is composed of beautifully turned baluster legs joined by stretchers in a geometric arrangement

breathable comfort. The robust frame is supported by four beautifully turned baluster legs, offering a sturdy

by robust, carved baluster legs with fluted and lobed detailing, joined by a low stretcher that

degrees Elegantly turned baluster legs united with a stretcher rail between prominent cabriole feet Each

drawer stamped GILLOWS LANCASTER to the upper edge; on lobed baluster legs to 'H; form moulded stretchers

baluster legs that provide a sense of movement and grace. The base is further strengthened by plain side

, with a kneehole space of 150cm (59'') Broad shoulders enclose the apron, above turned baluster legs

From circa 1860, five beautifully turned baluster legs on brass castors, beautiful oak patina on

ball flower carvings — keys present but locks inoperable Raised on carved baluster legs and united by

architectural apron with paneled details. Turned baluster legs and squared block feet anchor the form, connected

action. The underframe is a masterclass in Baroque proportion, featuring: Turned Baluster Legs

supported by turned baluster legs, a defining element of the Louis XIII vocabulary, resting on a solid

broad plinth shoe feet with softly molded profiles. The baluster legs are conjoined by a long stretcher

composed of turned baluster legs set on shaped platform feet and connected by a long central stretcher for

. Supporting this magnificent top are turned baluster legs, their graceful curves and contours embodying a

extraordinary and extremely rare to find in this form piano chair. The baluster legs in front are an absolutely

baluster legs Maker's mark to the reverse for John Taylor and Sons, Edinburgh This is an exceptional

refectories in Castile and León. Turned baluster legs with square block transitions echo Spanish Baroque

a brass meridian ring, all on four turned flange and baluster legs joined by matching turned

-toned trim to the beveled table edges and the scalloped apron. The slender baluster legs feature gold

baluster legs ending with bun feet. The legs are conjoined by turned stretchers and block-form connectors

desk. Four slender, tapering baluster legs provide support and seat clearance for the desk. Each leg is

. The settee rests on turned baluster legs in the front, which are quintessential of the period's

simpler baluster leg of the late-seventeenth century. However the guilloche-carved frieze is a hint of an

table. Baluster legs joined by simple stretchers, standing on original turned bun feet shows the signs

and 1 meter wide tabletop rests on a trestle base composed of six massive turned baluster legs joined