Bather Painting

'Small Boat and Bather in Dinard', gouache and charcoal on art paper, by French artist, Jean Pons (1961). Painted in a naïve style, the piece depicts a bather nearby a beached small ...

This fine early 20th Century watercolour sketch was one of the artist's preparatory sketches for his finished painting, "Eventide." It shows to nude figures, drying themselves beside...

Blair Hughes-Stanton (British, 1902-1981) The Bathers Ink and watercolour Signed and dated `Blair HS 38’ (lower right) 13.1/2 x 20 in. (34.4 x 50.7 cm.)

Triple Shadow Bathers, by Daniel Berman - Mixed Media, - 60 x 60 cm - Figurative abstraction, c. 2023.

Harold Hope Read was truly a master of story telling through his paintings. Well presented in a double card mount and modern frame.

A vibrant, Modern 1950's watercolor of a young male bather kneeling against a sunny Mediterranean beach by notable French artist Andre Delfau. Painted most likely near Marseille in ...

A vibrant 1950s Modern watercolor of a standing male bather in red & orange tones by notable French artist Andre Delfau. Painted in the south of France along the Cote d' azure (...

In this drawing, Sylvia Spicuzza is clearly taking influence from the Fauvist works of Henri Matisse, especially his famous 1904 composition "Luxe, calme et volupté." Like in that pa...

A Mid-Century Modern 1950s watercolor of male nude bathers in Morocco by notable French artist, Andre Delfau. Image size: 7 1/2 x 7 3/4 inches. Gouache on paper, dating circa 19...

Alexandre Jacques Chantron (French 1842 – 1918) Baigneuses au bord de la riviere Pastel Signed 'AJ Chantron' (lower right) 24 x 18 in (61 x 45.7)

Chicago's celebrated Lake Michigan beach is the source of inspiration for this painting. Traditional colors suggest a beach, but one without bathers.

The origins of this series can be found in Gerstein's watercolors and gouache on paper from the '70s, parts of which were adapted to canvas oil paintings. In the '80s, Gerstein devel...

Triple Shadow Bathers, by Daniel Berman - Mixed Media - 60 x 60cm - figurative painting, c. 2023 The pieces attract by the power of the pictorial gesture materialized in the lin...

This is a print of one ofRenoir’s most famous paintings titled “Bather on a seated rock.” it was printed by.

Most of these were titled simply "Bathers" or "Bathing Group." This painting is truly representative of the artist's work in oils, particularly his later work.

A small body of water with bathers in the foreground. Painting in restrained colours, with the white clothing of the figures particularly emphasised.

For reference, we have included a similar painting "The Laotian Bathers" dating back to 1949, which allows us to pinpoint an approximate date for our painting

Most of these were titled simply "Bathers" or "Bathing Group." This painting is truly representative of the artist's work in oils, particularly his later work.

WILLIAM VERDULT – Untitled [VENETIAN REFLECTIONS] Oil on Canvas ⚜ Signed Lower Right ⚜ Custom Conservation Frame A DREAMLIKE IMAGINING OF VENICE AT SUNSET [Venetian Reflections] sho...

The canvases vibrate with the tension of the seen and sensed; the felt and the observed. When bathers appear in the paintings, they celebrate the connection between us and nature; a ...

The canvases vibrate with the tension of the seen and sensed; the felt and the observed. When bathers appear in the paintings, they celebrate the connection between us and nature; a ...

The canvases vibrate with the tension of the seen and sensed; the felt and the observed. When bathers appear in the paintings, they celebrate the connection between us and nature; a ...

The canvases vibrate with the tension of the seen and sensed; the felt and the observed. When bathers appear in the paintings, they celebrate the connection between us and nature; a ...

The canvases vibrate with the tension of the seen and sensed; the felt and the observed. When bathers appear in the paintings, they celebrate the connection between us and nature; a ...

The canvases vibrate with the tension of the seen and sensed; the felt and the observed. When bathers appear in the paintings, they celebrate the connection between us and nature; a ...

The canvases vibrate with the tension of the seen and sensed; the felt and the observed. When bathers appear in the paintings, they celebrate the connection between us and nature; a ...

The canvases vibrate with the tension of the seen and sensed; the felt and the observed. When bathers appear in the paintings, they celebrate the connection between us and nature; a ...

The canvases vibrate with the tension of the seen and sensed; the felt and the observed. When bathers appear in the paintings, they celebrate the connection between us and nature; a ...

The canvases vibrate with the tension of the seen and sensed; the felt and the observed. When bathers appear in the paintings, they celebrate the connection between us and nature; a ...

The canvases vibrate with the tension of the seen and sensed; the felt and the observed. When bathers appear in the paintings, they celebrate the connection between us and nature; a ...

The canvases vibrate with the tension of the seen and sensed; the felt and the observed. When bathers appear in the paintings, they celebrate the connection between us and nature; a ...

Most of these were titled simply "Bathers" or "Bathing Group." This painting is truly representative of the artist's work in oils, particularly his later work.

The image featured on this poster is Lichtenstein's 1978 painting "Reclining Bather". This 1978 exhibition "Leo Castelli Gallery at Northpark National Bank" featured the work of var...

Renoir fully established his reputation with a solo exhibition held at the Durand-Ruel Gallery in Paris, 1883, and in 1887 he completed a series of studies of a group of nude female ...

His work received critical acclaim in the '60s, particularly from Georges Boudaille, following the exhibition in 1964 at the Galerie Greuze of what he described as a revelation: a hu...

Matisse’s uninhibited celebration of women is often believed to have initiated from Cézanne’s painting Three Bathers (1882) (which he had acquired for himself along with a Van Gogh a...

Matisse’s uninhibited celebration of women is often believed to have initiated from Cézanne’s painting Three Bathers (1882) (which he had acquired for himself along with a Van Gogh a...

Matisse’s uninhibited celebration of women is often believed to have initiated from Cézanne’s painting Three Bathers (1882) (which he had acquired for himself along with a Van Gogh a...

Matisse’s uninhibited celebration of women is often believed to have initiated from Cézanne’s painting Three Bathers (1882) (which he had acquired for himself along with a Van Gogh a...

Matisse’s uninhibited celebration of women is often believed to have initiated from Cézanne’s painting Three Bathers (1882) (which he had acquired for himself along with a Van Gogh a...

Matisse’s uninhibited celebration of women is often believed to have initiated from Cézanne’s painting Three Bathers (1882) (which he had acquired for himself along with a Van Gogh a...

Beginning with vintage slides, Greenfield-Sanders breaks down photographic images, and rebuilds them as her own. Putting the image through various incarnations, she grids and paints...

Matisse’s uninhibited celebration of women is often believed to have initiated from Cézanne’s painting Three Bathers (1882) (which he had acquired for himself along with a Van Gogh a...

Matisse’s uninhibited celebration of women is often believed to have initiated from Cézanne’s painting Three Bathers (1882) (which he had acquired for himself along with a Van Gogh a...

Matisse’s uninhibited celebration of women is often believed to have initiated from Cézanne’s painting Three Bathers (1882) (which he had acquired for himself along with a Van Gogh a...

Matisse’s uninhibited celebration of women is often believed to have initiated from Cézanne’s painting Three Bathers (1882) (which he had acquired for himself along with a Van Gogh a...