Birch Photography

large format photography diptych by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Santa Ces...

large format original photograph of the iconic Mediterranean white beaches of Rosignano in Tuscany by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of beach rites and rituals of modern leisure From Massimo Vitali's body of works captured along Italy's (almost deserted) beaches in the pandemic summer of 2020 Spiagge Bianche...

large format photograph by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the summer rites and rituals of modern leisure Coney Es...

'Omvetya V (Cypress, Mist)' Original Artwork. Unframed ______________ Fog along the shoreline, obscuring the boundaries between the land, air and ocean. I remember the worn stones, t...

This is an exclusive handprinted limited edition cyanotype of a beautiful palm leave. Details: + Title: Coconut Palm Tree + Year: 2021 + Edition S...

Stretching Landscapes Series: The Last Lost Continent (Nice) Set of 3 works Work 1: Acrylic on canvas Work 2: Photography in cotton paper premium quality 300gr Work 3: Acrylic on can...

By toning cyanotypes, using chemicals that turn the deep blue images to yellow, Craig's photographs fade and begin to disappear. Craig is curious about what happens when she stops the process at various stages, and when she lets the images ‘evaporate’ completely. Nothing lasts forever. Blue Gum trees, native to Australia, have survived for millennia by adapting and thriving in a climate where wildfires are common. Now invasive in many parts of the world, this 'gasoline tree' is a dangerous fire hazard, especially in the face of climate change, which is expected to make wildfires more common. White mat, framed behind glass in white wood frame, 14 x 17 inches Marie Craig’s photography considers objects that were once imbued with life but have since been abandoned. Juncture, Craig’s latest series, alludes to a turning point, the moment where a choice made profoundly alters the trajectory of what follows, whether evident at the time or not. She uses cyanotype, because in this early photographic process choice and chance factor equally into the outcome of each piece. Craig’s layered photographs...

This is an exclusive handprinted limited edition cyanotype. Details: + Title: Vintage Pressed Flowers Nº2 + Year: 2023 + Edition Size: 20 + Stamped and Certificate of Authenticity p...

"Tree Bottles for Two People" is an exclusive handprinted unique cyanotype made by layering paper cutouts of bottle silhouettes using uv-light and multiple exposures. This artwork ...

"Cyanotype Fern" is an original photogram print of a tree fern by Northern Californian artist Ellie Honl. The artwork documents one central white frond and ...

By toning cyanotypes, using chemicals that turn the deep blue images to yellow, Craig's photographs fade and begin to disappear. Craig is curious about what happens when she stops the process at various stages, and when she lets the images ‘evaporate’ completely. Nothing lasts forever. Ferns are some of the oldest plants on earth. Ferns embody resilience. Many forms have come and gone since they first appeared on the planet; 10,000 species exist today, in tropical, temperate and arctic regions. White mat, framed behind glass in white wood frame, 14 x 17 inches Marie Craig’s photography considers objects that were once imbued with life but have since been abandoned. Juncture, Craig’s latest series, alludes to a turning point, the moment where a choice made profoundly alters the trajectory of what follows, whether evident at the time or not. She uses cyanotype, because in this early photographic process choice and chance factor equally into the outcome of each piece. Craig’s layered photographs...

Abstract digital print on black/white photo paper 31.5 x 26.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...